Susanna Avery-Quash

Susanna Mary Avery-Quash (born 1970) is a British art historian, curator, and author.

Early life Avery-Quash is a daughter of Charles Avery of Beckenham, She was educated at St Paul's Girls' School and Peterhouse, Cambridge, where she took a first degree in modern languages, followed by a diploma at the Courtauld Institute of Art, and then returned to Cambridge to graduate Ph.D.

Known in her early life as Susanna M. Avery, on her marriage to Ben Quash, also a member of Peterhouse, she added his name to her own.

Career In 1997, Avery-Quash was appointed as Munby Fellow in Bibliography at the University of Cambridge, then in 2002 became a lecturer in the history of art there. From 2006 to 2009 she was Eastlake Research Fellow at the National Gallery, since when she has held other posts, including senior research curator (history of collecting) and assistant curator. She is senior research fellow in the history of art at the University of Buckingham

Avery-Quash researches the National Gallery’s collections of art and is curator for 19th-century items in its history collection. She writes about the history of art collections, both private and public, and the growth of the art market. A focus of her research has been Sir Charles Eastlake, founding director of the National Gallery. With Julie Sheldon she is co-author of a biography of Eastlake, Art for the Nation: The Eastlakes and the Victorian Art World (2011) and is editor of The Travel Notebooks of Charles Eastlake (2011).

In 2013, she co-organised an international conference on Discovering the Trecento in the Nineteenth Century. She has published articles on the role of Anglican clergy and of Prince Albert as collectors of early Italian art.

Selected publications Luke Syson, Dillian Gordon, with contributions by Susanna Avery-Quash, Pisanello: Painter to the Renaissance Court (London: National Gallery Company, 2001) Introductory essay in Dillian Gordon, National Gallery Catalogues: The Fifteenth Century Italian Paintings, Vol. 1 (London, 2003) Art for the Nation: The Eastlakes and the Victorian Art World (Yale University Press, 2011), with Professor Julie Sheldon The Travel Notebooks of Charles Eastlake (Walpole Society, 2011), editor Truth & beauty: the Pre-Raphaelites and the old masters (Fine Arts Museums of San Francisco, 2018), with Melissa E. Buron London and the Emergence of a European Art Market, 1780-1820, with Christian Huemer (Getty Research Institute, 2019) Leonardo in Britain: Collections and Historical Reception (Ad Ilissum, 2019), with Juliana Barone The Georgian London Town House: Building, Collecting and Display (2019), with Kate Retford National Gallery Technical Bulletin: Volume 40 (2019), with Marika Spring Old Masters Worldwide: Markets, Movements and Museums, 1789–1939 (2020), with Barbara Pezzini Creating a National Collection: The Partnership between Southampton City Art Gallery and the National Gallery (Southampton City Art Gallery, 2021) Christine Riding, Gainsborough's Blue boy: the return of a British icon (National Gallery Company, 8 February 2022), with contributions by Susanna Avery-Quash, Melinda McCurdy, Jacqueline Riding and Imogen Tedbury