Agustín Parra Echauri

Agustín Parra Echauri (born April 8, 1960) When he was a child, he frequently visited the Tepic Cathedral, located near his school and admired the artwork. When he was ten, people began to pay him to draw Christmas cards.

He moved to Guadalajara when he was twelve.

Today he lives and works in Tlaquepaque, Jalisco, where he owns two shops, one dedicated to his own work.

In 1999 he was commissioned to m a papal chair along with 35 other pieces for the visit of John Paul II, and created more works for this pope's return visit in 2002.

He has also created pieces for the San Fernando Cathedral and the Mission San José in San Antonio, Texas. A towering altarpiece of his was featured when the latter was reopened in 2011.

His work has received various recognitions. In 1998 he was recognized by the Ocho Columnas de Oro newspaper for his efforts to revive colonial era art. The government of the state of Jalisco has named him a "distinguished craftsman" and the Fomento Cultural Banamex named him a "grand master." In 2004, a book about him called Agustín Parra:barroco mexicnao was published by Amaroma Ediciones.

Artistry Parra Echauri is a self-taught painter, sculptor, designer, altarpiece and furniture maker and is credited with reviving interest in Mexican colonial art. He prefers commissions for religious art in colonial style, valuing their realism and drama, with lifelike veins and skin textures, poses in motion and faces with feeling. The artist says that "it moves his heart" to see how paint can wear off of images of Christ because worshippers tap and rub the images' hands, feet and knees.

All pieces are made individually, and he tries to maintain as many of the colonial era methods as possible, many from the 17th century, but some as old as 14th century Italy. He mixes paint to order, cures wood for carving, (preferring Montezuma Cypress (Taxodium mucronatum), Mexican white pine (Pinus ayacahuite), walnut, cedar and orange woods) and works with materials such as dirt, egg yolks, red clay and a type of glue made from rabbit collagen. Although there are modern substitutions for these, he believes that the old methods and ingredients are why colonial artwork has lasted so long. For example, he is an expert in estofado, or the covering of wooden sculptures, usually religious images, in plaster before decorating them with gold leaf and/or paint.