Sol Picó

Sol Picó Monllor (born 1967) is a Spanish dancer and choreographer. She has studied , ballet, and contemporary dance, and combines different techniques and languages in her productions in a groundbreaking way. In 1993 she created the Sol Picó Company, with which she has become one of the most heterodox choreographers and dancers of the Spanish contemporary scene. She has received numerous awards, including 10 Premios Max, the, the (2015) and the National Dance Award of Spain (2016).

Biography Sol Picó graduated in Spanish and Classical Dance at the Oscar Esplà Conservatory in Alicante in 1985. She completed her training at La Fábrica Espai de Dansa in Barcelona (1986–1988), La Ménagerie de Verre in Paris (1988–1989), and Movement Research in New York (1997). During her trip to Paris she studied under directors such as , Susanne Linke, and Sara Sughiara.

Professional career She took her first steps as a professional with the Alcoy theater company La Cassola, and created her first company, Danza Robadura, in 1988. From 1990 to 2003, during the first years of her professional career, she worked as a performer and choreographer with companies and creators such as Rayo Malayo Danza, , and La Fura dels Baus. In 1993, she created the Sol Picó Company in Barcelona, which allowed her to develop her personal stamp and establish herself in the city.

From 2002 to 2004, the Sol Picó Company was a resident dance company at the Teatre Nacional de Catalunya.

Trained in classical dance and performing in alternative theater, she has become one of the most heterodox choreographers and dancers of the contemporary scene.

In 2003 she premiered La dona manca o Barbi-Superestar, a show that explores the female universe. Nine female performers, six dancers, and three musicians build and deconstruct the feminine world, its integrity and fragility. In her review for the newspaper La Vanguardia, wrote:

In the spring of 2009 Picó premiered El llac de les mosques (The Lake of the Flies), a piece for two dancers, four musicians, and an actor, described as:

In 2012 she prepared Llàgrimes d'Àngel (Angel Tears) on the occasion of the presentation of the Romanesque Art Collection at the Museu Nacional d'Art de Catalunya. That November she inaugurated the Fringe Festival, Beijing's international avant-garde performing arts event, with El llac de les mosques. it was conceived "as a sort of intimate 'red movie', asking constant questions: 'In the continuous movement, do we flee or move forward?'; 'What do we leave behind and how does it affect us?'; 'To what extent are we real participants in the construction of our future?'; 'The relations established in this nomadic journey – are they complicit, are they collaborative?'; 'Who are we and how do we choose our traveling companions?'"

In 2014 she presented One-hit wonders, a solo show in which she reviews her 20-year career, selecting the best moments of her shows Bésame el Cactus (2000), La dona manca o Barbi-Superestar (2003), Paella mixta (2004), Memòries d'una puça (2012), and DVA (2012).

In May 2014 she premiered La piel del huevo te lo da at Barcelona's Ciutat Flamenco Festival, reflecting on women through flamenco and contemporary dance. She directed and performed in the show with actress Candela Peña in her theatrical debut, the singer La Shica, and the musicians Dani Tejedor on percussion and Bernat Guardia on double bass. The work was also presented in Madrid at the in January 2015.

In February 2015, when Picó celebrated the 20th anniversary of her company, she received the for leading her artistic career "with rigor, joy, and quality" and for teamwork and her involvement in the city and the neighborhood in collaboration with other artists.

In 2016, she received the National Dance Award in the Creation category, granted by Spain's Ministry of Education, Culture, and Sports.

Commitment to equality Picó reflects the feminine universe in many of her works, questions stereotypes, and is committed to the defense of equality. In 2012 she endorsed a letter signed by 200 women from all areas of Catalan culture addressed to the Generalitat de Catalunya's Minister of Culture, , calling for "an effort to combat gender inequality." Also in January 2014, she endorsed a letter to the government from women intellectuals and artists requesting the withdrawal of the draft bill presented by Minister Gallardón which would reduce women's rights in regard to abortion. In the show WW We Women (2015) she presents a collective and intercultural perspective with a collaborative project with other artists to reflect on the role of women within the current social structure. In October 2015 she choreographed and performed in the premiere of Només som dones (We are Only Women) at the Teatre Nacional de Catalunya, with and Maika Makovski, directed by . It was written by about the silenced perspectives of women in the Spanish Civil War and Franco's dictatorship.

Works

Collaborations 1990–2003: No es todo metal with Francesc Bravo's Company Rayo Malayo; short film Ojos que no ven with ; dance video No Paris with Joan Pueyo; Dadle café y XXX with La Fura dels Baus; Etrangel with La Danaus Teatro; Filo with Juan López; Cròniques with Joan Ollé; Lear with Carme Portaceli 1991: Actress at the 1st Conferencia en Rilolaxcia '91 with 1993: Video of the El Último de la Fila song "Como un burro amarrado en la puerta del baile"

Awards and recognitions Premios Max

2007: Billboard Award of Turias 2008: La Peladilla d'Or d'Alcoy 2009: FAD Sebastià Gasch Prize for El Llac de les Mosques 2009: Prize for Best Show of the 15th edition of the International Street Theater Festival in Pula, Croatia for Sirena a la plancha 2009: Prize for Best Dance Production of the 23rd International Theater and Dance Fair of Huesca for El llac de les mosques 2012: Prize of the TVE program Continuará 2015: 2016: National Dance Award of Spain, Creation Category