Pauline Curnier Jardin

Pauline Curnier Jardin (born 1980, Marseille, France) is a visual artist working mainly in film, installation, performance and drawing. She lives in Rome and Berlin.

Early life and education Curnier Jardin studied fine art at École Nationale des Beaux Arts de Paris-Cergy and film studies at École nationale supérieure des arts décoratifs, Paris. Together with Maeva Cunci, Virginie Thomas et Aude Lachaise she founded the dada-femme Cabaret group "Les Vraoums".

Career She was a visiting tutor at Kunsthochschule Kassel and at the Dutch Art Institute where she led the seminar "Opera Corruption" together with the art organization If I can't Dance, I Cannot be a Part of your Revolution and curator Sara Giannini. Since 2020 Curnier Jardin has been tutor at De Ateliers in Amsterdam.

In 2020, together with Alexandra Lopez and Serena Olcuire, she initiated the Feel Good Cooperative, a cooperative of sex-workers in Rome.

In the film-work Grotta Profunda, les humeurs de gouffre, the moody chasm (2011) Curnier Jardin explores the life of Bernadette Soubirous (Maria Bernada Sobeirons), the Pyrenean visionary, who on 11 February 1858 claimed she saw a young girl in a cave at Massabielle.

Her subsequent film Grotta Profunda, les humeurs du gouffre was exhibited as part of the installation Grotta Profunda Approfundita at the 57th Venice Biennale.

Her film Qu'un Sang Impur, a loose remake of Jean Genet's "Un Chant d'Amour", was commissioned for the Bergen Assembly Triennal and later exhibited at the Hamburger Bahnhof, installed in the Hot Flashes Forest, an immersive installation thought to combine a multiple of works that deal with reproductive idea of the woman's body.

As the winner of the Preis der Nationalgalerie 2019, Curnier Jardin presented the extensive video installation Fat to Ashes at Hamburger Bahnhof - Museum für Gegenwart, Berlin, in 2021. The exhibition was centred on the filmic work «Fat to Ashes» which combines 3 storylines: a religious festival in honour of St. Agatha, the slaughter of a pig, and the carnival in Cologne.

A large-scale amphitheatre encompasses the film installation as the centre of the spectacle, and thus transformations, processions, and practised performance in ritualised excess are the content and formal attributes of Curnier Jardin's Fat to Ashes.

Awards and residencies (selection) 2018 Dutch prize NN Award 2017 laureate of the Prix Fondation d'Entreprise Ricard 2019 Preis der Nationalgalerie

Collections (selection) National Gallery Berlin – Collection for contemporary art Fonds régional d'art contemporain Limousin Centraal Museum Utrecht La collection du Musée national d'art moderne – Centre Pompidou

Solo exhibitions (selection) 2021 Fat to Ashes, Preis Der Nationalgalerie - Hamburger Bahnhof, Berlin, DE Sète, FR Index Stockholm, SE

2019 I still send you a lot of affection and I kiss you through my denture, 1646, The Hague, NL Parties sans éteindre les lumières, Fondation Ricard pour l'Art Contemporain, 2018 Sebastiano Blu, Tomaskerk, Amsterdam, NL (performance) Den Frie Centre of Contemporary Art, Copenhagen, DK You think you are within in me now, KRIEG, Hasselt, BE 2017 Ellen de Bruijne Projects, Amsterdam, NL Amsterdam. 2016 Le Granit, Scène Nationale de Belfort, Belfort, FR The Shower of Sister Bondage, Ellen de Bruijne Projects, Amsterdam, NL Blutbad Parade, Théâtre Nanterre-Amandiers, Paris, FR. 2015 The Resurrection Plot, Performa 15, Pioneer Works, New-York, US Parade-Bain-de-Sang, Soirées Nomades, Fondation Cartier pour l'art contemporain, Paris, FR. 2014 Mémoires Perdues, Europäische Kulturtage Karlsruhe, Karlsruhe, DE MIT List Visual Arts Center, Cambridge, US Viola Melon, Baiser Melocoton, Galerie Edouard Manet, Gennevilliers, FR 2013 Art Berlin Contemporary (ABC), Berlin, DE Viola Melon, Baiser Melocoton, PSM Gallery, Berlin, DE. 2012 Crèche Vivante, Fondation Cartier pour l'art contemporain, Paris, FR; The Mysteries of Creation without Hands, L'Antenne, FRAC Ile-de-France, Paris, FR.