Rudolf Yelin

Rudolf Yelin (14 August 1864, Reutlingen – 28 December 1940, Stuttgart) was a German painter; best remembered for his religious glass paintings. He is generally referred to as The Elder, to distinguish him from his son of the same name.

Biography He was born to Rudolph Yelin, a wealthy guano producer, and his wife, Elise née Biermann. Both were pastor's children and wanted their son to pursue a theological career. He attended the seminaries at Schöntal Abbey (1878) and in Bad Urach (1880), then lived at the Tübinger Stift, where he was taught evangelical theology. By the time he was twenty, he had turned away from that career path; going to Munich, where he began to study art. Initially, he took private lessons from , a genre painter, who was only five years his senior. Later, he studied with Friedrich von Keller, who was also a genre painter.

In 1888, he moved to Stuttgart, where he received his first commissions. These included book illustrations and some decorative work at a monastery. At some point, he became displeased with what he had learned from Keller and returned to Munich, to study with at the Academy of Fine Arts, and take more private lessons; this time from Heinrich Knirr. In 1890, he received his first major commission, from his hometown, for murals in a cemetery chapel, built by the architect. Upon completing them, he went to Frankfurt am Main, where he took more lessons, at the Städelsches Kunstinstitut with Frank Kirchbach. He remained unattracted to current trends, such as Impressionism, and was more influenced by the monumental church paintings of Eduard Jakob von Steinle.

In 1892, he was hired as an illustrator for a magazine in Lahr, but also sought church commissions, including one at the Stiftskirche, Stuttgart, which gave a major boost to his career. He opened his own studio in 1894. Shortly after, he first became acquainted with stained glass, when he was commissioned to complete some windows that had been left unfinished by , a recently deceased artist from Berlin. After 1895, he received orders for glass paintings from all over Germany, cooperating with several workshops. For many years, he also worked as an art teacher. By 1899, he was able to build his own home, with two studios.

During World War I, he was hired by the City of Stuttgart to teach at several gymnasia. After the war, hyperinflation caused the art market to collapse. In 1923, following a disastrous art exhibition at Rosenstein Palace, where prices fell to almost nothing in a few days, he withdrew from the market entirely. By 1926, he had developed a form of phlebitis that prevented him from doing large scale murals. In the 1930s, his eyesight worsened to the point where he had to give up painting altogether.

Both of his sons also became artists. was a sculptor. His namesake, , followed in his footsteps as a glass painter.