Mwezé Ngangura

Mwezé Ngangura (born 7 October 1950) is a film director from the Democratic Republic of the Congo (DRC). Considered a pioneer of Congolese filmmaking, he is known for the classic La Vie est Belle, the first feature film made in the DRC.

Early life and education

Mwezé Ngangura was born in Bukavu, Democratic Republic of Congo (then called Belgian Congo) on 7 October 1950. At the age of twenty he won a scholarship to study in Belgium, with the criteria that he had to pursue an area of study not available in Zaire. There were no Congolese film schools at the time, and interested in filmmaking, Ngangura went on to pursue film studies at the Institut des Arts de Diffusion in Louvain-la-Neuve, graduating in 1975. While a student he made two short films, Tamtam-Electronique (1973) and Rhythm and blood (1975).

Career

Early career After completeing his studies in Belgium, Ngangura returned to Zaire in 1976 and became a lecturer at the National Institute of Arts (INA) in Kinshasa, the capital. In a 2019 interview he explained that it was his only option. “The other option was to work as a director in national television which had only a few entertainment or political propaganda programmes.” He followed up with Kin Kiesse (1983) another short documentary that was a portrait of Kinshasa and its people.

Ngangura's attendance at FESPACO proved to be a seminal experience that was to influence his future filmmaking. He found that most of the African films screened were made for a Western audience and did not reflect the everyday lived experiences of Africans, and therefor not accessible to the average African. “Watching many of the African films screened in this festival it was clear to me that those films were not directed to an African audience. Africa in most of these films was only a subject and the audience were outside the filmmakers’ calculations.”

In 1992, Mwezé Ngangura made Changa-Changa, Rythmes en noirs et blancs (Changa-Changa, Rhythms in Black and White), a documentary produced in Brussels on intercultural encounters where different styles of music enrich. Changa-Changa was broadcast on television and shown at many festivals, including FESPACO (Pan African Film Festival of Ouagadougou), Vues d'Afrique (Montreal), and Bilan du Film Ethnographique (Paris).

In 1994, he made Le Roi, la vache et le bananier (The King, the Cow and the Banana), a 60-minute documentary that won several awards. The next year he directed Lettre à Makura : les derniers Bruxellois, a view by an African ethnologist of the marolliens, the oldest community in Brussels. In 1997, he directed Le général Tombeur, a 26-minute documentary that tells the story of Bukavu from the expedition of General Charles-Henri Tombeur in 1914-18 to the current date. This film was selected at the Festival of Ouagadougou (FESPACO) in February 1997 and the Montreal festival Views from Africa in April 1997.