Wiard Ihnen

Early years Ihnen was born in Jersey City, New Jersey. His age and year of birth are uncertain. While some sources indicate he was born in 1897, his obituary in the Los Angeles Times reported his age as 91, indicating that he was born in approximately 1888. After several years with Paramount in New York, he become an art director at Paramount's Hollywood studios.

One of his earliest works as an art director was the Josef von Sternberg's 1932 film, Blonde Venus. He drew attention for his design of "fantastically exotic" African nightclub in the film.

Other early art directing credits include the Marx Brothers' Duck Soup (1933) and a pair of Mae West comedies: Go West, Young Man (1936) and Every Day's a Holiday. Ihnen received his first Academy Awards nomination for Best Art Direction on Every Day's a Holiday. He also worked as the associate art director on John Ford's Stagecoach which won the Academy Award for art direction for Alexander Toluboff.

During the 1940s, Ihnen twice won the Academy Award for art direction, for the biographical film Wilson (1944) and for Blood on the Sun (1945), a wartime film about a Japanese plot to take over the world.

Ihnen continued as an art director until 1960. His later works include the film noir works Kiss Tomorrow Goodbye (1950) and I, the Jury (1953), Fritz Lang's Rancho Notorious (1952), the aviation adventure film Top of the World (1955), and the biographical The Gallant Hours (1960).

Personal life and later years In 1940, Ihnen was married in Las Vegas to Hollywood dress designer Edith Head. Ihnen died from cancer in 1979. He is interred at Forest Lawn Memorial Park in Glendale, California, next to his wife.

Filmography

The Dance of Life (1929, set design) Blonde Venus (1932, art director) Madame Butterfly (1932) Duck Soup (1933, art director) Terror Aboard (1933, art director) Good Dame (1934, art director) Thirty-Day Princess (1934, art director) The Trumpet Blows (1934, art director) Becky Sharp (1935) The Girl from Scotland Yard (1937, art director) Love on Toast (1937, art director) Midnight Madonna (1937, art director) On Such a Night (1937, art director) Outcast (1937 art director) Doctor Rhythm (1938, art director) Hollywood Cavalcade (1939, art director) The Return of the Cisco Kid (1939, art director) Stagecoach (1939, associate art director) The Blue Bird (1940, art director) Johnny Apollo (1940, art director) Maryland (1940, art director) The Return of Frank James (1940, art director) Youth Will Be Served (1940, art director) Confirm or Deny (1941, art director) Hudson's Bay (1941, art director) Man Hunt (1941, art director) Moon Over Miami (1941, art director) Remember the Day (1941, art director) Tall, Dark and Handsome (1941, art director) Iceland (1942, art director) The Magnificent Dope (1942, art director) Roxie Hart (1942, art director) Secret Agent of Japan (1942, art director) China Girl (1943, art director) Crash Dive (1943, art director) Jane Eyre (1944, art director) Wilson (1944, art director) Along Came Jones (1945, production design) Blood on the Sun (1945, production design) It's a Pleasure (1945, art director) Tomorrow Is Forever (1946, production design) The Time of Your Life (1948, production design) Kiss Tomorrow Goodbye (1950, production design) Only the Valiant (1951, production design) Rancho Notorious (1952, production design) I, the Jury (1953, art director) A Lion Is in the Streets (1953, production design) War Paint (1953, art director) This Is My Love (1954, production design) Crashout (1955, set design) The Indian Fighter (1955, art director) Top of the World (1955, art director) The King and Four Queens (1956, production design) The Gallant Hours (1960, art director)