Simen Johan

Simen Johan (born 1973) is a contemporary artist, photographer and sculptor, living in New York City.

Early life and education Simen Johan was born in Kirkenes, in the extreme north of Norway and is of Sámi descent. He moved to Höllviken, Sweden in 1979. After attending film school at Lugnetskolan in Falun, Sweden, Johan moved to New York City in 1992 to continue his studies at School of Visual Arts, where he studied under Duane Michals, James Casebere, and Gregory Crewdson.

Early work In 1993, Johan drew attention for his work merging digital manipulation with traditional darkroom techniques. At a time when digital photo processing was in its infancy, Johan found ways to exploit the medium beyond the boundaries of what was then considered possible. His images recombined fragments of faces and bodies (including his own) into new characters, which he then situated into similarly fabricated scenes. By collaborating with a medical lab, Johan was able to produce "negatives", allowing him to use traditional darkroom processes to create sepia toned silver gelatin prints. By the mid-90s, his work was frequently featured in exhibitions spearheading digital art, including Bit by Bit: Postphotographic Imaging, at Hunter College, New York, and (R)evolution, at Museo della Scienza e della Tecnologia "Leonardo da Vinci" in Milan, Italy. In a review for The Village Voice, Vince Aletti wrote: "Johan's...new pictures continue to plumb a troubled dream world where fantasy and ritual meet. In virtually all of these images, solitary, self-possessed youngsters appear to be engaged in bizarre masquerades... There's an edge of horror and derangement in these photos that's all the more disturbing because it seems as much a projection of the child's imagination as the photographer's." A traveling museum exhibition of this series was organized by Kunstnernes Hus in Oslo, Norway, and the National Art Museum of Lithuania. including both wild and captive animals. The sculptures, as featured in the New York Times "incorporate taxidermy, insects and foliage into parasitical eco-systems resonant with the vitality of ritualistic headdresses", while others, shaped like meteorites, were constructed from barnacles, cement and fiber optics. Solo exhibitions of Until the Kingdom Comes were presented at Brown University, Providence, RI; the Frist Center for the Visual Arts, Nashville and at the Southern Methodist University, Dallas, TX. A limited edition book was published in 2014. In 2023, two monographs were published—one by PowerhouseBooks and the other by Rizzoli.

Johan received the New York Foundation for the Arts Fellowship in 2002, the Pollock-Krasner Foundation Grant in 2009 and the George A. and Eliza Gardner Howard Foundation Grant for Photography in 2012. and Art+Auction, and he was interviewed on WNYC's Leonard Lopate radio show. Louis Vuitton incorporated his work into their spring 2017 ad campaign. His image of a buffalo reclining in littered dirt was featured in Oliver Stone's film Wall Street: Money Never Sleeps. Johan has been represented by the Yossi Milo Gallery since 2000.

Collections Brooklyn Museum, Brooklyn, NY Cleveland Museum of Art, Cleveland, OH Denver Art Museum, Denver, CO Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY LaSalle Bank, Chicago, IL Los Angeles County Museum of Art, Los Angeles, CA The Art Gallery of Ontario, Ontario, Canada Museet for Fotokunst – Brandts, Denmark Museum of Fine Arts, Houston, TX Norsk Museum for Fotografi - Preus Fotomuseum, Norway Worcester Art Museum, Worcester, MA 21C Museum, Louisville, KY Art and Learning Center & Union Gallery, University of Maryland, College Park, MD Minneapolis Institute of Art, MN Chazen Museum of Art, UW-Madison