Savannah Women of Vision

The Savannah Women of Vision investiture, created by Savannah College of Art and Design (SCAD) President and Founder Paula Wallace, commemorates women of notable altruistic and intellectual achievement from Savannah, Georgia. The first induction was in 2016 at SCAD Arnold Hall, and has continued biennially.

About the investiture The origins of the Savannah Women of Vision investiture can be traced to the proscenium in the university's historic Arnold Hall, anchored by a New Deal-era mural that depicts Savannah's historical leaders: Button Gwinnett, Nathanael Greene, George Whitefield, and Casimir Pulaski, among others. Wallace noticed the omission of women in this visual depiction of the notable citizens of Savannah. As Wallace explains, "Savannah as we know it rests on the triumphs of its women — mothers, entrepreneurs, authors, patriots, philanthropists. I created the Savannah Women of Vision investiture to illuminate trailblazers and their transcendent work, keeping their names and deeds not only in our hearts but publicly acclaimed. These are our heroines."

Inductees Savannah Women of Vision NameImageBirth–Death YearArea of achievement (1875–1962) 2022aka Sarah Wilson Hodge - Community service 2022Established the first Medical and Natural Sciences Career Academy for high school students in the Southfield Public Schools system 2016Civil Leader 100px (1832–1903) 2016 Georgia's first African-American nun (ca. 1700–ca. 1765) 2016 pivotal interpreter, negotiator, and cultural liaison between the English colonists and the local indigenous Americans (1942–) 2016 Civic Leader (1927–2019) 2016 Civic Leader 100px (1860–1927) 2016 Founder of Girl Scouts of the USA (1701–1794) 2016 mother of Savannah's Jewish community 100px (1925–1964) 2016 Author 100px (1955–) 2016 Former chief justice of the Supreme Court of Georgia (1940–2010) 2016 Educator

About the reliefs To commemorate the Savannah Women of Vision and their impact on the community, SCAD commissioned alumnus Michael Porten to create large relief portraits of the honorees. Although the portraits are executed in classic bas-relief — a style of portraiture perfected by the ancient Greeks — Porten uses advanced tools and software to render each woman's visage in sculpture, infusing a classic medium with modern technology. The gilded finish holds meaning, as gold traditionally represents generosity and compassion.