Louis Jouvet

Jules Eugène Louis Jouvet (; 24 December 1887 – 16 August 1951) was a French actor, theatre director and filmmaker.

Life and career Early years Jouvet was born in Crozon. He had a stutter as a young man and originally trained as a pharmacist. He received an advanced degree in pharmacy in 1913, though he never actually practiced, instead pursuing a career in theatre. :91

Career Jouvet was 'refused three times by the Conservatoire ' in Paris before being accepted to Jacques Copeau's Théâtre du Vieux-Colombier as a stage manager in 1913. :345 Copeau's training included a varied and demanding schedule, regular exercise for agility and stamina, and pressing his cast and crew to invent theatrical effects in a bare-bones space. It was there Jouvet developed his considerable stagecraft skills, particularly makeup and lighting (he developed a kind of accent light named the jouvet). These years included a successful tour to the United States.

While influential, Copeau's theater was never lucrative and Jouvet left in October 1922 for the Comédie des Champs-Élysées (the small stage of the Théâtre des Champs-Élysées). He was made director of the theatre in 1924. Jouvet remained at the Comédie until 1934, when he moved to the Théâtre de l'Athénée due to the high overhead of running a theatre troupe at the Comédie. :80 The Cartel was 'an artistic and economic alliance in opposition to academic and commercial theatre', Jouvet is buried in the Montmartre Cemetery in Paris. The Athénée theatre now bears his name. but Jouvet's immediate family tree does not confirm this.

Legacy Pixar paid homage to Jouvet by basing the appearance of the character Anton Ego in Ratatouille (2007) on him.

Works Theatre 1931: original production of Judith, written by Jean Giraudoux, at the Théâtre Pigalle 1935: original production of The Trojan War Will Not Take Place, written by Jean Giraudoux, starring Jouvet as Hector, also starring Madeleine Ozeray, at the Athénée in Paris 1947: directed the première of Jean Genet's The Maids at the Athénée in Paris on 17 April. 1951: directed the première of Jean-Paul Sartre's The Devil and the Good Lord at the Théâtre-Antoine in Paris on 7 June.

Partial filmography

Topaze (1933) – Albert Topaze Knock (1933) – Dr. Knock La Kermesse Heroique (1935) – Le chapelain / The Priest Compliments of Mister Flow (1936) – Achille Durin / Mr. Flow Les Bas Fonds (1936) – Le baron Street of Shadows (1937) – Le commandant Simonis Life Dances On (1937) – Pierre Verdier, dit Jo Drole de Drame (1937) – Archibald Soper The Cheat (1937) – Valfar The Alibi (1937) – Le commissaire Calas La Marseillaise (1938) – Roederer, le procureur du département Ramuntcho (1938) – Itchoua Sirocco (1938) – Rossignol The Shanghai Drama (1938) – L'aventurier Ivan The Curtain Rises (1938) – Le professeur Lambertin Education of a Prince (1938) – René Cercleux Hôtel du Nord (1938) – Monsieur Edmond La Fin du jour (1939) – Raphaël Saint Clair The Phantom Carriage (1939) – Georges Serenade (1940) – Le baron Hartmann L'école des femmes (1940) Volpone (1941) – Mosca Immortal France (1943) – Pierre Froment / Félix Froment Un revenant (1946) – Jean-Jacques Sauvage Carbon Copy (1947) – Manuel Ismora – un cambrioleur de grande envergure / Gabriel Dupon – son sosie, un brave homme / Le duc de Niolles / Le déménageur / Le Norvégien Quai des Orfèvres (1947) – L'inspecteur adjoint Antoine Monelle (1948) – Gérard Favier Between Eleven and Midnight (1949) – L'inspecteur Carrel Return to Life (1949) – Jean Girard (segment 3 : "Le retour de Jean") Miquette (1950) – Monchablon Lady Paname (1950) – Gambier, dit Bagnolet – un photographe anarchiste Dr. Knock (1951) – Docteur Knock Young Love (1951) – L'inspecteur Ernest Plonche