Sarah Minter

Sarah Minter (born 1953 in Puebla, Mexico, died 2016) was a Mexican filmmaker and artist.

Career Minter produced 8mm and 16mm films, video installations, and documentaries that displayed intersections of the body, politics, and the city. Her first contact with video was when she filmed Super 8. Her artworks display the evolution of video and express themes of intimacy, marginalization, and different perceptions. She studied cinematography at the National Autonomous University of Mexico film school in Mexico City. In the late 1990s, Minter worked as a teacher, curator, and promoter of video. She was one of the founders of the video workshop at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" in Mexico City and worked as a professor there. She also taught video at Casa del Lago and at the Universidad Iberoamericana. She died in 2016.

Awards

Rockefeller Foundation Intercultural Film and Video fellowship (1992) Coral award at the 9th International Festival of New Latin American Film, Havana, Cuba

Nadie es inocente (No one is innocent, 1985–87) This film shows tells a story of a group of young people living in a punk experience. It shows how these people expressed their punk lifestyles, intending to shine light on the marginalized state that they live in. The film crushes stereotypes that are inflicted upon those who identify as punk and shows viewers the lives of these people from a personal perspective. Minter came in contact with the individuals 20 years later and a made a film (Nadie es inocente- 20 años después) that shows the lives of these individuals and the careers they were able to pursue, further showing that punk individuals are capable of pursuing more than society says.

Alma punk (Punk soul, 1992) This film is a narrative about a girl named Alma who lives in Mexico City. She comes into contact with punk, Mexican rock, and the ideals of living abroad. It displays the ideas of punk, rebellion, economic instability, and weak political regime. It also displays the perspective of a teenager trying to express herself.

Intervalos (Intervals, 2004) This piece is made up of 18 video installations that show scenes of intimacy between other people and including herself. It expresses bodily sensations and urban observations. This work allowed Minter to express herself and show herself in different perspectives. Every scene shows who she is and what she sees, although she is not physically present in all of them.

Exhibitions

1990 Mexican Video, Bronx Museum of the Arts, New York 1994 Third Bienal de Video, Mexico City 1997 Femme totale: Sixth International Women's Film Festival, Dortmund, Germany 1997 Mexican Video: Thorn of the Mountain, Museum of Modern Art, New York 1999 Vid@arte: Festival de video y artes electrónicas, Centro Nacional de las Artes, Mexico City 2015 Eye in Rotation: Sarah Minter. Images in motion 1981, Mexico City

Publications

Ojo en Rotación : Imágenes en Movimiento 1981-2015 (Rotating Eye : Images in Motion 1981-2015)