Alda Garrido

Alda Palm Garrido (São Paulo, August 18, 1896 – Rio de Janeiro, December 8, 1970) was a Brazilian vaudeville actress. A comedian, she played the title role in Pedro Bloch's production Dona Xepa and then repeated the performance in the film, adapted in 1959.

Life and career At the age of 19 Alda Garrido formed with her husband, actor Américo Garrido, the duo Dupla de Garridos, doing duets in São Paulo until 1920. remaining successfully in theaters for six months.

In 1923, the duo received an invitation to work with the entrepreneur Pascoal Segreto and his company, to work for Companhia Nacional de Revistas, at Teatro Recreio.

Alda's success in the genre makes her maintain a dual professional practice; on one side the usual comedies from her own production company, in which she works with her husband, on the other, the contracts with entrepreneurs in the vaudeville sector. When she performs, the comic part is never on the character, but on the artist, on what she possesses as unmistakably inimitable. What we most admire is not the play, but the very Alda Garrido, with her irreverence and madness, which allows her to always behave in a less conventional way and common sense, which makes her find the most disconcertingly prosaic answer in every situation. Alda Garrido is much more than an actress, she is a great eccentric person, like one of those comic cinema and theater American artists such as Groucho Marx, and Danny Kaye."

Curiosities Alda debuts at Teatro Rival in 1912, with the play Das Cinco Às Sete, by Joracy Camargo, beside her husband Américo Garrido. In 1921, she starts her own theatrical company, eventually given the title "Queen of the Actresses" in 1928. In 1940, she makes her film debut in the movie E o Circo Chegou, directed by Luiz de Barros. In 1952, one of her plays is listed in The New York Times as one of the top ten hits of the year. In 1953, she acts in what would be her most famous role in Dona Xepa by Peter Bloch, a play staged over 500 times, later coming to television (1977) and cinema (1953). Alda abandons her career in 1965 with the play Entre Louras e Morenas. In 1970, she prepares her come back on Maria Fofoca but dies before the premiere, on December 8, 1970, in Rio de Janeiro.