Maria Rosetti

Life In 1837, her younger brother Effingham was appointed secretary of Robert Gilmour Colquhoun, the British consul in Wallachia; soon after, Mary herself arrived in Bucharest, where she began work as a tutor. It was then that she met Rosetti, Effingham Grant's close friend and a member of the Rosetti family of boyars, who fell in love with her. Mary Grant was employed by the family of Wallachian Militia Colonel Ioan Odobescu, and gave lessons to his children—including his son Alexandru, the future writer and politician. With the Jewish Constantin Daniel Rosenthal, Maria followed the ships on shore; upon arrival, she pointed out to the local authorities that the Ottomans had stepped out of their jurisdiction, persuading the mayor of Sviniţa to disarm the guards, which in turn allowed the prisoners to flee. The Rosettis then made their way to France. Her role in this last stage of the revolution was celebrated by French historian Jules Michelet in his 1851 essay Madame Rosetti, and by her husband, who compared her to Anita, the Brazilian-born wife of Italian insurgent Giuseppe Garibaldi.

Around 1850, Rosenthal completed one of his most celebrated paintings, România revoluţionară ("Revolutionary Romania"). A national personification showing a woman in Romanian folk costume, it was also a portrait of Maria Rosetti. The artist died in July 1851, after his attempt to cross into Wallachia was intercepted by Austrian authorities, who tortured him to death in his native Budapest. In 1878, Maria Rosetti authored a piece for her Mama şi Copilul ("Mother and Child") magazine, in which she offered praise to her deceased friend: "[Rosenthal was] one of the best and the most loyal people that God created after His image. He died for Romania, for its liberties; he died for his Romanian friends. [...] This friend, this son, this martyr of Romania is an Israelite. His name was Daniel Rosenthal."

During the 1850s, before and after the 1856 Treaty of Paris allowed her family to return to the Danubian Principalities, Maria Rosetti and her husband invested their energies into support for Partida Naţională, calling for Wallachia's union with Moldavia (effected in 1859 by the election of Alexandru Ioan Cuza as Wallachian Prince, and subsequently Domnitor of the two states). She was a collaborator on C. A. Rosetti's numerous publications, including Românul, before issuing her own weekly magazine, Mama şi Copilul. The latter, which mostly featured advice on educating young children, and motivated by the concern that the society had changed after union, was only published between 1865 and 1866. Such activities give Rosetti a claim to the title of Romania's first female journalist, ahead of Maria Flechtenmacher. As a journalist, she contributed articles promoting women's liberation. Through her brother Effingham, who married into the Racoviţă family, Maria Rosetti was also distantly related with physician Carol Davila and his son, playwright Alexandru Davila.

Death Upon her death, a large obituary was published in the National Liberal newspaper Voinţa Naţională, who proclaimed her one of the most outstanding Romanian women of her generation. She is also one of the characters in Camil Petrescu's novel Un om între oameni. A street in central Bucharest, nearby Bulevardul Magheru, was named in her honor—it constitutes the eastward extension of C. A. Rosetti Street; a school in the Floreasca neighborhood of the city was also named after her. Several monographs on her life were published during the communist regime years.