Parisa

Fatemeh Va'ezi (; born 16 March 1950, in Tonekabon, Iran), better known as Parisa , is a Persian classical singer, Avaz master, and one of the foremost female vocalists of Iran.

Early life and musical training

After finishing high school, emphasizing Persian literature, she started her musical work under the supervision of the renowned Persian Radif teacher, Mahmoud Karimi, a highly respected teacher of classical Persian music whose vast knowledge of the ancient repertoire was fundamental to her career.

Karimi once commented: "Parisa is my most promising pupil, and she can sing all the modes with the skill of re-interpretation or improvisation necessary to perform Iranian music correctly".

Career

In the early 1970s, Parisa trained intensely with vocal master Mahmud Karimi at the Honarestan-e Musiqi-ye Meli (National Music Academy) and occasionally performed at the Ministry of Culture's Rudaki Hall. Fulbright scholar of Iranian music Lloyd Miller was also studying with master Karimi in the men's vocal class at the Music Academy. One day master Karimi invited Miller to visit the women's class. Miller was stunned by Parisa's excellent verbal skills and decided to do everything possible to help her rise to the top of the Tehran music scene. As a music writer in most publications in Tehran, Miller began to continually praise everything about Parisa, while he was also writing relatively negative reviews about some of the westernized pop-oriented concerts presented by the Ministry of Culture at Rudaki Hall. Miller was the PR person for the Center for Preservation and Propagation of Iranian Music, directed by grand master Dariush Safvat.

Since Parisa was funded by a scholarship from the Ministry of Culture, she could not be a member of the NIRT Center until she worked off her scholarship by performing for the Ministry. This situation saddened Miller, but one day was invited to Rudaki Hall for a meeting with an official from the Ministry. At the conference, Miller was asked what it would take to stop writing scathing negative articles about the Ministry for their "inappropriate modern and pop music efforts". According to him, if the Ministry would "allow Parisa to join the Center's cadre of rising young masters of totally traditional music," he would "only write about the good concerts at the Ministry like western classical music or other harmless efforts." The next day when Miller went to the Center he was shocked to see Parisa sitting waiting for an interview with master Safvat. She was consequently immediately accepted and began her career as one of Iran's foremost vocalists.

Meanwhile, Miller had applied to be the A and R person for CBS Iran but was rejected in favor of Marcel, a popular modernized piano personality. Miller was told he was dismissed because he had an agenda and couldn't be fair in his music selections. Miller was not discouraged, and at a party soon after, he befriended Marsel and enticed him to come to Dr. Safvat's Center to hear the incredible vocalist and instrumentalists in the country. Marcel was immediately converted to Parisa and soon produced three cassette tapes that hit the top of the music charts in Tehran. Parisa and the Center's musicians offered many concerts in Iran and at the annual Shiraz Art Festival. She also performed at festivals in Europe and Japan.

After the 1979 Iranian Revolution, Parisa was no longer allowed to perform in public. However, she should have been the one lady vocalist who would have been accepted, except that other less appropriate singers would try to get back their claim to fame. So she devoted herself to her family and giving private lessons.

In 1980, she was again invited to teach traditional Persian music at the Center, which she continued to do until 1995. Since then, she has performed at music festivals and major concert halls throughout the world with many prominent groups and musicians, including Dastan Ensemble, Dariush Tala'i, and Hossein Omoumi.

with Behdad Shahideh (Tar), Dara Afraz (Daf) 2002 (Jun–Jul)

36th Annual Smithsonian Folk Life Festival

performing with Daryush Talai (Tar) 2002 (Sep–Oct)

Tour: USA, with Daryush Talai:

New York (Asia Society and Museum), Hawaii (Honolulu Academy of Arts), Berkley (First Congregational Church), Los Angeles (Wadsworth Theatre, Persian Arts Society) 2002 (Oct–Dec)

Berlin (SFB Grosser Sendesaal), Hamburg (Musikhalle),

Kobenhavem (Amager Bio), Stockholm (Folkets Hus)

Goteborg (Universitet / Astisten), Helsingborg (Dunkers Kulturhus), Antwerpen, Amsterdam, Utrecht, Oslo, Frankfurt (HR Sendesaal), Giessen (Kongresshalle), Munich (Goethe Institute, Freiburg (Historisches Kaufhaus), London (Queen Elizabeth Hall), Cologne, Heidelberg (Kongresshaus Stadthalle) 2003 (Apr–Jun)

Tour: Canada and USA, with Dastan Ensemble

Toronto, Montreal, Ottawa, Vancouver, Seattle, Portland, Orange County, San Francisco, New York, New Haven, Washington D.C., Cleveland, Chicago, Atlanta 2004

2005

A European tour with Dastan Ensemble and joining the Tar and Setar Seminar in the Netherlands.

Venice, Rome, Freiberg, Koln, Oslo 2006

Performing the album Shoorideh with Dastan Ensemble 2006

Montreal, Ottawa, Toronto, Vancouver,

New York, Atlanta, Dallas, Chicago, Ann Arbor, Michigan, Orange County, Los Angeles, San Francisco, San Diego 2007

Fes, Morocco

with Dastan Ensemble 2007

2007

Performing the album Simplicity.

with Iman Vaziri (Tar) and Ali Rahimi (Tombak)

Some master classes and workshops were included in this festival. 2007

Performing the album Simplicity.

with Iman Vaziri (Tar) and Ali Rahimi (Tombak)

Some master classes and workshops were included in this festival. 2008

Florence (Italy): Festival MUSICA DEI PAPOLI

Barcelona (Spain): QADAR Festival

Performing the album Simplicity and a new one-hour program 2008

Performing the expanded version of the project Simplicity with the company of Kamancheh in Düsseldorf.

Iman Vaziri (Tar), Ali Rahimi (Tombak) and Ehsan Zabihifar (Kamancheh) 2009

performing at the Muslim Voices festival, Asia Society

Iman Vaziri (Tar), Dara Afraz (Tombak) 2009

performing at the Santander International Festival

Iman Vaziri (Tar), Dara Afraz (Tombak) 2009

performing at the Uppsala Sacred Music Festival

Iman Vaziri (Tar), Dara Afraz (Tombak) and Ehsan Zabihifar (Kamancheh) 2010

performing at the festival of Sacred sounds

Iman Vaziri (Tar), Dara Afraz (Tombak) 2012 (May–June)

with Hamnavazan Ensemble