Maria Theresa Kemble

Stage success In 1792 she was employed as a leading actor to play Macheath in the Beggar's Opera at the Haymarket. She went on to appear in Miss in her Teens (David Garrick), The Count of Narbonne, the Quaker, and The Recruiting Officer. She created the first version of Lindamira in Richard Cumberland's The Box-Lobby Challenge and she stood in for the singers Nancy Storace and Anna Maria Crouch. She was the first Judith in The Iron Chest by George Colman the Younger. At the Haymarket, 15 July 1797, she was the original Caroline Dormer in The Heir at Law (George Colman the Younger), and in the same year she played Portia and Desdemona, followed at Drury Lane by Katherine in Katherine and Petruchio, and Hippolito in Kemble's alteration of The Tempest.

For her benefit, on 3 May 1799, she gave at Drury Lane her own unprinted play of First Faults. In 1799 William Earle printed a piece called Natural Faults, and accused Miss De Camp in the preface of having stolen his plot and characters. In a letter to the Morning Post of 10 June, she denied the charge and asserted that her play was copied by Earle from recitation. John Genest considered that Earle's statement 'has the appearance of truth'. Lady Teazle, Miss Hoyden, Lady Plyant in The Double Dealer (William Congreve), Hypolita in She Would and She Would Not, Little Pickle, and Dollalolla in Tom Thumb were some of the other parts she played before her marriage to Charles Kemble, which took place 2 July 1806.

As a Kemble

Accompanying the Kembles to Covent Garden, she made her first appearance there, on 1 October 1806, as Maria in the Citizen, and remained there for the rest of her acting career. Her comedy, The Day after the Wedding, or a Wife's First Lesson, 1808, was played at Covent Garden for the benefit of her husband, who enacted Colonel Freelove, 18 May 1808; she was Lady Elizabeth Freelove. Match-making, or 'Tis a Wise Child that knows its own Father, played for her own benefit on the 24th, is also assigned to her. It was not acted a second time, nor printed.

She also assisted her husband in the preparation of Deaf and Dumb. Among the parts now assigned to her were Ophelia, Mrs. Sullen, Violante, Beatrice in Much Ado about Nothing, Mrs. Ford, and Juliana in the Honeymoon, and the like. In 1813–14 and 1814–15, she was not engaged. On 12 December 1815, she made an appearance as Lady Emily Gerald in her own comedy Smiles and Tears, or the Widow's Stratagem.

Last years She then disappeared from the stage until 1818–19, when she played Mrs. Sterling, and was the original Madge Wildfire in Daniel Terry's musical version of Heart of Midlothian. For her own and her husband's benefit, she played Lady Julia in 'Personation,’ 9 June 1819, when she retired. A solitary reappearance was made at Covent Garden on the occasion of the début as Juliet of her daughter Fanny Kemble, 5 October 1829, when she played Lady Capulet.

She died at Chertsey, Surrey, on 3 September 1838.

Family members Besides Fanny Kemble, her daughter Adelaide Kemble was known on the stage. A son John Mitchell Kemble was a classical scholar.

Her brother Vincent De Camp occasionally acted fops and footmen at Drury Lane and the Haymarket, and was subsequently an actor and a cowkeeper in America. Her sister Adelaide, an actress in a line similar to her own, was popular in Newcastle upon Tyne.

Selected roles Judith in The Iron Chest by George Colman the Younger (1796) Elinor Bloomly in Cheap Living by Frederick Reynolds (1797) Leonora in The Inquisitor by Thomas Holcroft (1798) Elinor in Cambro-Britons by James Boaden (1798) Lady Selina Vapour in Fashionable Friends by Mary Berry (1802) Miss Betty in The Land We Live In by Francis Ludlow Holt (1804) Fanny in A Prior Claim by Henry James Pye (1805) Mrs Templeton in Education by Thomas Morton (1813)