Anna Bartels

Anna Katarina Bartels née Fernquist (9 December 1869 – 17 February 1950) was a Swedish operatic soprano. She made her debut at the Royal Swedish Opera in 1897 in the title role of Flotow's Martha. Engaged by the company for the next 20 years, she gained popularity as a soubrette and coloratura soprano, performing Swedish premieres: such as Musette in Puccini's La bohème and Woglinde in Wagner's Rheingold. She later turned also to mezzo-soprano roles. In 1923, she was awarded the Litteris et Artibus medal.

Early life and education

Born on 9 December 1869 in Gävle, Anna Fernquist was the daughter of the manufacturer Carl Johannes Fernquist and his wife Charlotta née Larsson. In 1902, she married the Swedish painter .

She studied first in Gävle under the music teacher Wilhelm Björkgren (1886–87), then in Stockholm under Miss Achorn (1891–92), Signe Hebbe (1893) and Emilie Mechelin (1894–95) and later in Baden-Baden and Paris under Désirée Artôt (1899–1901).

Career

In 1897, she made her debut at the Royal Swedish Opera in Stockholm in title role of Martha. For the next 20 years, she performed with the company, first gaining popularity in soprano roles but later also appearing as a mezzo-soprano. She performed in several Swedish premieres: Musetta in Puccini's La bohème (1901), Woglinde in Wagner's Rheingold (1901), Fattoumah in Henri Rabaud's Mârouf (1915), Marianne in Richard Strauss's Der Rosenkavalier (1920) and La Ciesca in Puccini's Gianni Schicchi (1920).

Awards In 1923, for her contributions to Swedish culture, she was awarded the Litteris et Artibus medal.