William Degouve de Nuncques

William Degouve de Nuncques (28 February 1867 – 1 March 1935) was a Belgian painter who was associated with the symbolist movement, although he is occasionally referred to as a postimpressionist. He is best known for his nocturnal landscapes, inundated with strange atmosphere and at times visionary subjects. He continued to paint compelling landscapes into the early decades of the 20th century but the overt symbolist qualities slowly dissipated from his work after 1900.

Biography He was born in the Ardennes commune of Monthermé, to an old aristocratic family. After the Franco-Prussian War (1870–71), his parents settled in Belgium. Art historian Robert Delevoy wrote that he inherited a strong personality and a passion for spirituality from his father, "and when still young, he showed a tendency to indulge in spleen, reverie, and contemplation, instead of action."

From 1900 to 1902, Degouve and his wife lived in the Balearic Islands, where he painted the rugged coastline and the orange groves. After suffering a religious crisis around 1910, he painted pictures that revealed his tormented state of mind, and during World War I, while a refugee in the Netherlands, he produced only minor works. In 1919, he was overwhelmed by the death of his wife and lost the use of one hand. In 1930, he married the woman who had helped him through the crisis. They settled in Stavelot, where he spent his last few years painting snow-covered landscapes.

Art Degouve is supposed to have said, "To make a painting, all you need to do is to take some paints, draw some lines, and fill the rest up with feelings." A regular exhibitor in Paris, he was championed by Puvis de Chavannes and Maurice Denis.

His best-known pictures, The Blind House [aka The Pink House] (1892), The Angels (1894), and Peacocks (1896), demonstrate the magical quality of his work. The Blind House is thought to have been an influence on the Surrealist, especially the paintings of René Magritte and his series The Empire of Lights.

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