Victor Ehikhamenor

Victor Ehikhamenor (born 1970 in Udomi-Uwessan, Edo State) is a Nigerian visual artist, writer, and photographer known for his expansive works that engage with multinational cultural heritage and postcolonial socioeconomics of contemporary black lives. In 2017, he was selected (along with two other artists) to represent Nigeria at the Venice Biennale, the first time Nigeria would be represented in the event. His work has been described as representing "a symbol of resistance" to colonialism.

Early life and education Ehikhamenor was born in Udomi-Uwessan, Edo State, Nigeria, part of the ancient Benin Kingdom, known for its historical bronze-casting tradition. He was educated in Nigeria and in the United States. He returned from the United States in 2008 to work in Lagos.

His grandmother was a cloth weaver, his uncle a photographer, his maternal grandfather a blacksmith, and his mother a local artist. This has been an enduring feature of his work, which is abstract, symbolic and politically motivated; and influenced by the duality of African traditional religion and the interception of Western beliefs, memories and nostalgia.

Ehikhamenor has held numerous solo art exhibitions across the world. In 2016, he was one of 11 Nigerian artists invited to join 23 Indonesian artists in the grand exhibition at the Biennale. At the Jogja National Museum, he showed an installation titled "The Wealth of Nations". In July 2018, he was also one of the Nigerian artists selected to meet and exhibit work for visiting French President Emmanuel Macron. The exhibition, organised by ART X Lagos took place at the Afrika Shrine, the nightclub of Femi Kuti. His work has also been shown in solo and group exhibitions at museums and galleries across the world, including Tyburn Gallery (London), Rele Gallery (Lagos, Nigeria), Jennings Gallery (Washington, DC), the 5th Meditationa Biennale (Poznan, Poland), the 12th Dak'art Biennale (Dakar, Senegal), Biennale Jogja XIII (Yogyakarta, Indonesia).

Ehikhamenor's art and photographs have been used for editorials as well as cover art on books by authors such as Chimamanda Adichie, Helon Habila, Toni Kan, Chude Jideonwo, and Chika Unigwe. They have also been illustrated on fabric and exhibited at international fashion parades.

His debut poetry collection, Sordid Rituals, was published in 2002. His second book, Excuse Me! (2012), a satirical creative non-fiction view of life as an African both at home and abroad, is a recommended text in two Nigerian universities.

He has published numerous fiction and critical essays with academic journals, mainstream magazines and newspapers from around the world including The New York Times, CNN Online, Washington Post, Farafina, AGNI Magazine and Wasafiri. His short story "The Supreme Command" won the Association of Commonwealth Broadcasters Award in 2003.

He was once described as "undeniably one of Africa's most innovative contemporary artists" and one of "42 African Innovators to Watch".

Comments on Damien Hirst piece "Still Standing", a monument by Ehikhamenor, displayed at St. Paul's Cathedral in February 2022. It depicts the Oba of Benin standing beside a monument to Admiral Rawson, who led the Punitive Expedition to the Kingdom of Benin in 1897. On 8 May 2017, while participating in the Venice Biennale, Ehikhamenor first called attention to what he describes as Damien Hirst's cultural appropriation of Nigerian Yoruba art. The exhibition of the British artist, titled Treasures From the Wreck of the Unbelievable, featured a variety of sculptures meant to be viewed as debris rescued from a shipwreck. However, one of the displayed artefacts was a copy of "Ori Olokun", a famous Ife bronze art from the 14th century now described as "Golden heads".

Of the appropriation, Ehikhamenor had posted on Instagram: "For the thousands of viewers seeing this for the first time, they won't think Ife, they won't think Nigeria. Their young ones will grow up to know this work as Damien Hirst's. As time passes it will pass for a Damien Hirst regardless of his small print caption. The narrative will shift and the young Ife or Nigerian contemporary artist will someday be told by a long nose critic 'Your work reminds me of Damien Hirst's Golden Head'. We need more biographers for our forgotten."

His words brought the issue to the forefront on local and international media.

Angels and Muse In February 2018, Ehikhamenor opened Angels and Muse, described as "a multi-modal co-working space in Lagos draped with wall murals, stained glasses, and beautiful lighting, making for a stunning visual and immersive experience." The space, also used for artist residencies, is located in the Ikoyi area of Lagos state and contains a ‘multidisciplinary room,' used for "workshop, training, book reading, experimental or conceptual art exhibitions, among other usages." The project was featured on the 10th episode of the Netflix series Amazing Interiors in July 2018.

Book cover designs 2003: Feeding Frenzy by Jonathan Luckett 2004: Purple Hibiscus by Chimamanda Ngozi Adichie 2005: Sky High Flame by Unoma Azuah 2005: English in Africa, Journal of the English Department, Rhodes University, South Africa 2007: Measuring Times by Helon Habila 2008: Jambula Tree and Other Stories, Anthology of Caine Prize winners and shortlisted writers, published by Cassava Republic Press, Abuja, Nigeria 2008: Dreams, Miracles and Jazz by Helon Habila and Kadija Sesay 2008: One World, Anthology of short stories published by New Internationalist Publishers, UK 2008: Of Friends, Money and Greed, Anthology of three stories and a play by Hodders Publishers, UK 2009: Songs of Absence and Despair, collection of poems by Toni Kan 2009: Salutes without Guns, collection of poems by Ikeogu Oke 2010: Christopher Okigbo: Thirsting for Sunlight, by Obi Nwakanma 2010: Shahid Reads His Own Palm Poems by Reginald Dwayne Betts 2011: Markets of Memories; Between the Postcolonial and the Transnational, by Malik Nwosu 2012: A Splash of Glory by Angela Nwosu 2013: Oil on Water by Helon Habila 2014: Africa in Fragments: Essays on Nigeria, Africa and Africanity by Moses Ochonu 2014: Half of a Yellow Sun – (Movie Edition) by Chimamanda Ngozi Adichie 2014: Americanah by Chimamanda Ngozi Adichie 2015: Literature and Arts in the African Dispora 2015: Story Collection for Caine Prize for African Writing 2015 2016: New Generation African Poets: A chapbook box set (TATU); edited by Kwame Dawes and Chris Abani 2016: The Sound of Things to Come by Emmanuel Iduma 2017: Under the Udala Trees by Chinelo Okparanta (English and French Version) 2018: Reshaping Cultural Policies: Advancing Creativity for Development 2018 UNESCO 2018: The Rape of Shavi by Buchi Emecheta 2018: The Bride Price by Buchi Emecheta 2018: Double Yoke by Buchi Emecheta 2018: In the Ditch by Buchi Emecheta 2018: Head above Water by Buchi Emecheta 2018: The Slave Girl by Buchi Emecheta

Awards and residencies 2015: Casa Zia Lina, Elba Italy 2016: Nirox Foundation Residency, Johannesburg, South Africa 2016: Greatmore Residency, Cape Town, South Africa 2016: Rockefeller Foundation Bellagio Fellow, Italy 2018: Civitella Ranieri Fellow, Italy 2018: Art Dubai Residency 2014: Chronicles of the Enchanted World, Gallery of African Art, London 2015: Paperwork: Works on paper, Constant Capital Gallery, Lagos 2016: 1:54 Contemporary African Art Fair 2017: In the Kingdom of this World, Tyburn Gallery, London 2019: Daydream Esoterica, Rele Gallery, Lagos 2021: "Facebook HQ Open Art", in Dubai, UAE 2021: Do This in Memory of Us, Lehman Maupin Gallery, New York 2021: The Royal Academy Summer Show curated by Yinka Shonibare 2022: Still Standing, at St. Paul's Cathedral, London, England

Group exhibitions 2008: Black Creativity, Museum of Science and Industry, Chicago, IL, USA 2014: ARENA, Center of Contemporary Art, Torun, Poland 2015: Displacement, Fiction and drawings in collaboration with Toby Zielony for German Pavilion, 56th Venice Biennale, Italy 2015: Biennale Jogja XIII, Equator No. 3 2015, Indonesia 2016: A Place in Time, Nirox Foundation Sculpture Park in collaboration with Yorkshire Sculpture Park, Johannesburg, South Africa 2016: Dakart Biennale, curated by Simon Njami 2017: A Biography of the Forgotten, Nigerian Pavilion, 57th Venice Biennale, Venice, Italy with Peju Alatise and Qudus Onikeku 2018: ReSignifications: The Black Mediterranean 2018: International Contemporary Art Exhibition; Armenia 2020: Tomorrow there will be more of us, Stellenbosch Triennale, Stellenbosch, South Africa 2021: Looted History, Museum Am Rothenbaum, Hamburg, Germany.