Uzo Egonu

Uzo Egonu ( ; 25 December 1931 – 14 August 1996) was a Nigerian-born artist who settled in Britain in the 1940s, only once returning to his homeland for two days in the 1970s, although he remained concerned with African political struggles.

According to Rasheed Araeen, Egonu was "perhaps the first person from Africa, Asia or the Caribbean to come to Britain after the War with the sole intention of becoming an artist." As critic Molara Wood has written: "Egonu's work merged European and Igbo traditions but more significantly, placed Africa as the touchstone of modernism. In combining the visual languages of Western and African art, he helped redefine the boundaries of modernism, thereby challenging the European myth of the naïve, primitive African artist."

Career Born in Onitsha, before leaving for the UK, he eventually studied Fine Arts and Typography at Camberwell School of Arts and Crafts, London, and went on to participate in a number of exhibitions.

In 1977, he was among the Black artists and photographers whose work represented the UK at the Second World Festival of Black Arts and African Culture (Festac '77) in Lagos, Nigeria (the others being Winston Branch, Ronald Moody, Mercian Carrena, Armet Francis, Emmanuel Taiwo Jegede, Neil Kenlock, Donald Locke, Cyprian Mandala, Ossie Murray, Sue Smock, Lance Watson and Aubrey Williams). In 1983, the International Association of Art called on Egonu to advise it for the rest of his life, an honour that he shared with such painters and sculptors as Henry Moore, Joan Miró and Louise Nevelson.

In later years, Egonu suffered two heart attacks and deteriorating eyesight, and on 14 August 1996 he died in London, at the age of 64.

Style and legacy The subject of a study by Olu Oguibe entitled Uzo Egonu: An African Artist in the West (1995), Egonu has also often been described as "perhaps Africa's greatest modern painter". Art historian Eddie Chambers has commented on Egonu's "remarkable ability to render landscapes and cityscapes as compelling and fascinating geometrical configurations, each very different in its representational aspects." Egonu's work featured in the 2015–2016 exhibition No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery, City of London.

Selected exhibitions Solo 2004: Uzo Egonu's London, Museum of London, London 1986: Uzo Egonu Now 1986: Stateless People, Royal Festival Hall, London Group 2015: No Colour Bar: Black British Art in Action 1960–1990, Guildhall Art Gallery, London 2001: The Short Century, Villa Stuck, Munich, Germany; House of World Cultures, Berlin, Germany 1997: Transforming the Crown: African, Asian and Caribbean Artists in Britain 1966–1996, New York City 1990: Herbert Art Gallery and Museum, Coventry 1989: The Other Story: Afro-Asian Artists in Post-War Britain, Hayward Gallery, London 1986: Third World Within, Brixton Art Gallery, London (31 March–22 April) 1975: Ljubljana Graphic Art Biennial, Graphic Art Biennial, Ljubljana, Slovenia 1973: Commonwealth Institute Art Gallery, London