Roberto Azank

Roberto Azank is an artist of the late 20th century and early 21st century, known primarily for his work as a still life painter. He was born in Buenos Aires, Argentina in 1955; the grandson of an oil canvas artist and the son of a master embroidery designer.

At the age of 14, Roberto won the first prize in painting at his high school; he went on to first study photography and later architecture at the University of Buenos Aires. In 1979, he moved to the United States where experimentation with various artistic forms and media led to his decision to pursue a career in the arts. As he continued to hone his craft, Azank began painting brightly colored abstract works in acrylics. By the late eighties, his style had evolved from abstract to figurative and he started painting in oils.

In 1994, Azank moved to New York's Catskill Mountains, settling in New Paltz and found in his still life works the definitive style for which he is known.

The San Francisco Business Times described his work as, "Roberto’s canvases convey a sense of hyper-reality through his bold use of color, precise lines and controlled composition. Common objects such as flowers, fruits, vessels and candles are given new life set against the strong horizon, which divides the artist’s rich color fields. These color fields, often indescribable in hue, are the cornerstone of Azank’s work, while the still life objects act as vehicles for exploration of positive and negative space, placement and scale. He elects to omit unnecessary ornamentation from his compositions, choosing instead to emphasize the precision and draftsmanship he originally investigated in architecture school."

Now at mid career, Roberto Azank has been described as a "metaclassical artist" whose interests lie in the abstract qualities of realism as opposed to the photographic copying of nature.

Selected solo exhibitions 2006: Plus One Gallery, London, England 2006: Eleonore Austerer Gallery, Palm Desert, California 2005: London Art Fair, Plus One Plus Two Galleries, London 2005: Simmons Gallery, San Francisco, California 2005: Unison Arts Center, “Still Life Retrospective”, New Paltz, New York 2005: Eleonore Austerer Gallery, Palm Desert, California 2005: Sande Webster Gallery, “Garden Art”, Philadelphia, Pennsylvania 2004: Center of the Earth Gallery, Charlotte, North Carolina 2004: Patricia Rovzar Gallery, Seattle, Washington 2004: Simmons Gallery, San Francisco, California 2004: London Art Fair, Plus One Plus Two Galleries, London 2004: Plus One Plus Two Galleries, Art London '2004, London 2004: Plus One Plus Two Galleries, “American Realism”, London 2004: Eleonore Austerer Gallery, Palm Desert, California 2003: Bachelier-Cardonsky Gallery, Kent, Connecticut 2003: Vero Beach Museum of Fine Art, “Collector’s Choice”, Vero Beach, Florida 2003: Eleonore Austerer Gallery, San Francisco, California 2003: Center of the Earth Gallery, Charlotte, North Carolina 2003: Addison-Ripley Gallery, Washington, D.C. 2003: Eleonore Austerer Gallery, Palm Springs, California 2003: Plus One Plus Two Galleries, Art London '2003, London 2003: Patricia Rovzar Gallery, Seattle, W 2003: Artspace/Virginia Miller Gallery, “Latin American Invitational”, Miami, Florida 2003: Eleonore Austerer Gallery, “Latin Diversity”, San Francisco, California 2003: Artspace / Virginia Miller Gallery, Arte Americas Miami '2003 2002: Eleonore Austerer Gallery, San Francisco, California 2002: Austerer-Crider Gallery, Palm Springs, California 2002: Center of the Earth Gallery, “The New Realism”, Charlotte, North Carolina 2002: Bachelier-Cardonsky Gallery, “Still Lifes”, Kent, Connecticut 2002: Austerer-Crider Gallery, “Flower Power”, Palm Springs, California 2001: Eleonore Austerer Gallery, San Francisco, California 2001: Gomez Gallery, Baltimore, Maryland 2001: Bachelier-Cardonsky Gallery, Kent, Connecticut 2001: Eleonore Austerer Gallery, Palm Springs Int'l Art Fair 2001: Center of the Earth Gallery, Charlotte, North Carolina 2001: Artspace/Virginia Miller Gallery, Miami, Florida 2001: Lyons-Wier/Packer Gallery, Art Miami '2001 2001: Austerer-Crider Gallery, Palm Springs, California 2000: Byron Cohen Gallery, Kansas City, Missouri 2000: Eleonore Austerer Gallery, Palm Springs Int'l Art Fair 2000: Artspace/Virginia Miller Gallery, Miami, Florida 2000: Center of the Earth Gallery, “The New Masters”, Charlotte, North Carolina 2000: Brewster Arts Limited, Art Miami '2000 1999: Eleonore Austerer Gallery, San Francisco 1999: Artspace/Virginia Miller Gallery, Miami 1999: Brewster Arts Limited, “Major Works”, New York City 1999: William Havu Gallery, Denver, Colorado 1999: Brewster Arts Limited, Art Miami '1999 1999: Brewster Arts Limited, New York City 1999: Addison-Ripley Gallery, Washington, D.C. 1999: Albert Einstein College, Yeshiva University, New York City 1998: Hooks-Epstein Galleries, Houston, Texas 1998: Albert White Gallery, Toronto, Canada 1998: Lizan Tops Gallery, East Hampton, New York 1998: Albers Fine Art Gallery, Memphis, Tennessee 1998: Ramis Barquet Gallery, Art Miami 1998 1998: Artspace/Virginia Miller Gallery, Miami, Florida 1998: Brewster Arts Limited, New York City 1998: Meredith-Kelly Fine Arts, Santa Fe, New Mexico 1998: Elite Fine Art, Miami, Florida 1998: Byron Cohen Gallery, Kansas City, Missouri 1998: Lyons Wier Gallery, Chicago, Illinois 1998: Mulligan-Shanoski Gallery, San Francisco, California 1998: DeArte Magick, ‘Disegno e Colore’, Easton, Pennsylvania 1997: Consulate General of Argentina, New York City 1997: Gallery @ 425 Lexington, New York City 1997: Ramis Barquet Gallery, Art Miami 1997 1997: N.Y. Arts Magazine 2nd City-Wide Biennial, New York City 1993: Art and Mathematics Conference 1993, State University of New York @ Albany, New York 1992: Gallery @ Broward Community College, Ft. Lauderdale, Florida 1991: Marcos J. Alegría School of Fine Arts, Puerto Rico 1991: Olympia and York Gallery, New York City 1990: Galaxy Gallery, ‘Duel in the Sun’, Miami Beach, Florida

Selected publications on the artist Who's Who in American Art (1999–2005) Pulse, Interview by John Nelson. March 31, 2005 Woodstock/New Paltz Times, “Moving Stills”, by Mala Hoffman, April 14, 2005 Desert Post Weekly, “Buenos Aires artist brightly colors Reality”, by Marc Thomson, February 5, 2004 The Miami Herald, “Latin American Art in Coral Gables”, June 29, 2003 Palm Springs Life,”Where to see Roberto Azank”, by Steve Biller, August 2003 Coral Gables Gazette, “Latin American Masters of Today and Tomorrow”, July 3, 2003. Washington City Paper, Exhibition Review, by Louis Jacobson, March 7, 2003 “When the Subject is also an Object (Conversations/Solitaire)”, Essay by Lee Klein, published by Addison-Ripley Gallery, February 2003 Old Town Crier, Review by F. Lennox Campello, March 2003 San Francisco Business Times, ”Viewing Art with an Eye towards Capital Growth”, by Lizette Wilson, September 27, 2002 Woodstock-New Paltz Times,”Personally Speaking” by Mala Hoffman, August 22, 2002 Chronogram, “On the Cover”, July 2002 New York Arts Magazine, by Lee Klein, December 2001 San Francisco Examiner, Review, by Anne Lawrence, June 12, 2001. The Desert Sun, Review by Jean McKig, December 2001 Washington Post, exhibition review by Michael O'Sullivan, March 26, 1999 Wall Street Journal, ‘Inside Art - Trendsetters- Creating the Next Direction’, “Cypherism and the Age of Computation”, New York, August 1999 Miami Herald, “Cypherism and the Metaclassical Style of Roberto Azank” Essay by Dr. Ronald Vigo, published by Brewster Arts Ltd., March 1999 ”Big Names in the Summer” by Armando Bravo, August 1, 1999 Coral Gables Gazette, ”Gables Gallery exhibits Latin American Jewels”, July 1999 Kansas City Star, ”Still Lifes are Still Effective”, by Robin Trafton, November 26, 1999 Night Magazine, “An Appreciation” by Lee Klein, June 1999 Easton [Pennsylvania] Irregular - “Disegno e Colore”, by Isadore La Duca, October 1998 Kansas City Star, Review, by Alice Thorsen, July 1998 New York City Arts Magazine, Review ”Art Miami 98”, by Lee Klein, February 1998 New American Paintings, February 1998 Waterfront Week, “Objectification” by F. Chapman, Williamsburg, Brooklyn, New York, May 1997.

Selected collections Robert Miller, New York American Express Financial Advisors, Minneapolis Sprint Telecommunications, Kansas City Washington Convention Center, Washington, D.C.