Norman Kerry

Norman Kerry (born Norman Hussey Kaiser, Changing his name from the unmistakably German "Kaiser" at the onset of World War I, he rose quickly in his field, becoming "the Clark Gable of the [1920s]."

Kerry often played the heroic dashing swashbuckler or the seductive lothario. He was extremely popular with female fans. and was said to have a wonderful sense of humor and to be very popular. He also achieved some recognition as a dog fancier, maintaining kennels at his home that were "known throughout the world among lovers of aristocratic dogs." As his film career waned in the 1930s, he became known as an international bon vivant and adventurer who lived in the French Riviera and even joined the French Foreign Legion. Dwan needed young people with horses to appear in a scene and Kerry volunteered himself and his friends to fill that need. The following year, Kerry rose to leading actor status in A Little Princess, playing opposite actress Mary Pickford. He was "on his way!" and by 1930 he had been under contract with Universal Pictures for twelve years and was thought to be among the actors who had played the most roles in his career. He wore a fancy waxed mustache and slicked-back hair, exemplifying the "tall, dark, and handsome" matinee idol of the time. The film is now considered a classic. The film was an enormous financial and critical success and solidified Kerry's position as a leading actor during the 1920s. and with Patsy Ruth Miller in the adventure film Lorraine of the Lions. In 1927, Kerry again shared the screen with Lon Chaney in The Unknown, also starring Joan Crawford. By the end of the decade, he had appeared in high-profile roles opposite Anna Q. Nilsson, Marion Davies, Bebe Daniels, Mildred Harris, Lillian Gish, and Claire Windsor, among others.

At the beginning of the talkie era, Kerry reunited with Mary Philbin to film talking scenes for The Phantom of the Opera, reissued with sound December 15, 1929. Among them were Air Eagles and Bachelor Apartment in 1931 and Kerry's final film, Tanks a Million, in 1941. During the 1930s, Kerry also made some movies for British, German, and Italian producers.

Personal life Born in Rochester, New York on June 16, 1894, As he was growing up, he lived with his family in New York City Kerry's father, Isaac Kaiser, was a leather goods manufacturer and dealer and Kerry himself spent some time as a representative for that company. Later, Kerry encouraged Valentino to try making a name for himself in film, staked him for a trip to Los Angeles, and helped him get his first roles. with a commission as a lieutenant. However, on November 2, Kerry's father died, In 1918, he served briefly (October 2 to December 4) in the U.S. Army, returning to Los Angeles and his film career by the end of that year.

Kerry had been living in a Los Angeles hotel in June 1917 They moved to a house at the entrance to Laurel Canyon the following June. Kerry was still living with his mother and sister as of January 1920.

About six weeks later, Kerry was married for the first time. His bride was a 22-year-old divorcee, Rozene (Tripp) Greppin, said to be an heiress. The marriage did not last. The couple separated on November 11, 1928 and Rozene filed for divorce the following April, charging that Kerry called her vile names in front of others, stayed away for extended periods, and ignored her; the divorce was granted on June 7, 1929.

About two weeks after the divorce was granted, Kerry made a very public effort to win Rozene back. On June 20, 1929, she was scheduled to board the ocean liner Majestic in New York, bound for England. After learning that she was there, Kerry attempted to board the ship, seeking a reconciliation. Having neither ticket nor passport, Kerry was not allowed on board. Nevertheless, he then scaled a fence around the baggage area, evaded crew members who tried to stop him, and entered the ship on an escalator used to load baggage. Once in England, he was required to put up a passport bond and remained there for about two days. His efforts to save the marriage were unsuccessful.

Kerry's second wife was Helen Mary (Yost) Wells, ex-wife of a New York grain broker. They were married in New York on November 2, 1932. The couple said that they had been friends since before their previous marriages; he was 38 and she gave her age as 32. Just over two months later, they separated and Helen moved out of their home and into a hotel. There followed a reconciliation, but the following year Helen filed for divorce, alleging that Kerry drank heavily. The divorce was granted on September 17, 1934.

This divorce was not the end of Kerry's relationship with Helen. Though there were rumors of a reconciliation with first wife Rozene, Kerry later followed Helen to Vienna, Austria, and the two eventually remarried there. Kerry had often been living and working in Europe since the beginning of their marriage. and by 1940 he and Helen were living in the French Riviera, near Nice. He explained to Helen, who ultimately acquiesced in his decision, that he owed it to the French, whose hospitality he had been enjoying, and that he had been dissatisfied with the shallowness of his life as an actor; he wanted to have "real experiences, not just make-believe." In January 1941, Kerry returned to California.

The following year brought news that Kerry had become engaged to actress Kay English, though their marriage would have to wait until there was a final divorce decree between Kerry and Helen. Kerry and English did eventually marry, in 1946, and they remained married until his death in 1956.

At the age of 61, on January 12, 1956, Norman Kerry died from a liver ailment at Cedars of Lebanon Hospital in Los Angeles.

Selected filmography

Vanity (1916) - Crandell Manhattan Madness (1916) - Minor Role (uncredited) The Black Butterfly (1916) - Vladimir The Little American (1917) - Wounded Soldier (uncredited) The Little Princess (1917) - Capt. Richard Crewe Amarilly of Clothes-Line Alley (1918) - Gordon Phillips Up the Road with Sallie (1918) - Joshua Cabot II, aka Smith Jones Rose o' Paradise (1918) - Theodore King Good Night, Paul (1918) - Richard Landers The Talk of the Town (1918) Toton the Apache (1919) - David Lane Getting Mary Married (1919) - James Winthrop, Jr. Virtuous Sinners (1919) - Hamilton Jones The Dark Star (1919) - Jim Neeland Soldiers of Fortune (1919) - Robert Clay Passion's Playground (1920) - Prince Vanno Della Robbia A Splendid Hazard (1920) - John Fitzgerald Buried Treasure (1921) - Dr. John Grant Proxies (1921) - Peter Mendoza The Wild Goose (1921) - Ogden Fenn Little Italy (1921) - Antonio Tumullo Get-Rich-Quick Wallingford (1921) - 'Blackie' Daw Three Live Ghosts (1922) - Billy Foster Find the Woman (1922) - Marc Weber The Man from Home (1922) - Prince Kinsillo Till We Meet Again (1922) - Robert Carter Brothers Under the Skin (1922) - Thomas Kirtland Is Money Everything? (1923) - John Brand Merry-Go-Round (1923) - Count Franz Maximilian Von Hohenegg The Hunchback of Notre Dame (1923) - Phoebus de Chateaupers The Acquittal (1923) - Robert Armstrong The Thrill Chaser (1923) - Norman Kerry The Satin Girl (1923) - Dr. Richard Taunton The Shadow of the Desert (1924) - Said Daring Youth (1924) - John J. Campbell True As Steel (1924) - Harry Boutelle Cytherea (1924) - Peyton Morris Between Friends (1924) - Jack Greylock Butterfly (1924) - Konrad Kronski So This Is Marriage? (1924) Hello, 'Frisco (1924, Short) - Himself The Price of Pleasure (1925) - Garry Schuyler The Phantom of the Opera (1925) - Vicomte Raoul de Chagny Fifth Avenue Models (1925) - Francis Doran Lorraine of the Lions (1925) - Don Mackay Under Western Skies (1926) - Robert Erskine Mademoiselle Modiste (1926) - Etienne The Barrier (1926) - Meade Burrell The Love Thief (1926) - Prince Boris Alexander Emanuel Augustus The Claw (1927) - Maurice Stair Annie Laurie (1927) - Ian Macdonald The Unknown (1927) - Malabar the Mighty Love Me and the World Is Mine (1927) (also known as The Affairs of Hannerl (1928)) - Von Vigilatti Body and Soul (1927) - Ruffo The Irresistible Lover (1927) - J. Harrison Gray Horse Shoes (1927) The Foreign Legion (1928) - Richard Farquhar The Woman from Moscow (1928) - Loris Ipanoff Man, Woman and Wife (1929) - Rance Rogers / Ralph Brandon The Bondman (1929) - Jason Trial Marriage (1929) - Oliver Mowbray The Woman I Love (1929) - Kenneth Hamilton The Prince of Hearts (1929) - Prince Casimir Ex-Flame (1930) - Beaumont Winthrop The Hawk (1931) - Miguel Morago - aka The Hawk Bachelor Apartment (1931) - Lee Graham Air Eagles (1931) - Otto Schumann The Phantom of Santa Fe (1936) (also known as The Hawk (1931)) Tanks a Million (1941) - Major (final film role)