Ronnie Haran

Ronnie Haran (born

Haran photographed various artists throughout California, including actors (Stuart Whitman, Tuesday Weld, Dudley Moore), musicians (Donovan, Moby Grape, The Doors, Michelle Phillips, The Byrds, David Bowie, a young Michael Jackson, James Brown), and visual artists (Andy Warhol and Paul Morrissey, Alfred Hitchcock, Roman Polanski).

Early life

Haran is the daughter of Gertrude and Harry Rosenthal. When she was 10 years old, a cousin's death prompted her to raise money for the March of Dimes by selling her own baked goods door to door, raising $180. After receiving Ronnie's donation, the March of Dimes shared her contribution, resulting in newspaper coverage and requests for interviews.

Acting career

In the mid 1950s, Haran was signed by the William Schuller Agency and began acting roles on episodic television, traveling frequently between New York and Los Angeles for work. Ronnie was first represented by Bill Kelley of MCA and later by Bob Shapiro of the William Morris Agency. During this time, she appeared in television series of the 1960s, including Ben Casey, Cheyenne, and The Fugitive. She also appeared in the film Come September alongside Rock Hudson, Gina Lollobrigida, Bobby Darin, and Sandra Dee.

Haran made her Broadway debut in 1962, when she replaced Joey Heatherton as Little Margaret in Step on a Crack.

Club booker and band manager (1966-69)

In 1966, Elmer Valentine offered Haran a position assisting his publicist at his new club, the Whisky a Go Go, for $50 a week. She was 26 years old. Ronnie then suggested that the Whisky began serving food, which would permit the club to lower its age requirement from 21 to 18. Within three weeks, her guidance earned her a raise to $75 a week, after she presented it to the West Hollywood Chamber of Commerce to support the change. Haran then became the Whisky's house booker. At this time, the venue began the transition from a discotheque into a club.

Love

When Andy Warhol and Paul Morrissey's Exploding Plastic Inevitable (EPI) made its way to Los Angeles in 1966, stopping at the nightclub The Trip, Ronnie was able to photograph Warhol, Morrissey, and others within this artist circle.

While attending the Exploding Plastic Inevitable, Haran was introduced to Herb Cohen, who at the time was managing the band Love. Cohen had recently told Elmer Valentine that he needed someone to run Love's fan club, which led to Haran being introduced to the group during one of their shows at Bido Lito's. During her first phone call with lead singer Arthur Lee, he surprised her by asking her to fire Cohen. Arthur then appointed Haran as Love's manager.

Haran's photograph of the band was chosen for the back cover of Love's 1967 album Forever Changes and also submitted many images to Crawdaddy magazine for publishing.

The Doors In 1966, Haran visited London Fog with her friend, Peter Asher, to listen to a group called The Doors. The band was fired that night, and was about to dismember, when Haran offered them a job to be the house band at the Whisky. Haran soon formed a relationship with Jim Morrison. The two cohabitated for a 2 month period in Los Angeles. Haran booked the Doors as the house band from May 23 to August 21, 1966. The Doors regularly opened for the headliners and often played two sets every night. At their final night at the Whisky, the Doors opened for Them, resulting in both Morrisons (Van and Jim) playing "Gloria". In his book, John Densmore discusses the direction that Ronnie had for the Doors during their house band residency at the Whisky.

Haran is also accredited for writing the liner notes for the 1966 London Fog album. Haran introduced Jim to Elektra Records, with producer Paul Rothchild and Bruce Botnick.

Haran was involved in contributing her photographs to local underground publications, including World Countdown. World Countdown was a biweekly underground music newspaper published in California by founding editor and compiler, Charles Royal, from August 1966 to July 1969.

Photography

By the early 1970s, she continued photography as her professional career interest, working on sets for both television and film. She contributed to album photography for music labels such as Epic, Elektra, and Columbia, and contributed as a West Coast editor for Show Magazine.

Haran continued her photography and became a location scout and producer in Santa Barbara, leading her own company for three decades. She married Chase Mellen on February 14, 1970. She currently resides in Montecito, California, where she lives with her dog companions.