Melanie Rodriga

Melanie Rodriga (née Read; born 30 September 1954) is a New Zealand-Australian film maker, lecturer, and author.

Early life Born in Kuala Lumpur, Malaysia, Rodriga was the third child of Daphne Mary (Billie) and Albert Thomas (Bertram) Read. She is of Eurasian (Malay-Chinese-Portuguese) ancestry on her mother's side and British ancestry on her father's side. Her father was a pianist arranger of the British Dance Band Era, playing with Bert Ambrose and Henry Hall, among others. The family moved from Malaysia to Sydney in 1961, and lived in the eastern suburb of Vaucluse. Rodriga graduated from Kambala CofE Foundation School for Girls in 1972. She then traveled to England where she studied filmmaking at Ravensbourne Polytechnic, Bromley, Kent.

Early career Rodriga's career began in Sydney in 1974 at the Australian Broadcasting Corporation, where she was trained in production management and film editing for both drama and documentary. Her first film as writer/director was the 1976 experimental short Curiosities. In 1979 she edited Witches and Faggots, Dykes and Poofters. This was one of the first documentaries about the lives of gay and lesbian people in Australia set against the backdrop of the first Sydney Mardi Gras and the arrests that followed. In 1980, having moved to New Zealand, Rodriga began writing and directing her first three short films: Second Sight, about Sally Rodwell and Deborah Hunt of theatre group Red Mole, Them's The Breaks, a documentary about street kids, and Hooks and Feelers, a short feature based on the Keri Hulme story.

Later career Rodriga's first feature-length film, Trial Run (1984), starred Annie Whittle and was edited by Finola Dwyer. It was the first film in New Zealand to be written and directed by a woman. Whittle's character relocates to a remote cottage which appears to be haunted by a previous occupant. Together with Gaylene Preston's Mr Wrong, Trial Run marked a turning point in New Zealand cinema. According to Barbara Cairns, "From this moment on, the centrality of the white, male hero, or anti-hero ... was if not displaced, then constantly undermined." Cairns argues that Rodriga's Trial Run was the more daring of the two films as it focused "not on the unknown, external danger to women, which the thriller uses most potently, but on threats within the family." Rodriga's next feature, Send a Gorilla, was conceived and developed with three of her Marching Girl colleagues. Set on Valentine's Day, the film was a feminist critique of the commercialisation of Romance. The film is frenetic and has some fine comic moments, while having a serious feminist subtext. In the 1990s Rodriga focused on TV drama and documentary (and changed her surname to Rodriga early on in the decade). The People Next Door (1994) was New Zealand's first prime time documentary dealing with gay and lesbian culture. In 1997 Rodriga moved to Perth, Western Australia. While teaching screen production and screenwriting at Murdoch University, Rodriga directed her third feature film, Teesh and Trude (2002) starring Linda Cropper, Susie Porter, Peter Phelps and Bill McCluskey. Teesh and Trude tells the story of a day in the life of two working-class single mums in Perth, Western Australia. The film was nominated for three Australian Film Institute Awards in 2003. Critics were divided by the film's gritty social realism:

In 2010, Rodriga wrote, directed and produced her fourth feature film myPastmyPresent, shot on location in the Margaret River region of Western Australia. myPastmyPresent is a young lesbian love story with Buddhist themes shot with an entirely undergraduate crew. In 2015 the feature film 'Pinch' (w/d Jeffory Asselin) which Rodriga executive produced, won best feature at the WA Screen Awards.

Academics

Rodriga has a PhD from Murdoch University in Perth, where she ran the Graduate Screen Program].

Personal life Rodriga's sexual orientation as fluid. She is a lesbian and queer as of 2018. She has written that she disagrees with "the assumption that sexuality is biologically or genetically driven" and believes in "allowing young people the freedom to make up their own minds about their sexual preference(s)."