Marco Anzoletti

Marco Anzoletti (Trento, 4 June 1867 – Mesiano, 23 January 1929) was an Italian violinist and composer. He wrote a vast amount of music and made significant contributions to musicological research.

Biography Marco Anzoletti was born in Trento on 4 June 1867, into a musical family. His father Luigi, a cellist, laid the foundation for their musical pursuits. Other family members were also musicians: Francesco, a pianist, organist, and composer; Giovanni, a violinist; Giuseppe, a violinist and composer; and Luisa, a poet and writer who collaborated with him on piano.

After receiving initial musical education at home, Anzoletti enrolled at the Milan Conservatory in 1879 to deepen his violin skills under Gerolamo de Angelis and study composition with Gaetano Coronaro.

His career was dedicated to promoting chamber and symphonic music in Italy. Anzoletti's compositions include the acclaimed "24 Variations for violin and piano on a theme by Brahms" (1894), which garnered praise from the German master. Two years later Anzoletti won first prize with a Sonata in C minor for violin and piano in Milan. Anzoletti composed numerous works for the violin, with piano or organ accompaniment: sonatas, string trios and quartets, concertos, etc. He also composed important works for the organ, including the Fantasia Sacra for two organs, awarded in the competition for testing the two organs of the Milan Cathedral in 1909. Previously, in 1902, he had success in Vienna with his Cantata for choir and large orchestra, as well as for the Symphonic Poem: The Guest of the Earth, for large orchestra, later reduced for violin and piano and performed in Milan in 1913.

Anzoletti also composed 12 Studies for viola (Milan, 1919), The repertoire of the little violinist (Milan, 1920), Moto perpetuo sopra movements of scales (Milan, 1920) and 12 Studies for viola op. 125 (Milan, 1929).

Anzoletti wrote five operas for theatre, all with his own libretto, Militza o Serbia, a drama centered on the war between Montenegro and Turkey (1896–1897); The Races (1902); Faida, taken from Giosuè Carducci 's Faida di Comune (1910–1915); Belfagor, from the novella Belfagor arcidiavolo by Niccolò Machiavelli (1920); The end of Mozart, performed at the Teatro Lirico in Milan on 25 October 1898.

In addition to composition, Anzoletti dedicated himself to writing musical themes, including critical studies and biographies: Giuseppe Tartini, critical and biographical study (1891); On the events of the art and life of Wolfgang Amadeus Mozart, in La Rassegna Nazionale, XXI (1899); On the occasion of the centenary of D.Cimarosa, in La Rassegna Nazionale, XXIII (1901); Violin teaching in Italy, in La Rassegna Nazionale, XXXI (1901); also 43 musical sonnets (Milan, 1902); Mozart, scenes from intimate life in five paintings (Milan, 1906); Music – Seasons and metamorphoses, in La Rassegna Nazionale (1911).

He remained active until his death in his villa in Mesiano, Trento, on 23 January 1929. and in 2024 performed the world premiere of Concerto for Violin and Viola (1 soloist) in C major (1915).