About Liz Ranken
Liz Ranken was a British painter.
Elizabeth Ranken is a British choreographer, performer, director, movement director and artist. She is an Associate Artist of the Royal Shakespeare Company (RSC) and was a lead performer with DV8 Physical Theatre. Her work encompasses opera, theatre, physical theatre, dance, television, film and art.
Early years Ranken initially read biology and holds a BSc from London University. She later qualified as a speech therapist from Central School of Speech and Drama before moving to Laban Dance Centre to train in choreography and performance.
Career On leaving Laban Dance Centre, Ranken was invited by Jacob Marley to set up Company of Cracks, which was a cross over between dance and performance art. In the early '80s, Ranken met Angus Farquhar and became a member of the industrial music group Test Dept.
In 1986, Ranken was invited by Lloyd Newson to join DV8 Physical Theatre as a deviser and performer. She became an Artist in Residence at the Centre for Contemporary Arts (CCA, Glasgow) creating her own work.
In 1992 Ranken began a collaboration with Shared Experience, working with Helen Edmundson and becoming an Associate Artist for the company. In 1993 Ranken won the Edinburgh Evening News Capital Award for directing, devising and performing 'Funk Off Green' at the Edinburgh Fringe.
Ranken was invited by Michael Attenborough to work as Movement Director at the RSC, ultimately becoming an Associate Artist with the company.
In 2015, she made her debut as a choreographer in opera with L'Orfeo for the Royal Opera House.
Theatre Credits as Movement Director:
Physical Theatre and Dance Credits:
Year Title Production Notes 1987 Deep End DV8 Physical Theatre conceived and directed by Lloyd Newson starring Nigel Charnock, Lloyd Newson, Michelle Richecoeur, Liz Ranken 1987 My Body, Your Body DV8 Physical Theatre conceived and directed by Lloyd Newson
Opera Credits as Choreographer and Movement Director:
Year Opera Production Notes 2015 Orfeo by Monteverdi Royal Opera House & The Roundhouse directed by Michael Boyd 2017 Pelléas et Mélisande by Claude Debussy Garsington Opera directed by Michael Boyd 2017 The Cunning Little Vixen by Leoš Janáček Byre Opera directed by PJ Harris 2021 Eugene Onegin by Pyotr Ilyich Tchaikovsky Garsington Opera directed by Michael Boyd
Film work Ranken has appeared in the following films: 1990 Silences 1991 Caught Looking directed by Constantine Giannaris 1991 Edward II directed by Derek Jarman 1993 Three Steps to Heaven directed by Constantine Giannaris' 1994 Touched directed by Wendy Houstoun
Ranken was the choreographer for: 1997 The film Alive and Kicking directed by Nancy Meckler. This film is also known as Indian Summer while she was at the Laban. He was at Goldsmiths studying drama and they shared the same campus. In 1998 Ranken collaborated with Angus Farquhar and his new company NVA performing at the National Day for Britain at the World EXPO in Lisbon. They created a pagan fire festival with musicians and dancers from Scotland and Portugal, burning 15-meter high straw figures (gigantones) in front of a live audience of 10,000. 1992: She was performer/choreographer for The Big Tease working with strippers for the Edinburgh Fringe festival. Ranken performed alongside the strippers whose autobiographies were the basis of the show. 1995: She was the performer/devisor of Doing Bird directed by Irvine Allan for Glasgow Mayfest, then touring prisons in Scotland including Barlinnie Prison. The piece then was performed at the West Yorkshire Playhouse, and toured prisons in Leeds including Armley Jail.
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Important facts
Frequently asked questions
Who was Liz Ranken?
British painter
What was Liz Ranken's occupation?
Liz Ranken was a painter.
What nationality was Liz Ranken?
Liz Ranken was British.
Sources & further reading
Cite this page
APA: Biography.guide. (2026). Liz Ranken. https://biography.guide/liz-ranken/
MLA: "Liz Ranken." Biography.guide, https://biography.guide/liz-ranken/.
Chicago: "Liz Ranken." Biography.guide. https://biography.guide/liz-ranken/.
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