Ramon Villegas

Ramon Nazareth Villegas (September 22, 1953 – August 6, 2017) more popularly known as Mon Villegas or Boy Villegas, was a Filipino curator, art historian, jeweler, author, antiquities dealer, and poet. He was best known for chronicling the history of Philippine art and antiquities in various publications in both the Philippines and overseas. Villegas ran his own antique shop called Yamang Katutubo Artifacts and Crafts, which featured Philippine jewelry and antiques that closed on his death in 2017.

Early life and academic career Villegas was born in Manila on September 22, 1953, to Rosendo Villegas and Illuminada Nazareth of Batangas, who was herself a jeweler. Their family are descendants of the Philippine revolutionary general Miguel Malvar, who was one of the last generals to surrender during the Philippine–American War.

He finished his primary and secondary education at the La Salle Greenhills in 1966 and 1970 respectively, and graduated with a bachelor's degree in literature, with honors at the De La Salle University Manila in 1976. Later on, he served as a university lecturer teaching courses on Philippine literature and Philippine history. It was in this period, Villegas became part of the Galian sa Arte at Tula (GAT), a modernist group of like-minded poets that was spearheaded by the poet and academic Virgilio Almario, who subsequently be awarded as National Artist. The GAT was one of several literary organizations that fought against the martial law regime of Ferdinand Marcos through their literary writings. In 1987, Villegas along with other members of the GAT compiled their poems in an anthology titled Kamao: Panitikan ng Protesta 1970-1986 that was published in the aftermath of the People Power Revolution. The controversy on their proposal to recognize Bonifacio as the first Philippine President has since gained significant traction through the years, particularly during the 150th birth anniversary celebrations in 2013 with several academic sectors backing the proposal.

Art historian, curator, and art advisor Keen on his interests in art and antiquities, Villegas left the academe and pursued a career as an art historian. In 1983, Villegas published his first important publication on Philippine gold and jewelry, Kayamanan: The Philippine Jewelry Tradition for the Bangko Sentral ng Pilipinas (BSP), one of four publications for the monetary authority detailing their various holdings of Philippine art and antiquities. In 2005, Villegas and gallerist Evita Sarenas and fellow art dealer Pacifico Gonzales, Jr. helped catalog and appraised the entire BSP fine art collection. Villegas served as the permanent curator for the BSP gold and pottery collection that was previously exhibited at the Metropolitan Museum of Manila. Before his death, he served as the editor to Likha - Enduring Legacies of Filipino Artistry: The Decorative Arts Collection of the Bangko Sentral ng Pilipinas that cataloged the collection of Philippine decorative arts of the BSP and was published in 2017.

He also served in various capacities as an independent curator, and consultant for several public institutions including the Intramuros Administration, the Lopez Museum, the National Museum of the Philippines, the National Historical Commission of the Philippines, the Ayala Museum and the Museo De La Salle of the De La Salle University – Dasmariñas. Villegas served as an art advisor and helped appraise private collections held by the Ayala Corporation, the Bank of the Philippine Islands, Banco de Oro, PHINMA Property Holdings Corporation, and the United Coconut Planters Bank. He has also worked for the Asia Society, the Asian Civilizations Museum, the Musée du quai Branly – Jacques Chirac, and other leading international institutions.

As a leading curator and consultant, Villegas has help mount important international exhibitions on Philippine art and antiquities including Trésors des Philippines: Un archipel de rites (1994) at the Muséum national d'histoire naturelle in Paris, The Sheer Realities: A Celebration of Philippine Culture (2000) at the Grey Art Gallery in New York and the landmark exhibition on Philippine pre-Hispanic gold, Philippines, archipel des échanges (2013) at the Musée du quai Branly – Jacques Chirac.

Throughout his career, Villegas served as an appraiser and art advisor and cultivated a following amongst prominent Filipino collectors including Maria Theresa Virata, Richard and Sandra Lopez, interior designer Johnny Ramirez, Claude Mark Wilson amongst others.

Amongst the important collectors that Villegas represented through his career, his close association with Philippine art collector Paulino Que has been considered as one of his most enduring contributions in Philippine art. Through his expertises and advice on Philippine art, the Que collection is considered as one of the important private art collections in Southeast Asia. Villegas subsequently wrote two cover issues for the international art and antiquities magazine Arts of Asia that featured the Que collections of Philippine colonial furniture in 1991 and their collection of Philippine modern and contemporary art in 2004 respectively.

In 2013, Villegas collated over 51 important works of National Artist Hernando R. Ocampo from the Que collection and mounted a special retrospective on the artist called The Real H.R. Ocampo: From the Paulino Que Collection at the Ayala Museum that was subsequently published in an exhibition catalog authored by him. In 2021, the exhibition was virtually remounted by the Ayala Museum in honor of Ocampo's 110th birth anniversary.

Antiquities dealer, jeweler, and gallerist Since his childhood, Villegas took a keen interest in jewelry making with his experiences his family's own jewelry shop, Capricci. He later took ownership of the said jewelry shop, and was later renamed as Capricci Jewellers and Goldsmiths that specialized in contemporary jewelry designs and was situated at the Manila Garden Hotel (present-day Dusit Thani Manila). Villegas' own appreciation of Philippine art and antiquities, in turn, led to his career as an antiquities dealer. He later established Yamang Katutubo Artifacts and Crafts a shop centered on Philippine antiques, which subsequently transferred to the La'O Center in Makati that continued until he died in 2017.

In 1981, Villegas along with like-minded dealers including Terry Baylosis, Felix C. Sta. Maria, Edd Fuentes, Romeo Bauzon, and Osmundo Esguerra amongst others established the Antique Dealers Association of the Philippines (ADAP) and served as its founding president, and subsequently served as its chairman. Through their efforts, the ADAP organized the Manila Arts & Antiques Exhibition, one of the first Philippine antiquities fairs in 1982, and published its own exhibition catalog, with Villegas as its main editor.

Death Villegas died on August 6, 2017, in Makati, the Philippines at the age of 63.

In 2019, a dining table made by artisans from Bohol from the private collection of Villegas dating from the 19th century was sold for a record PHP467,200 (US$9,470) at León Gallery auction in Makati.

In 2020, his numerous essays on Philippine art were posthumously published in a special private publication León at Ten: 2010-2020 detailing the works that were previously auctioned by León Gallery in the past decade.