Ann Thomson

Ann Thomson (born 1933) is an Australian painter and sculptor. She is best known for her large-scale public commissions Ebb Tide for the Sydney Convention and Exhibition Centre and Australia Felix (1992) for the Seville World Expo. In 1998 she won the Art Gallery of New South Wales' Wynne Prize. Her work is held in national and international collections, including: the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney, Newcastle Art Gallery, Newcastle, Thyssen-Bornemisza Collection, Madrid and Villa Haiss Museum, Germany.

Early life and education Ann Thomson was born in 1933 in Brisbane. She went to Somerville House, a private school in Brisbane also attended by Margaret Olley, Betty Churcher and art historian Joan Kerr. After school, she took painting classes with Richard Rodier Rivron and Jon Molvig. In 1957, Thomson moved to Sydney where she studied at the East Sydney Technical College (now the National Art School), graduating in 1962. She focused on drawing, sculpture and painting. During her education, she was taught by Godfrey Miller, John Passmore, John Olsen, Lyndon Dadswell, David Strachan and Dorothy Thornhill. While a young artist she also visited leading Australian modernist Ian Fairweather on Bribie Island, Queensland. The work is part figurative, with references to built structures, and part abstract with large areas of blue and green. It combines aerial and horizontal perspectives. 15 years later, she won the Wynne Prize with her work Yellow sound. She has also won the Geelong Contemporary Art Prize (2002), and the Tattersall's Art Prize, Brisbane (2016).

In 2015 she was honoured with a Fellowship by the National Art School, Sydney. NAS followed this with an exhibition titled Ann Thomson and Contemporaries.

As of 2012, Thomson was painting every day, generally working on multiple canvases at once and painting from memory, rather than directly from real life. Her earlier works were aligned with Abstract expressionism, while her later works oscillate between abstraction and figuration, taking inspiration from the landscape. Thomson says: "I don't feel as though I am totally abstract" and "I might abstract something but I don't just paint shapes".

Recognition and awards 1976: David Jones Art Prize, Brisbane 1978: Visual Arts Board Grant to Cité internationale des Arts, Paris 1980: Visual Arts Board Grant 1981: Winner, Canberra Times National Art Award 1998: Wynne Prize, Art Gallery of New South Wales, Sydney 2005: Kedumba Drawing Prize 2017: Tattersalls Art Prize, Brisbane.

Major exhibitions 1965: Watters Gallery, Sydney 1973: Gallery One Eleven, Brisbane 1974: Gallery A, Sydney 1977: Institute of Modern Art, Brisbane 1977: Gallery A, Sydney 1979: Gallery A, Sydney 1980: Monash University, Melbourne 1982: Gallery A, Sydney 1988: Australian Galleries, Melbourne 1989: Australian Galleries, Melbourne 1992: Australian Galleries, Sydney 1993: Australian Galleries, Melbourne, in conjunction with Meridian Sculpture Gallery 1993: Art Gallery of NSW Sculpture 'Australia Felix' 1994: Australian Galleries, Sydney