Srihadi Soedarsono

Kanjeng Raden Haryo Tumenggung H. Srihadi Soedarsono Adhikoesoemo (4 December 1931 – 26 February 2022) was an Indonesian painter and tenured lecturer. He married Farida Srihadi, who is also an accomplished painter that studied at the Bandung Institute of Technology (ITB), as well as abroad in the Netherlands and England.

Life and career Soedarsono was appointed a member of the Student Army from 1945 to 1948 as a painter journalist who created posters for the Information Center Division IV BKR/TKR/TNI in Solo. His military career ended in 1948 when he was rationalized with the rank of sergeant major and returned to school at SMA II Surakarta.

Between 1947 and 1952, Soedarsono joined the Young Indonesian Artists in Solo and Yogyakarta. He also was an active member in the formation of the Surakarta Cultural Association in Solo since its inception in 1950. Srihadi actively participated in art exhibitions in Solo and Yogyakarta.

In 1952 he began to enter art education at the Painters Education Center, Faculty of Engineering at the University of Indonesia Bandung (now the Faculty of Fine Arts, Bandung Institute of Technology), with the Dutch cubist painter Ries Mulder as his teacher. In 1955, he created the Fine Arts Student Family (KMSR) logo for the Faculty. The logo is in the form of a palette with the words "ART RUPA BANDUNG" with the symbol of the University of Indonesia.

Soedarsono was married to Dra Siti Farida Nawawi. They had two daughters and one son, named Tara Farina, MSc, Rati Farini, SH, LLM, and Tri Krisnamurti Syailendra.

On 1 May 1969, he was appointed a civil servant. His appointment was on 1 December 1992 as a professor of Fine Arts, from which he retired on January 1, 2007.

Apart from being a painter, he also taught as a lecturer at the Bandung Institute of Technology and the Jakarta Art Institute.

He died on 26 February 2022, at the age of 90.

Works Srihadi Soedarsono's work has a long and continuous process. Early work was strongly influenced by educational outcomes, namely synthetic geometry. In the 1960s, he began to experiment with abstract forms through paper cut patches and color spontaneity. Entering the 1970s, he tended to be impressionist through watercolor and expressionist through oil paint and often included symbolic elements in his paintings.

Finally, his work appears in a simplified form with a strong horizon line, as well as paintings of poetic figures inspired by Zen teachings.

The works of Srihadi are shown in numerous public collections: National Museum of Indonesia, Jakarta National Gallery of Indonesia, with a Solo exhibition in 2020 State Palace Collection, Jakarta, Indonesia The United Nations, New York, USA Museum of Modern art, Rio de Janeiro, Brazil Asia and Pacific Museum, Warsaw, Poland Ohio State University, OH, USA Fordham University, New York, USA Neka Museum, Bali, Indonesia

Awards As a dedicated and senior painter, Srihadi received many awards, including:

National Award for Contemporary Art from the Government of the Republic of Indonesia, 1971 Cultural Award from the Australian Government, 1973 The Netherlands Governmental Cultural Grant, 1977 The best prize at the Biennale Jakarta III Indonesian Painting, 1978 Fulbright Grant from the United States Government, 1979 Seoul International Art Competitor's Award Satalyana Kearya Satya Award for Cultural Achievements of the Republic of Indonesia, 1989 and 1996 The Japan Foundation Cultural Grant, 1990