Martha Dewing Woodward

Martha Dewing Woodward (1856–1950) was an American artist and art teacher. According to her obituary in The New York Times, she was "one of the nation's leading painters." Among her accomplishments, she founded the first art school in Provincetown, Massachusetts, in 1896. In 1907, Woodward and her partner, Louise Johnson, founded the Blue Dome Fellowship in Woodstock, New York, which Woodward continued in Florida after her move there. Woodward's art and teachings thrived in Florida, where her work had a lasting impact.

Woodward studied at the Pennsylvania Academy of Fine Art in Philadelphia and the Academie Julian in Paris. In addition to teaching at her summer art schools, Woodward taught art at the Female Institute in Lewisburg, Pennsylvania (which later became a part of Bucknell University), the Women's College of Baltimore (later Goucher College in Towson, Maryland), the Ethical Culture School in New York City, and the University of Miami in Coral Gables, Florida. Woodward was active in the art world through painting and volunteering until her death in 1950.

Early life and education Woodward was born on June 6, 1856, in Williamsport, Pennsylvania. She was the youngest of the eight children of John Vanderbilt Woodward and Wealthy Ann York Woodward. Her grandfather, Apollos Woodward, served as an aide to George Washington during the Whiskey Rebellion. Their home, called Springside, located at 721 Fifth Avenue, Williamsport, was originally a log house before being enlarged in 1845. The Woodwards added a studio above the kitchen of the Southern style home for Woodward to use as a studio. At age 26, Woodward was appointed art professor at the Female Institute of the University of Lewisburg (which later became part of Bucknell University).

In the summer of 1896, after several years living and studying in France, Dewing Woodward established the Cape Cod School of Drawing and Painting in Provincetown, MA. The school is now recognized as the first art school in Provincetown, predating Charles Hawthorne’s Cape Cod School of Art, founded 1899. The first students were from Felix Adler’s Ethical Culture School in New York City, where Woodward was head of the art department. Among those students that first year was Norwegian-born artist, Jonas Lie (1880-1940).

Woodward shared her home and studio in Provincetown with Laura Louise Johnson. The two women lived and worked together until the 1920s according to various census records, city directories, and other sources. Laura Louise Johnson was one of six daughters of Henry and Margaret Johnson, who lived at 901 West 4th St., Williamsport, Pennsylvania. Some artworks painted by Woodward in Provincetown were “Clam Diggers Coming Home – Cape Cod,” “Old Maids Pink – Cape Cod,” “Wren Tower,” “Provincetown,” and “Flowers.” Woodward published a number of short stories about her time in Provincetown, Some Adventures of Two Vagabonds, by One of ‘Em, under the pseudonym, Wealthy Ann York (her mother’s maiden name).

Woodward went to Paris again in 1892, living there intermittently for eleven years. She described these years as the happiest time of her life. She was forced to withdraw a painting, Wooden Shoemakers, from the Paris Salon when Jule La Febre told the jury members that the painter was a woman,” and “who knows who might have helped her!” Likely branching from Woodward’s strong religious faith, the colony’s name comes from Woodward’s favorite slogan: Worship God under the blue dome of heaven.

In 1908, Woodward wrote and published Some Adventures of Two Vagabonds: By One of ‘Em, a series of short stories about her and Johnson, under the pseudonym Wealthy Ann York, her mother’s maiden name. Throughout the rest of her life, Woodward struggled financially.

After the loss of her Woodstock studio, Woodward spent the rest of her life in Miami and Coral Gables, Florida. Inspired by the rich foliage and brightly colored birds, Woodward and Johnson would travel by Ford Model T to the Everglades to paint the wildlife. award.

Her paintings can be found at the University of Miami's Lowe Art Museum, Woodstock Art Association and Museum, the Bigelow Homestead Collection, the Deschanel Collection in Paris, the Provincetown Art Association and Museum, and in private collections, including that of Dr. Alfred Frankel.