Maurizio Anzeri

Maurizio Anzeri (born 8 April 1969, in Loano, Italy) is an Italian contemporary artist living and working in London. He works in a variety of media, including sculpture, photography, drawing, and traditional craft techniques.

Education From 1996 to 1999 Anzeri attended the Camberwell College of Arts, earning a Bachelor of Arts in sculpture and graphic design. He later earned a Master of Fine Arts in sculpture from the Slade School of Fine Art in 2005.

Practice As a sculptor, Anzeri uses synthetic hair "to create slightly ominous, sentinel-like works. Piled into totemic forms, the bundled locks are simultaneously woven into curls, plaits and pleats". He produced sculptures with Alexander McQueen in 2000 and worked for a year with Isabella Blow creating wearable sculptures. Since 2005, Anzeri has exhibited his work in solo and group exhibitions across the world. His work is held in several public and private art collections.

Anzeri is described as a pioneer in the art of embroidery on found photographs. The inspiration for his craft came from seeing images of relatives mending fishing nets on the Italian coast of Loano, near Genoa, and because of his family history, he saw his "attraction to working with thread as verging on the inevitable". Fusing his earlier work with hair sculpture and his passion for old photographs, embroidery became a deliberately expressive tool for him. The publication Designboom wrote:

He conceived the term "photo-sculpture" for his embroidered photographs.

Notable works

Lady Ugolino (2000), sculpture Giovanni (2009), embroidery on found photograph The Party (2010), a series of nine sculptures made from synthetic hair and metal. Profiles (2017), his first public commission of a sculpture, placed outside the Shanghai Gallery of Art as part of the exhibition The King and I.

Exhibitions In 2005, Anzeri held his final Master in Fine Arts degree show at the Slade School of Fine Art in London. After graduating he took part in several group exhibitions across Europe. Works included:

Present traces – Tracce del presente (2000) at Museo CAMeC for the Biennale Europea Arti Visive 2006 in LaSpezia, Italy; Kunsthalle at the Locarno Film Festival in Locarno, Switzerland; Drifting Clouds at the Galleria IMAGE Furini, Arezzo, Italy; L’Angelo Sigillato (The Sealed Angel) at the Museo Icone Russe in Peccioli, Italy; The Beautiful Children at The Wharf Road Project in London, UK; Whispers of Immortality at the Natalia Goldin Gallery in Stockholm, Sweden.

2008 Anzeri was one of 30 emerging artists to be nominated for the 2008 Sovereign European Art Prize with a group exhibition at Somerset House in London. That year, he also exhibited at The Museum Of Everything in London. He also had his works exhibited at 2 other galleries:

Starting with a photograph at the Michael Hoppen Contemporary Art Gallery in London; One Night in Paris for The Photographer's Gallery at PARISPHOTO in Paris and London.

2009 Anzeri exhibited at The Saatchi Gallery in the exhibition Newspeak: British Art Now in 2009. The exhibition received significant coverage and media attention. Anzeri was one of Saatchi's 50 new artists touted as the "new YBAs". The exhibition was cited as an "explosion of new and vigorous forms which demonstrate the strength of contemporary art in Britain."

Anzeri was also a part of The Photographic Object, the inaugural exhibition of the new Photographers Gallery in London in 2009. The exhibition also included artists Walead Beshty, Vanessa Billy, Annette Kelm, Gerhard Richter, Alina Szapocznikow, Wolfgang Tilmans, Andy Warhol and Catherine Yass. Like Anzeri, they all worked closely with the medium of photography. The Photographers Gallery brought together the nine artists who "represent the physical and tactile quality of the photograph often lost in today’s digital internet world, ranging from the established (Andy Warhol) to the emerging (Maurizio Anzeri)." A review of the exhibition described Anzeri's work as “a series of images (that) are punctured and altered with colourful and patterned string. The black and white figures lose their identity in the portraits as the web of thread masks their face leaving only the orifices untouched.”

2010 In 2010, Anzeri won the Vauxhall Collective Prize for Fine Art. His solo exhibition for the prize, The Garden Party, included "ghostly" sculptures made from long ropes of synthetic human hair. It was held at Q Forum in central London. Darwin’s Tears at the Luce Gallery in Turin, Italy; Family Day at the Galleria Image Furini in Arezzo, Italy.

He was also a part of the following group exhibitions:

Limited/Unlimited at La Pelanda Macro in Rome, Italy; Faces at the Monica DeCardenas Gallery in Milan, Italy; Newspeak: British Art Now at the Saatchi Gallery in London.

2011 Anzeri held his first solo show in a major UK institution, Family Day, at the Baltic Centre for Contemporary Art. The Baltic Gallery press release read:

He was also a part of the group shows Makeup at the Galleria A Palazzo in Brescia, Italy,

This was also the first year Anzeri exhibited his work in the US, with the exhibitions Intersection at the Marlborough Gallery in New York and Alexander McQueen's Savage Beauty exhibition, held after McQueen's death at the Metropolitan Museum of Art, New York. Anzeri created Lady Ugolino, a sculptured coat made out of hair, for McQueen's Eshu collection in 2000, which was featured in the exhibition. Lady Ugolino was also later shown at the Savage Beauty exhibition in London's V&A Museum in 2015 and is now part of the V&A Museum's permanent collection.

2012 In 2012, Anzeri was a part of the group exhibitions Capogiro (at the Museo Di Stato Della Repubblica in San Marino) and MIART (in Milan, Italy). The Guardian Newspaper’s Art Critic, Sean O’ Hagan said:

He also took part in the group exhibition UK Photography Now at the Dong Gang Museum in South Korea.

2014–2015 Anzeri was commissioned to do a portrait by the Bavarian State Opera in Munich alongside other artists including Elizabeth Peyton, Vik Muniz and Stephan Balkenhol. Anzeri's portrait was a tribute to the soprano Astrid Varnay that formed part of an exhibition at the Bavarian State Opera in 2014. Anzeri's work with found photographs inspired the Secondhand exhibition by Pier 24 in San Francisco in which he had a solo exhibition room. Pier 24 director, Christopher McCall wrote:

Anzeri took part in the exhibition The Needles Eye at the Kode Museum in Bergen, Norway in 2014 and in the Oslo National Museum in 2015. The exhibition was the reflection of a new interest in material-based art and hand-crafting techniques that had emerged in contemporary art and had gained new relevance in Northern Europe.

In 2015, VaPensiero, Anzeri's mobile sculpture made of 39 found photographs, embroidery and steel, was exhibited at Miart - The International Fair of Contemporary and Modern Art for the FANTOM photo foundation in Milan, Italy. He did a series of embroidered landscapes for The Mapmaker's Dream at the Haines Gallery in San Francisco, USA.

2016 In Anzeri's exhibition Many for the Haines Gallery in 2016 at Volta New York, his embroidered portraits were described as follows:

But my love does not die: works from the Alloggia collection in Rome was exhibited at the Ivan Bruschi Museum in Arezzo, Italy in June 2016. The Alloggia collection includes the works Family (2008) and Military (2008) by Anzeri, both embroidery on found photographs from the Family Album series. In A Take on Vintage Photography at the Photography Museum in Vilnius, Lithuania, Anzeri exhibited alongside thirteen Lithuanian and foreign artists of different generations, who use vintage photographs "for creation of new meanings." Anzeri was also a part of the group-show Allure, which opened in May at the C/O in Berlin, Germany and exhibited at PhotoLondon for The Photographer’s Gallery.

Also in 2016, Anzeri was commissioned to create large scale art works and sculpture at Milan’s Royal Palace for an exhibition called The King and I. Alongside artists Maurizio Anzeri, Arthur Arbesser, Paola Besana, Gentucca Bini, Matthew Herbert, Taisuke Koyama, Francesco Simeti, Adrian Wong and Shane Aspegren, he was "called to write a collective story in which the fairy-tale imagination establishes a dialogue with the architecture and decorations of the apartment, including sculptures, photographs, clothes, installations and performances."

2017 In 2017 Anzeri was in London with Iconoclasts: Art Outside of the Mainstream at the Saatchi Gallery. Amongst mixed reviews for the exhibition as a whole, Anzeri received plaudits for his works:

"Among the 13 ‘iconoclasts’ on show was Maurizio Anzeri, known for photographic portraits that he embellishes with embroidery. Often the embroidery functions as an elaborate mask and, in the case of Yvonne, the effect is almost Cubist, recalling the multifaceted portraits of Picasso. Inspired by his Italian fishing heritage, the embroidery adds a third dimension to his photographs, offering an arresting juxtaposition of textures and colours." "[...] and within this myriad of ‘defiers’, you'll find the likes of French artist Thomas Mailaender, whose artworks dabble in replacing found images onto human flesh [...] Alongside this, you will also find the intricate stitchings of Italian-British artist Maurizio Anzeri; the two traditional arts of fishing net repair and the 2D image being delicately spliced together despite the unlikely partnership."

Lay it on the line was Anzeri's solo exhibition of embroidered landscapes at the Haines Gallery in San Francisco.

2018 Anzeri's 2018 exhibitions included:

Planetarium at the Galleria Vittorio Emanuele in Milan; Acrobat Wolf (La Loup Acrobate) at Virgile Lagrand in Paris, where he launched a book with Arthur H. Editions; In-Equilibrio, his solo exhibition at the Haines Gallery in San Francisco.

Anzeri collaborated with the magazine Self Service for its 25th anniversary edition to create artworks using embroidery and collage on photographs of Bjork, Kate Moss, Tilda Swinton and Charlotte Rampling. These works were part of the exhibition Self Service: 25 Years of Fashion, People and Ideas Reconsidered at Dallas Contemporary.

2019 In 2019, Anzeri was part of the group photography exhibition Looking Back: Ten Years of Pier 24 Photography at Pier 24 Photography in San Francisco, USA alongside Robert Adams, Diane Arbus, Richard Avedon, Dorothea Lange, and Hiroshi Sugimoto.

He also had solo exhibitions Likenesses at the Haines Gallery in San Francisco, USA and Te – Che at the Convento di Santa Caterina in Borgo, Italy.

The art video Mono No Aware that Anzeri made with the Italian music collective, "C'mon Tigre", was screened at the Il Cinema Ritrovato Film Festival in Bologna, Italy. The film was nominated for the Los Angeles Film Awards for Best Music Video in 2019.

2021 In November 2021, Anzeri was in a group exhibition Known and Strange at the Victoria and Albert Museum in London featuring the artwork Lucy (2018).

2022 Anzeri's April 2022 solo exhibition On the Move was held at the public art gallery The Box in Plymouth, England. It highlighted his new body of work of life size puppets made from plasters and brass.

Anzeri also exhibited in the group exhibition The Dress Code showing A Little Black Dress, a wearable sculpture Anzeri made for fashion editor Isabella Blow in 2000.

The April 2022 exhibition OVERDOSE, shown at the Design Museum Holon in Israel, included two of Anzeri's embroidered portraits of found photographs.

Career Anzeri has been a visiting lecturer at the Royal College of Art, the Winchester School of Art and the Cardiff School of Art and Design. education programmes, the Tate Lab.

Anzeri's work is used by art teachers in the national secondary school curriculum in England. He took part in the Great Art Quest, a national UK arts project designed by The Prince's Foundation for Children & the Arts.

Anzeri collaborated with the Italian music collective C’mon Tigre on the video "Mono No Aware", directed by Marco Molinelli. It was nominated for the Los Angeles Film Award for Best Music Video in 2019. The film also screened at the Bologna Film Festival Il Cinema Retrovato.

Awards

2010 Vauxhall Collective Prize for Fine Art L'Angelo Sigillato (The Sealed Angel) 2008 Family Day, 2009 Photography Now, 2010 Fantom- Photographic Quarterly, 2010 Crafts Magazine, 2010 Vogue Italia no. 722, 2010 Newspeak- British Art Now, 2010 NY Arts Magazine Volume 17 2011 Another Man, 2011 Elephant Issue 9, 2011 The Embroidered Secrets of Maurizio Anzeri, 2011 Experimenta, 2011 Contour Magazine, 2011 New York Times Magazine, 2011 Design Boom, "Maurizio Anzeri's Embroidered Photographs", 2011 Dazed and Confused, November 2012 Vogue, 2012 Lokalirri, 2012 The Guardian Newspaper, 2013 The Drawbridge issue 18 - Ghosts, 2013 Contemporary Art Magazine Review, 2013 The Guardian Newspaper, 2014 Secondhand, 2014 Alta Data, 2014 EYEBOOK, 2015 El Pais, 2015 Conversations, 2015 Phoebe Augier e mag, 2015 Volta NY, 2016 Iconoclasts: Art Out of the Mainstream, 2017 Silas Marner, 2018 Wall Street International Magazine, 2018 MoonMan, 2019 Looking Back: Ten Years of Pier 24 Photography, 2019 Self Service Issue 50, 2019 La Repubblica, 2019 Das Alphabet der Puppen, Camilla Grudova

Works in public and private collections The Victoria and Albert Museum, London, has five of Anzeri's works in their permanent collection. The museum also holds Lady Ugolino (2000).

The Saatchi Collection, London, has 18 of Anzeri's works.

The following galleries and collections also hold Anzeri's works:

Fondazione Agnelli in Torino, Italy Shanghai Gallery of Art Gagosian Collection Rothschild Collection Ivor Braka Collection, London Statoil Collection, Oslo Missoni Collection, Milan The Museum Of Everything, London Museo Cantonale, Lugano, Switzerland Museum Kunstpalast, Düsseldorf Pier24 Photography, San Francisco