Peter Marino

Peter Marino (born August 9, 1949) is an American architect. He is a Fellow of the American Institute of Architects (FAIA). He founded Peter Marino Architect PLLC in 1978 and has designed boutiques, flagships, residences, hotels, and cultural spaces for major international fashion and luxury brands, including Chanel, Dior, Louis Vuitton, and Bulgari. Marino began his career designing residences for figures in the art and cultural worlds, including his mentor and early patron Pop artist Andy Warhol.

Marino is also an art collector and the founder of the Peter Marino Art Foundation in Southampton, New York, which opened in 2021 and exhibits works from his collection alongside rotating exhibitions and site-specific commissions. His architectural work is characterized by the integration of contemporary art, sculpture, and custom design into both commercial and residential spaces.

Early life and education Marino was born and raised in Queens, New York. He played the piano until the age of 14. He began drawing as a child and took special art classes. He received a gold medal from Mayor Lindsey for a painting he made in 1966.

Marino graduated at the age of 16 from Francis Lewis High School in Fresh Meadows, Queens. He earned a degree from the Cornell University College of Architecture, Art, and Planning in 1971.

Career

Early career After graduation, Marino apprenticed at the New York offices of Skidmore, Owings & Merrill, George Nelson, and I.M. Pei. Marino later said that this project was important to his career because Hughes frequently entertained guests at his home, giving them an opportunity to see Marino's work firsthand. Marino described the project as a "fantastic experience, I was a young architect and creating home designs in Andy's city was really exciting." The firm is based in New York City with 160 employees, and offices in Philadelphia and Southampton.

Notable projects Pierre Bergé residence, New York City (1978)

In 1978, Marino designed the pied-à-terre of French businessman Pierre Bergé at The Pierre hotel in New York City. Bergé had initially hired Marino to design the entire apartment, but Johnson persuaded him to pursue an American-inspired interior and introduced him to Judith Hollander, a friend and collector with an interest in American Empire furniture.

Gianni and Marella Agnelli residence, New York City (1981)

In 1981, Italian industrialist Gianni Agnelli and his wife, Marella Agnelli moved from their apartment at 720 Park Avenue to a larger pied-à-terre at 770 Park Avenue, where Marella enlisted architect Renzo Mongiardino and Marino to oversee the design. Mongiardino, who had previously designed residences for the couple in Turin and St. Moritz, designed the living and dining rooms, hall, and library, while Marino served as the on-site architect and designed the private rooms, kitchen, and breakfast room.

Barneys New York, New York City (1985)

In 1985, the Pressman family, who owned Barneys New York at the time, hired Marino to design the women's retail concept for the department store. This was Marino's first retail project, which led to his designing 17 freestanding Barneys department stores in the U.S. and Japan between 1986 and 1993. Marino's work for Barneys put him in contact with other fashion designers for whom he went on to design boutiques, such as Calvin Klein, Donna Karan, Giorgio Armani, Ermenegildo Zegna and Fendi, and eventually Chanel, Dior and Louis Vuitton. In 2004, The New York Times reported that Marino is "widely credited with proving the theory that architectural design can be a strong component of a shopper's identification with a brand", citing the freestanding Giorgio Armani flagship Marino designed in 1996 on Madison Avenue as the embodiment of Armani's "trademark minimalism."

The New York Times referenced Marino's work on the 2004 Chanel tower in Japan's Ginza district, "that takes Coco Chanel's signature black and white tweed and explodes it into three dimensions."

170 East End Avenue, New York City (2007)

In 2007, Marino's first luxury condominium high rise project opened at 170 East End Avenue in New York City. The building has an expansive marble lobby, leading out to a garden and waterfall in the back.

Boontheshop, Seoul (2014)

In October 2014, Marino designed the flagship store in Seoul, Korea's Cheongdam-dong neighborhood for Boontheshop, a retail brand owned by Shinsegae, a South Korean luxury product specialist. The 55,000 square foot project consists of two angular buildings clad in white marble, connected by glass bridges. It was Marino's first multi-brand store since the Barney's project.

In January 2015, Marino completed the flagship Louis Vuitton shop on Rodeo Drive, in Beverly Hills, California. The design included a three-layer facade consisting of louver-like stainless steel ribbons over glass over squares of white fabric, which LA Times' fashion reporter Adam Tschorn described as being designed to create an indoor/outdoor feeling.

Hublot 5th Avenue, New York City (2016)

Marino designed both the building and interiors of luxury Swiss watch brand Hublot’s flagship store in New York on Fifth Avenue between 57th and 58th streets. The tall and slender 1500-square-foot building’s design is inspired by the high-end timepieces sold in the store. The facade consists of hundreds of powder-coated black aluminum panels, positioned at various angles, some lined with LED strips. Notable features include the angled white marble façade — which Interior Design calls the "architectural equivalent of Coco Chanel’s white pleated blouses" — and the mirrored stairwell, Marino’s homage to the original Chanel headquarters. The Hill Art Foundation occupies the third and fourth floors of the building, with an entrance located at 239 Tenth Avenue.

Chanel Ginza Namiki, Tokyo (2018)

Also in 2018, Marino completed a slender 9-story tower for Chanel in Tokyo. Mukai designed an art installation for the façade for the building's opening.

Dior, 30 Ave Montaigne, Paris (2022)

Marino designed the renovation of the Dior flagship store in Paris. Nicolas Milon of Architectural Digest noted,

Personal life Marino is married to costume designer Jane Trapnell; the couple have a daughter. It features mostly black clothing, leather with buckles and studs, and a leather cap.

Marino is an avid collector. He began collecting in the 1970s, initially purchasing French ceramics and decorative objects at flea markets in New York and Paris. He describes his approach as collecting "high and low." In 2010, his collection of bronzes was exhibited at the Wallace Collection in London. In December 2015 Marino was sued by Deirdre O'Brien, his former office manager, for allegedly making racist and sexist comments. In May 2016, Jonathan Michaud, a former textile specialist at the firm, filed a lawsuit in New York State Court, accusing Marino of sexually harassing him and making homophobic slurs.

In March 2018 the American Institute of Architects New York (AIANY) announced that it was rescinding Marino's 2018 Design Awards citing the harassment allegations. According to Curbed, citing a spokesperson for Peter Marino Architect (PMA), the sexual harassment suit was resolved, while a countersuit was filed against the other claimant. The building was formerly home to the Rogers Memorial Library and later the Parrish Art Museum. Marino purchased the 1895 building, designed by R. H. Robertson, in 2018 and spent three years restoring its historic façade and transforming its interior. The Foundation opened to the public in June 2021.

Marino's private art collection, assembled over more than 40 years, is displayed at PMAF and ranges from Egyptian, Greek, and Roman antiquities to Baroque bronzes, works by Eugène Delacroix, Andy Warhol and Jean-Michel Basquiat, and sculptures by Les Lalanne, as well as 19th-century faience, and photographs by Robert Mapplethorpe. The Foundation presents rotating exhibitions that change seasonally, featuring artists including Vik Muniz, Anselm Kiefer, Melvin Edwards, Sanford Biggers, Jean-Michel Othoniel, and Johan Creten, as well as photographs by Diane Arbus and Priscilla Rattazzi. The exhibitions are accompanied by talks and book signings.

Marino has said that he has long admired house museums such as the Morgan Library & Museum and the Frick Collection, which influenced his decision to display his collection in a space designed to feel lived-in.