Olga Dondé

Olga Dondé (May 23, 1937 – November 16, 2004) was a Mexican artist involved in various fields but best known her still life pieces. She was a self-taught painter, who worked for two years until she decided to enter works in a show in 1968. From then she had about 100 showings of her work, including more than forty individual exhibitions in Mexico, the United States, South Americana and Europe. She also founded artistic organizations, an art gallery and a publishing house. Dondé’s work was recognized by admission in the Salón de la Plástica Mexicana, among other honors and her work continues to be shown and honored after her death.

Life Dondé was born in the city of Campeche in southern Mexico. However, the young girl had problems tolerating the intense heat of this coastal city, so her family brought her to live in Mexico City in 1939, when she was two years old. The rest of the family divided their time between the capital and their hometown for a time, before staying permanently in Mexico City. During her first years in school, she began to draw and write poetry. In the fifth grade, she made a map, six meters long, which was used as an example in Mexico City secondary schools.

Her mother died when she was a teenager and she married shortly afterwards. However, the marriage did not last and she divorced in 1958 with two small children. She decided to dedicate herself to painting and applied to an art school, but was turned down, leading to the decision to learn on her own.

In addition to painting, she also involved herself in other projects to earn money. She planned to open an art gallery with her brother but he died before its realization. She later opened a gallery called “33” with a friend. In the 1980s, she lived in Washington, DC, returning to Mexico City in 1990. and in 1987, worked to found the Museo Joaquín Clausell and the Cultural Center of Campeche in her birthplace, which included drawing up the layouts. Dondé also participated in the Congreso de Ciudades en Peligro in 1990, with the aim of rescuing the old walled city of Campeche,

Although she lived in various parts of Mexico as well as abroad during her lifetime, she lived in Mexico City from 1990 until her death at the age of 67 in Mexico City. Her collective exhibitions include art competitions such as the first Biennial Exhibition of Tapestry at the Museo Carillo Gil in 1978.

As part of her career, she formed various artistic group such as the Artistas de los Insólitios in 1976 and the Foro de Arte Contemporáneo in 1978. (arzobispado) Dondé also founded the El Taller Gallery and the Domés publishers.(crónica) In her later life, she served on various cultural and artistic commissions including the Comisión de Cultura Instituto de Estudio Políticos, Económicos y Sociales in 1988, the cultural commission of the Azcapotzalco borough from 1988 to 1994, the Asociación de Artistas Plásticas de México, the Mexican national committee of AIAP-UNESCO and the Fine Arts Commission of the Benito Juárez borough .

Recognitions for her work include inclusion in various editions of Who's Who in America, membership in the Salón de la Plástica Mexciana, an honorary doctorate from the International Academy Foundation in Kansas City, and named a distinguished citizen of the city of Campeche in 1992. At competitions she received a "gran mención" at the first Biennial Latinoamericana in Sogamoso, Colombia in 1973, an honorary mention at the first Salón Internacional de Formato mínimo in Bogotá in 1989 and a diploma from the first Bienal Internacional de Juguete Arte Objeto in Mexico City. After her death, exhibitions and homages to her work have included those at the Festival de las Artes Visuales in Campeche (2005), the Festival de Historia de Campeche (2007), Sala de Arte Domingo Pérez Piña in Campeche (2007) and at the Festival del Centro Histórico in Mexico City (2008).

Artistry Although she exhibited in many of the venues of her contemporaries, such as the Palacio de Bellas Artes, she maintained an independent trajectory. Although her techniques varied widely, she was best known for her paintings and drawings of nature, especially fruit, flowers, vegetables and tubers. In his book, critic Enrique F. Gual states that her work has “a deep affinity with surrealism, through which the author is able to extract a special metaphysics from her themes, to crown the universal panorama of Mexican still life.”