Ursula Johnson

Ursula Johnson (born 1980) is a multidisciplinary Mi’kmaq artist based in Halifax, Nova Scotia, Canada. Her work combines the Mi’kmaq tradition of basket weaving with sculpture, installation, and performance art. In all its manifestations her work operates as didactic intervention, seeking to both confront and educate her viewers about issues of identity, colonial history, tradition, and cultural practice. In 2017, she won the Sobey Art Award.

Early life and education Ursula A. Johnson was born in Sydney, Nova Scotia, in 1980. She was raised in Eskasoni First Nation, Cape Breton, which lays claim to be the largest Mi’kmaq community in the world. She was taught basket weaving by her great-grandmother, renowned artist Caroline Gould. Johnson participated in the Permanent Forum on Indigenous Issues at the United Nations, focusing on creating the first Indigenous Youth Caucus within the institution.

Johnson pursued a post-secondary education, first enrolling in the Theatre Arts Program at the University of Cape Breton (1998-2000) in nearby Sydney, NS. She then moved to Halifax in 2002 to attend NSCAD University, earning an interdisciplinary BFA degree in 2006. Johnson then became the first Artist-in-residence at Cape Breton University.

Basket weaving Many of Johnson's exhibitions and performances include basket weaving, emphasizing traditional Mi’kmaq techniques and forms. Johnson's work in basket weaving draws attention to the way in which baskets have traditionally been placed in anthropological and historical exhibits instead of being celebrated as a continuing indigenous cultural practice. Her work blurs the line between baskets as artifacts, commodities, and art objects. Several of her experimental basket works were shown in O’pltek (It's Not Right), a solo show at the Thunder Bay Art Gallery in 2011. In her 2006 piece for Nations in a Circle in Halifax Johnson wove a basket around herself, employing the traditional methods for the first time since her move off the reserve in an exploration of her self-defined identity as an Urban Aboriginal artist engaged with traditional Mi’kmaq cultural production and traditions. Johnson organized a 30-year retrospective of Caroline Gould's work Kloqowej (Star) at the Mary E. Black gallery before Gould's death in 2011.

Nocturne projects Johnson has produced multiple projects for multiple iterations of Nocturne: Art at Night, an annual free art festival in Halifax, Nova Scotia that takes place between 6pm and midnight:

Elmiet - 2010 For the 2010, Nocturne Festival and the Prismatic Festival Johnson created a performance piece called Elmiet, a Mi’kmaq verb meaning “to go home”, drawing attention to the history of scalping in Nova Scotia. Johnson declared the performance the last scalping in Nova Scotia. Scalping is a practice that dates back to the founding of Halifax and the 1756 Scalping Proclamation has remained in legislation despite a public apology by the Nova Scotia Government in 2000. For the performance Johnson wore a headpiece made from traditional Mi’kmaq basket weaving techniques, covering her eyes and trailing down her back like hair. She began the performance by being led through downtown Halifax by a guide and a group doing parkour who embodied the idea of energy flowing through the surroundings. At 9 pm the performance culminated on the steps of the Grand Parade (Halifax). Johnson then invited a member of the audience to remove her headpiece and symbolically scalp her.

Hot Looking - 2013 For Nocturne 2013, Johnson collaborated with Soto Pow Wow dancer, Bert Milberg, to create a response to the 2012 No Doubt music video for Looking Hot. For the performance Milberg danced from 6pm to midnight in the storefront window of a luxury shop on Spring Garden road. He danced in full regalia to Looking Hot on a loop, intermittently stopping to sit and pose as viewers took pictures and video. The piece was a response to the appropriation and commodification of indigenous cultures and identity. performed as Kinuk (their performance duo). Throughout the event, they performed three durational and mobile performances across Halifax and Dartmouth. Speaking to each other in their first languages, Johnson in Mi'kmaw and Parsons in English, the conversations engaged with themes of vulnerability, intimacy, and more immediately, their surroundings. 2021: "ITHA: The Livingroom." The Blue Building, Halifax, Nova Scotia 2018: "Ke'tapekiaq Ma'qimikew: The Land Sings / La terre chante." SBC Gallery, Montreal, Quebec 2018: "The Indian Truckhouse of High Art." Central Art Garage, Ottawa, Ontario 2017: "Mi'kwite'tmn (Do You Remember)." The Reach Gallery Museum, Abbotsford, British Columbia, Canada 2015: "Mi'kwite'tmn (Do You Remember)." Confederation Centre Art Gallery, Charlottetown, PEI 2014: "Mi'kwite'tmn (Do You Remember)." College Art Gallery 1, University of Saskatchewan, Saskatoon, Saskatchewan 2012: "L’nuk" (in collaboration with Jordan A. Bennett). Anna Leonowens Art Gallery, Halifax, Nova Scotia 2011: "The Indian Truckhouse of High Art." Site specific performance/installation in downtown Halifax, Nova Scotia 2021: "Soft Launch." The Blue Building, Halifax, Nova Scotia 2019: Àbadakone | Continuous Fire | Feu continuel. National Gallery of Canada Ottawa, Ontario 2018: "#callresponse." St. Mary's University Art Gallery, Halifax, Nova Scotia 2018: "Nanabozho's Sisters." Dalhousie Art Gallery, Halifax, Nova Scotia 2017: "INSURGENCE/RESURGENCE." Winnipeg Art Gallery, Winnipeg, Manitoba 2017: UnSettled. Queer Arts Festival, Vancouver, BC 2017: "Landmarks2017." 2014: "Memory Keepers." Urban Shaman Gallery, Winnipeg, Manitoba 2014: "Making Otherwise: Craft and Material Fluency in Contemporary Art." Carleton University Art Gallery, Ottawa, Ontario 2013: "L'nuwelti'k." Festival jè-st, Moncton, New Brunswick 2013: "Aboriginal Voice: Four Artists from Atlantic Canada." Galerie d'art Louise et Reuben Cohen, Moncton, New Brunswick 2013: "Maqimikew Ketapiaq (The Land Sings)." AntigoNIGHT Festival, Antigonish, Nova Scotia 2013: "L'unwesimk:El-noo-wee-simk" (in collaboration with Angella Parsons). Art in the Open Festival, Charlottetown, PEI 2013: "Ke Pite'm." Cape Breton University Art Gallery, Sydney, Nova Scotia 2012: The Indian Truckhouse of High Art. Awards. Celebration., Creative Nova Scotia Awards Celebration, Halifax, Nova Scotia 2012: L’nuwelti’k. Prismatic Festival, Halifax, Nova Scotia 2012: Basket Weaving. Planet IndigenUS Festival Harbourfront Centre, Toronto Ontario 2012: Snapshot. Khyber Centre for the Arts, Halifax, Nova Scotia 2012: Material Wealth: Revealing Landscape. Harbourfront Centre, Toronto, Ontario 2011: Ancestral Teachings: Contemporary Perspectives. Thunderbird Centre, Toronto, Ontario 2011: Basket Weaving. Debajehmujig 6 Foot Festival, Manitowaning, Ontario 2010: Elmiet. Nocturne and Prismatic Arts Festival, Halifax, Nova Scotia 2004: Showcase of Aboriginal Arts and Crafts. King's College, Halifax, Nova Scotia 2001: Aboriginal Youth Art Exhibit. Micmac Friendship Center, Halifax, Nova Scotia

Residencies 2022: Ocean Fellowship, TBA21 Academy, Venice, Italy 2014: Artist-in-residence, The Pictou Island Portages (part of The Great Canadian Pilgrimages Project, curated by Eryn Foster), Pictou Island, Nova Scotia 2013: Artist-in-residence, University of Edinburgh, Edinburgh College of Art & Design with Scottish Sculpture Workshops and The Naked Craft Network, Scotland, UK 2013 – 2014: As the first Artist-in-residence, Johnson has been teaching a class entitled “The Role of the Mi’kmaw Basket in Contemporary Fine Craft”. Cape Breton University Art Gallery and Unama’ki College, Glace Bay, NS 2012: Artist-in-residence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia 2011: Artist-in-residence, Klondike Institute for Arts and Culture, Dawson City, Yukon 2011: Visiting Artist, Debajehmujig Creation Centre, Manitowaning, Ontario 2010: Flying Eagle Internship. Onelight Theatre Co. and Canada Council for the Arts, Halifax, Nova Scotia 2010: Thematic Residency on Indigenous Languages. Banff Centre for the Arts, Banff, Alberta

Awards 2019: Nova Scotia Masterworks Arts Award (for Moose Fence, 2017), Nova Scotia Masterworks 2017: Sobey Art Award 2014: Aboriginal Traditional Art Forms Creation Grant, Canada Council for the Arts 2013: Grants to Individuals Presentation Grant, Arts Nova Scotia 2010: Grants to Individuals Presentation Grant, Nova Scotia Tourism, Culture & Heritage 2010: Flying Eagle Program, Canada Council for the Arts 2010: Grants to Individuals Creation Grant, Nova Scotia Tourism, Culture & Heritage 2009: Aboriginal Peoples Collaborative Exchange Travel Grant, Canada Council for the Arts 2008: Aboriginal Traditional Visual Art Forms Research Grant, Canada Council for the Arts

Teaching 2013: "The Role of the Mi’kmaw Basket in Contemporary Fine Art". University College of Cape Breton, Glace Bay, NS 2012: "Intro to Mi’kmaw Language". Micmac Child Development Centre, Halifax, NS 2011–2012: "Intro to Mi’kmaw Basketry". NSCADU School of Extended Studies, Halifax NS 2010: "Mi’kmaw Basketry".Thunder Bay Art Gallery, Thunder Bay ON 2004–2008: Facilitator/Instructor Various Workshops for At-Risk Youth

Community involvement At the 2015 Storytelling Festival at Kejimkujik National Park, Johnson led a craft workshop and a campfire storytelling session, called the Legend of Jipijka’m – The Green-Horned Serpent. She worked with children to create a puppet of Jipijka’m, which is a legendary creature from Mi'kmaq mythology, it was later used while she shared the legend. In an interview with Ku'ku'kwes News, she explained “It’s a rather large serpent-like creature that’s based upon one of the folklore characters that we see in the petroglyphs at Kejimkujik which is often referred to as jipijka’m or the great-horned serpent”. Johnson had been involved with the storytelling festival since its beginning in 2011 and worked as an Interpreter at the park, utilizing her theatre and fine arts training to share the oral traditions passed on to her by her family.

On January 25, 2014, as part of the Ideal Law Conference hosted by the Social Activist Law Student Association of Dalhousie University, Ursula Johnson performed a durational song as a form of social resistance, joined by a Mi’kmaq elder. For the performance Johnson called “IKATK” (“She Protects”) the two women extended invitations for audience members to join in their performance or to stand in solidarity with them. The protest lasted four hours, from 9 am to 1 pm, and was held at the Schulich School of Law in Halifax, Nova Scotia.

On May 22, 2009, Johnson participated in the UNICEF sponsored panel “Taking Advocacy Digital: Emerging Online Indigenous Networks”, in New York, USA. The panel, a “side event of the Eighth Session of the United Nations Permanent Forum on Indigenous Issues.” featured representatives of various Indigenous Youth Organizations brought together to discuss the engagement of indigenous youth with “the global community in a digital age.” Johnson took part as the Director of Kitpu Youth Centre, located at the Mi’kmaw Native Friendship Centre, Halifax, NS, from April 2006 to May 2009.