Yenovk Der Hagopian

Yenovk Der Hagopian (; May 24, 1900 – March 15, 1966) was a 20th-century American-Armenian artist, sculptor and musician.

Personal life Yenovk Der Hagopian was born in Ishkhanikom, Western Armenia, from his time in the military during the February Uprising. He married Nevart Kalarchian in August 1948, and later moved to Yonkers, New York together where they lived for over a decade.

Art career In 1923, Der Hagopian immigrated from Turkey to United States, eventually settled in Boston, who found him a job at the Hood Rubber Factory. He also attended courses at the Massachusetts School of Art studying painting and drawing, in addition to the Copley Society Art School. In 1930, Der Hagopian moved to New York City The New York Times reviewed the church sculptures, commenting that Der Hagopian preserved Armenian heritage in the work, as each sculpture represented a scale model of the principle churches and monasteries of old Armenia - including some dating to the third century AD. His largest models would take up to three weeks to complete, using photographs and blueprints of the churches for the inspiration. Years later, a large portion of his unknown work was rediscovered by his granddaughter during a home renovation at the end of the twentieth century.

Der Hagopian is also well known for his carvings, specifically Armenian khatchkars. His magnum opus, completed in 1985, is a large intricately carved wooden khatchkar featuring images of his hometown in Van and his late family.

Music career Der Hagopian's family in Armenia was heavily involved in music, including traveling musical troubadours. In 1942, artist Hyman Bloom introduced Der Hagopian to composer Alan Hovhaness. Hovhaness praised Der Hagopian of him commenting that he "was a fine singer of folk music, a fine troubadour type of singer. A singer of Sayat Nova. A singer in pure style. This proved to be a great influence." In 1943, Yenovk released his first album containing eight Armenian folk songs, entitled Ashoogh Records Volume 1, which the New York Times praised as it "convey[ed] the flavor of the folk style". In 1946, he released his second album duly entitled Ashoogh Records Volume 2. Over his career, Der Hagopian performed both public concerts in the northeast US, and for the American-Soviety Music Society. Der Hagopian donated all the royalties he made from his albums to the Armenian church. Following the opening in Brooklyn and a stop at the Armenian Museum of America, the exhibition will travel to Los Angeles, Washington DC, Miami, Toronto, and Paris, France.