Serena Lederer

Serena (Szeréna) Pulitzer Lederer (20 May 1867 in Budapest – 27 March 1943) was an Austro-Hungarian art collector and the spouse of the industrial magnate August Lederer, close friend of Gustav Klimt and instrumental in the constitution of the collection of Klimt's art pieces.

Early life Lederer was born in Budapest on 20 May 1867 to Simon Siegmund Pulitzer and his wife Charlotte (née Politzer), into a wealthy Jewish family. She was grandniece of the U.S. journalist Joseph Pulitzer. Serena was known for being a beauty in her youth and later a Grande Dame. She married August Lederer on 5 June 1892

As early as 1888, Gustav Klimt made a first miniature portrait of the young and then unmarried Serena Lederer for his work Audience Room in the Old Burgtheater. In Vienna, one room of the flat was dedicated to Klimt works. Klimt painted Portrait of Serena Lederer in 1899, Portrait of Elisabeth Lederer between 1914 and 1916, and a portrait of Serena’s mother, Charlotte Pulitzer, in 1915. The painting of Serena was the origin of a close friendship. On Klimt's recommendation, in 1912, Egon Schiele was introduced to the Lederer family, becoming friends with Erich Lederer, the youngest son, and giving him drawing lessons. However some of the artworks reappeared after the war. The Lederers' son Erich and his wife Elisabeth took refuge in Switzerland.

In order to avoid Nazi persecution, Lederer's daughter, Elisabeth, claimed she was the biological daughter of Lederer and Klimt, which Lederer signed an affidavit to verify. This allowed Elisabeth to remain in Vienna before dying of natural causes in 1944.

Restitution claims for looted art After the war, 459 works by Gustav Klimt and 77 by Egon Schiele were returned to the Lederers, however, most of the artworks were not found. Works that were recovered, however, could not be moved out of Austria, which forbade the Lederer family from exporting Klimt's masterpiece Beethoven Frieze to Switzerland. In 2018, the Lederer heirs went to court in Switzerland to attempt to oblige the Swiss art dealer Galerie Kornfeld to answer questions about artworks from the Lederer collection that had reappeared after the war with Wolfgang, Hildebrand and Cornelius Gurlitt. because an investigation by the Art Restitution Advisory Board that mistakenly confused the Klimt with a different painting.