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Portrait of Ko Jinha

Ko Jinha

b. 1953

South Korean poet (born 1953)

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About Ko Jinha

Born 1953. Ko Jinha is a South Korean civil servant.

Ko Jinha (; born 1953) is a South Korean Methodist pastor and poet. He has published multiple essay collections, poetry collections, and biblical stories for children. His poetry explores the sanctity inherent in all living things on Earth and continue forth into affirmation of life. After becoming a farmer to live a life enjoying inconveniences and unhappiness, he has been giving lectures about sustainable living.

Life

Childhood and writing Ko was born in Yeongwol in 1953. He suffered from polio when he was two years old and was ridiculed for his limp through his childhood. He had difficulty socializing with people and spent most of his time after school at church and grew up introverted and ascetic as a result. He enrolled in Methodist Theological University and spent his 20s troubled by a sense of emptiness. He thirsted for poetry and fiction while studying rigid theology, and when Ko Junghee, who was a student at another theological school, made her literary debut as a poet, he invited her to a school festival. Afterward, he began to compose poetry in earnest and spent 10 years writing. Eventually, in 1987, he made his literary debut when five of his poems including "Bindeul" (๋นˆ๋“ค Empty Fields) were published.

A Poet and a religious Leader Even after his poetic debut, Ko served as a pastor in different areas of Gangwon Province. He learned to see the world with a warm gaze while spending time with the people of agricultural towns, and his poetry gradually became more positive. Experiencing God in nature, he became absorbed in various religious texts, such as Upanishads or those written by Laozi or Zhuangzi. After his pilgrimage to India in 2002, he was fascinated by the landscape and spirituality he experienced in India and wrote a book of his travels to India titled Sindeurui nara, ingenui ttang (์‹ ๋“ค์˜ ๋‚˜๋ผ, ์ธ๊ฐ„์˜ ๋•… The Country of Gods, The Land of People) (2009). To lead a life enjoying inconveniences and unhappiness, he moved to a remote mountain village in Gangwon Province and built a hanok . During the day, he repairs old hanok or cultivates his vegetable garden; in the evenings he reads and writes. He is actively giving lectures at universities and libraries on the topic of sustainable life.

His major poetry collections include Jiguem nameun jadeurui goljjagien (์ง€๊ธˆ ๋‚จ์€ ์ž๋“ค์˜ ๊ณจ์งœ๊ธฐ์—” In the Valley of Those Who Remain Today) (1990), Peurancheseukoui saedeul (ํ”„๋ž€์ฒด์Šค์ฝ”์˜ ์ƒˆ๋“ค Francesco's Birds) (1999), Eoreum sudowon (์–ผ์Œ์ˆ˜๋„์› Ice Monastery) (2001), and Myeongnangui dulle (๋ช…๋ž‘์˜ ๋‘˜๋ ˆ The Circumference of Joviality) (2015). In addition, he also published a number of essay collections, including Si ilgeojuneun yesu (์‹œ ์ฝ์–ด์ฃผ๋Š” ์˜ˆ์ˆ˜ Jesus Reading Poetry) (2015) and Japcho chiyu bapsang (์žก์ดˆ ์น˜์œ  ๋ฐฅ์ƒ A Healing Table of Weeds) (2017). He also wrote a number of children's books that retell the stories in the Bible.

Writing

Early works of poetry In Ko Jinha's early poems, there is a notable attitude of enduring existential suffering in the absence of God. Jiguem nameun jadeurui goljjagien (1990) depicts the desolate reality of farming towns he witnessed while working as an evangelist in Gangwon Province. The images of empty fields that are prevalent in the poetry collection symbolizes the barrenness of humans in a world devoid of God. Peurancheseukoui saedeul (1993) paints the existential pain of humans with frightening images. In verses, such as "Slitting the rotting, decaying intestines/to look for precious treasure/that will slip and slide out" (์šฉ์—ฐํ–ฅ Yongyeonhyang), the poet struggles to confront suffering squarely in the eye. It is an attempt to embrace the world and fight, while acknowledging that human existence must coexist with suffering.

Shift in poetic style A shift in Ko Jinha's world of poetry is noticeable starting with Ujubaekkop (์šฐ์ฃผ๋ฐฐ๊ผฝ The Universe's Bellybutton) (1997). Suffering still prevails in the world, and there are always wars being waged somewhere in the world. But in "Jangma" (์žฅ๋งˆ Rainy Season), the poet who hears the news of a war thinks of Calvary where Jesus died and names the hill "the universe's bellybutton." In this rhetorical question ("There,/you can still hear/the cry of newborns?") is the will to embrace the painful reality with the arms of nature. When observing and contemplating on the ways of the universe, God is no longer absent but is rediscovered as an omnipresent existence in our daily lives.

Ko's attitude of looking for sanctity inherent in all living things leads to an open and pluralistic attitude toward religion. Buddhist elements, such as bodhisattvas, Buddhist temple bells, lotus, and Sahasrabhuja, often appear in Eoreum sudowon (2001). In the poem "Hapjang" (ํ•ฉ์žฅ Namaskar) published in Sutak (์ˆ˜ํƒ‰ Rooster) (2005), he even wrote "Buddha and Jesus are living together in one body." Through a new theology that does not insist on any kind of boundaries, the sanctity of all living things traverse each other and gradually become one.

Works

1. Collection of works ใ€Šํ˜ธ๋ž‘๋‚˜๋น„ ๋›๋ฐฐใ€‹, ์ง€์‹์„๋งŒ๋“œ๋Š”์ง€์‹, 2012 / Horangnabi dotbae (A Boat With A Tiger Swallowtail Sail), Jisikgeul Mandeuneun Jisik, 2012.

2. Collections ใ€Š์ง€๊ธˆ ๋‚จ์€ ์ž๋“ค์˜ ๊ณจ์งœ๊ธฐ์—”ใ€‹, ๋ฏผ์Œ์‚ฌ, 1990 / Jigeum nameun jadeurui goljjagien (In the Valley of Those Who Remain Today), Minumsa, 1990.

ใ€Šํ”„๋ž€์ฒด์Šค์ฝ”์˜ ์ƒˆ๋“คใ€‹, ๋ฌธํ•™๊ณผ์ง€์„ฑ์‚ฌ, 1993 / Peurancheseukoui saedeul (Francesco's Birds), Moonji, 1993.

ใ€Š์šฐ์ฃผ๋ฐฐ๊ผฝใ€‹, ์„ธ๊ณ„์‚ฌ, 1997 / Ujubaekkop (The Universe's Bellybutton), Segyesa, 1997.

ใ€Š์–ผ์Œ์ˆ˜๋„์›ใ€‹, ๋ฏผ์Œ์‚ฌ, 2001 / Eoreum sudowon (Ice Monastery), Minumsa, 2001.

ใ€Š์ˆ˜ํƒ‰ใ€‹, ๋ฏผ์Œ์‚ฌ, 2005 / Sutak (Rooster), Minumsa, 2005.

ใ€Š๊ฑฐ๋ฃฉํ•œ ๋‚ญ๋น„ใ€‹, ๋ฟ”, 2011 / Georukhan nangbi (Holy Waste), Ppul, 2011.

ใ€Šํ˜ธ๋ž‘๋‚˜๋น„ ๋›๋ฐฐใ€‹, ์ง€์‹์„๋งŒ๋“œ๋Š”์ง€์‹, 2012 / Horangnabi dotbae (A Boat With A Tiger Swallowtail Sail), Jisikgeul Mandeuneun Jisik, 2012.

ใ€Š๊ฝƒ ๋จน๋Š” ์†Œใ€‹, ๋ฌธ์˜ˆ์ค‘์•™, 2013 / Kkot meongneun so (Flower-Eating Cow), Munye Joongang, 2013.

ใ€Š๋ช…๋ž‘์˜ ๋‘˜๋ ˆใ€‹, ๋ฌธํ•™๋™๋„ค, 2015 / Myeongnangui dulle (The Circumference of Joviality), Munhakdongne, 2015.

3. Novel ใ€Š์†Œ์„ค ํ•˜๋””ใ€‹, ๊ธฐ๋…๊ต๋Œ€ํ•œ๊ฐ๋ฆฌํšŒ, 2013 / Soseol Hadi (์†Œ์„ค ํ•˜๋”” Hardie, a Novel), Korean Methodist Church, 2013.

4. Co-authored books and other collections ใ€ˆ๋งŒ๊ฒฝ์ฐฝํŒŒ ์œ„๋กœ ๋„์šด ๊ทธ ๋…ธ๋ž˜ใ€‰, ๊ณ ์ง„ํ•˜ ์™ธ, ใ€Š์–ด๋จธ๋‹ˆ์˜ ๋…ธ๋ž˜ใ€‹, ์‹œ์ž‘, 2008 / "Mangyeongchangpa wiro ttuiun geu norae" (The Song I Flew Over the Boundless Expanse of Water), Ko Jinha et al., Oemeoniui norae (Mother's Song), Sijak, 2008.

ใ€ˆ์ฐจ๋„๋ฅด 1-์ธ๋„ ์‹œํŽธใ€‰ ์™ธ, ์•ˆ์ต์ˆ˜ ์™ธ, ใ€Š๋ฐ”๊นฅใ€‹, ๋งˆ์Œ์‚ฐ์ฑ…, 2012 / "Chadoreu 1 -Indo sipyeon" (Chador 1 โ€“ A Poem About India) and others, Ahn Ik-su et al., Bakkat (Outside), Maumsanchaek, 2012.

ใ€ˆ์‚ฌ๋ผ์ง„ ๋ณ„๋˜ฅ๋ณ„์ฒ˜๋Ÿผใ€‰, ๊ณ ๋‘ํ˜„ ์™ธ, ใ€Š๊ตฝ์€ ๊ธธ๋“ค์ด ๋ฐ˜์ง์ด๋ฉฐ ํ˜๋Ÿฌ๊ฐ”๋‹คใ€‹, ๋‚˜๋ฌด์˜†์˜์ž, 2016/ "Sarajin byeolttongbyeolcheoreom (Like a Vanished Comet), Ko Du-hyeon et al., Gubeun gildeuri banjjagimyeo heulleogatda (Meandering Paths Flowed By Twinkling), Namu Bench, 2016.

ใ€ˆ๋…์ˆ˜๋ฆฌ-๊น€๊ธฐ์„์—๊ฒŒใ€‰, ๊ณ ์ง„ํ•˜ ์™ธ, ใ€Šํฌ๋ง ๊ทธ ๋น›๊น” ์žˆ๋Š” ์‚ถ์˜ ๋ชธ๋ถ€๋ฆผใ€‹, ๊ฝƒ์ž๋ฆฌ, 2016 / "Doksuri โ€“ Kim Gi-seokege" (Eagle โ€“ To Kim Gi-seok), Ko Jinha et al., Huimang geu bikkal inneun salmui momburim (Hope, The Colorful Struggle of Life), Kkotjari, 2016.

ใ€ˆ๊ณ ํ•ด(่‹ฆๆตท) ์†์˜ ๊ณ ํ•ด(ๅ‘Š่งฃ)ใ€‰, ๊น€์–ธ ์™ธ, ใ€Š์‹œ๋Š” ์–ด๋–ป๊ฒŒ ์˜ค๋Š”๊ฐ€ใ€‹, ์‹œ์ธ๋™๋„ค, 2018 / "Gohae sogui gohae" (Confession in This Bitter World), Kim Eon et al., Sineun eotteoke oneunga (How Does Poetry Come), Seeindongnae, 2018.

5. Children's books ๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 1-ํ•˜๋‚˜๋‹˜์ด ์—ด์–ด ๋†“์€ ์„ธ์ƒใ€‹, ๋น„๋ฃก์†Œ, 1994 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 1 โ€“ hananimi yeoreo noeun sesang (Children's Bible 1 โ€“ A World Opened by God), BIR, 1994.

๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 2-์ฒœ์‚ฌ์˜ ์‚ฌ๋‹ฅ๋‹ค๋ฆฌใ€‹, ๋น„๋ฃก์†Œ, 1994 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 2 โ€“ cheonsaui sadakdari (Children's Bible 2 โ€“ An Angel's Ladder), BIR, 1994.

๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 3-์ –๊ณผ ๊ฟ€์ด ํ๋ฅด๋Š” ๋•…ใ€‹, ๋น„๋ฃก์†Œ, 1996 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 3 โ€“ jeotgwa kkuri heureuneun ttang (Children's Bible 3 โ€“ The Land of Milk and Honey), BIR, 1996.

๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 4-๋นˆ ํ•ญ์•„๋ฆฌ ์†์— ๊ฐ์ถ˜ ํšƒ๋ถˆใ€‹, ๋น„๋ฃก์†Œ, 1996 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 4 โ€“ bin hangari soge gamchun hwaetbul (Children's Bible 4 โ€“ Torches Hidden in Empty Jars), BIR, 1996.

๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 5-์™•์ด ๋œ ์–‘์น˜๊ธฐใ€‹, ๋น„๋ฃก์†Œ, 1996 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 5 โ€“ wangi doen yangchigi (Children's Bible 5 โ€“ A Shepherd Who Became a King), BIR, 1996.

๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 6-์˜ˆ์–ธ์ž๋ฅผ ์‚ด๋ฆฐ ๊นŒ๋งˆ๊ท€ใ€‹, ๋น„๋ฃก์†Œ, 1996 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 6 โ€“ yeeonjareul sallin kkamagwi (Children's Bible 6 โ€“ Ravens That Saved the Prophet), BIR, 1996.

๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€์†”๋กœ๋ชฌ ๊ทธ๋ฆผ, ใ€Š์–ด๋ฆฐ์ด์„ฑ๊ฒฝ 7-๊ณ ๋ž˜ ๋ฑƒ์†์˜ ์š”๋‚˜ใ€‹, ๋น„๋ฃก์†Œ, 1996 / Ko Jinha, illustration by Kim Solomon, Eorini seonggyeong 7 โ€“ gorae baetsogui yona (Children's Bible 7 โ€“ Jonah in the Belly of a Whale), BIR, 1996.

ใ€Š์‚ด์•„์žˆ๋Š” ์ด์•ผ๊ธฐ ์„ฑ๊ฒฝ-๊ตฌ์•ฝ 1ใ€‹, ์•„๊ฐ€ํŽ˜์ถœํŒ์‚ฌ, 2002 / Sarainneun iyagi seonggyeong โ€“ guyak 1 (A Vivid Bible Story โ€“ Old Testament 1), Agape, 2002.

ใ€Š์‚ด์•„์žˆ๋Š” ์ด์•ผ๊ธฐ ์„ฑ๊ฒฝ-๊ตฌ์•ฝ 2ใ€‹, ์•„๊ฐ€ํŽ˜์ถœํŒ์‚ฌ, 2003 / Sarainneun iyagi seonggyeong โ€“ guyak 2(A Vivid Bible Story โ€“ Old Testament 2), Agape, 2003.

ใ€Š์‚ด์•„์žˆ๋Š” ์ด์•ผ๊ธฐ ์„ฑ๊ฒฝ-๊ตฌ์•ฝ 3ใ€‹, ์•„๊ฐ€ํŽ˜์ถœํŒ์‚ฌ, 2003 / Sarainneun iyagi seonggyeong โ€“ guyak 3 (A Vivid Bible Story โ€“ Old Testament 3), Agape, 2003.

ใ€Š์‚ด์•„์žˆ๋Š” ์ด์•ผ๊ธฐ ์„ฑ๊ฒฝ-์‹ ์•ฝใ€‹, ์•„๊ฐ€ํŽ˜์ถœํŒ์‚ฌ, 2002 / Sarainneun iyagi seonggyeong โ€“ sinyak 1 (A Vivid Bible Story โ€“ New Testament), Agape, 2002.

๊ณ ์ง„ํ•˜ ๊ธ€, ์ตœ์€์ • ๊ทธ๋ฆผ, ใ€Š๊ธฐ์ ์˜ ์™•, ๊ผฌ๋งˆ ์˜ˆ์ˆ˜ใ€‹, ํฐ๋‚˜, 2008 / Ko Jinha, illustration by Choi Eun-jeong, Gijeogui wang, kkoma yesu (Child Jesus, the King of Miracles), Keunna, 2008.

๊ณ ์ง„ํ•˜ ๊ธ€, ์ด์ˆ˜์ง„ ๊ทธ๋ฆผ, ใ€Šํ•œ๊ตญ๊ณ ์ „๋ฌธํ•™์ฝ๊ธฐ 2-์ถ˜ํ–ฅ์ „ใ€‹, ์ฃผ๋‹ˆ์–ด๊น€์˜์‚ฌ, 2012 / Ko Jinha, illustration by Lee Su-jin, Hanguk gojeonmunhak ikgi 2 โ€“ Chunhyangjeon (Reading Classic Korean Literature โ€“ The Story of Chunhyang), Junior Gimmyong, 2012.

์ผ์—ฐยท๊ณ ์ง„ํ•˜ ๊ธ€, ์ด์„ ์ฃผ ๊ทธ๋ฆผ, ใ€Šํ•œ๊ตญ๊ณ ์ „๋ฌธํ•™์ฝ๊ธฐ 24-์‚ผ๊ตญ์œ ์‚ฌใ€‹, ์ฃผ๋‹ˆ์–ด๊น€์˜์‚ฌ, 2013 / Il-yeon and Ko Jinha, illustration by Lee Seon-ju, Hanguk gojeonmunhak ikgi 24 โ€“ Samgukyusa (Reading Classic Korean Literature 24 โ€“ Memorabilia of the Three Kingdoms), Junior Gimmyong, 2013.

ํ˜œ์ดˆยท๊ณ ์ง„ํ•˜ ๊ธ€, ๊น€๋ณ‘ํ•˜ ๊ทธ๋ฆผ, ใ€Šํ•œ๊ตญ๊ณ ์ „๋ฌธํ•™์ฝ๊ธฐ 31-์™•์˜ค์ฒœ์ถ•๊ตญ์ „ใ€‹, ์ฃผ๋‹ˆ์–ด๊น€์˜์‚ฌ, 2014 / Hyecho and Ko Jinha, illustration by Kim Byeong-ha, Hanguk gojeonmunhak ikgi 31 โ€“ Wangocheonchukgukjeon (Reading Classic Korean Literature 31 โ€“ Memoir of the Pilgrimage to the Five Regions of India), Junior Gimmyong, 2014.

๊น€๋ถ€์‹ยท๊ณ ์ง„ํ•˜ ๊ธ€, ์†กํ–ฅ๋ž€ ๊ทธ๋ฆผ, ใ€Šํ•œ๊ตญ๊ณ ์ „๋ฌธํ•™์ฝ๊ธฐ 32-์‚ผ๊ตญ์‚ฌ๊ธฐใ€‹, ์ฃผ๋‹ˆ์–ด๊น€์˜์‚ฌ, 2014 / Kim Pusik and Ko Jinha, illustration by Song Hyang-ran, Hanguk gojeonmunhak ikgi 32 โ€“ Samguk sagi (Reading Classic Korean Literature 32 โ€“ History of the Three Kingdoms), Junior Gimmyong, 2014.

6. Essay collections ใ€Š๋นˆ๋“ค์„ ๊ฐ€๋“ ์ฑ„์šฐ๊ณ  ์žˆ๋Š” ๋‹น์‹ ใ€‹, ๋‚˜๋ˆ”์‚ฌ, 1994 / Bindeureul gadeuk chaeugo inneun dangsin (Empty Fields Full of You), Nanumsa, 1994.

ใ€Š์˜ํ˜ผ์„ ์‚ด์•„ ์žˆ๊ฒŒ ํ•˜๋Š” 50๊ฐ€์ง€ ๋ฐฉ๋ฒ•ใ€‹, ํ˜„๋Œ€๋ฌธํ•™, 1997 / Yeonghoneul sara itge haneun 50gaji bangbeop (50 Ways to Keep Your Soul Alive), Hyundae Munhak, 1997.

ใ€Šํ’๊ฒฝ์ด ์žˆ๋Š” ์„ค๊ตใ€‹, ์ง„ํฅ, 2000 / Punggyeongi inneun seolgyo (Sermons in Landscape), Jinheung, 2000.

ใ€Š๋‚˜๋ฌด ์‹ ๋ถ€๋‹˜๊ณผ ๋ˆ„์—์„ฑ์žใ€‹, ์„ธ๊ณ„์‚ฌ, 2001 / Namu sinbunimgwa nue seongja (Father Tree and Saint Silkworm), Segyesa, 2001.

ใ€Š๋ถ€๋“œ๋Ÿฌ์›€์˜ ํž˜ใ€‹, ์ƒ๊ฐ์˜๋‚˜๋ฌด, 2001 / Budeureoumui him (The Power of Gentleness), Saenggakui Namu, 2001.

ใ€Š๋‚ด ์˜ํ˜ผ์˜ ์›ฐ๋น™ใ€‹, ์ง„ํฅ, 2004 / Nae yeonghonui welbing (The Well-Being of My Soul), Jinheung, 2004.

ใ€Š1๋ถ„์˜ ์ง€ํ˜œใ€‹, ๊ฟˆ๊พธ๋Š”๋Œ, 2004 / 1bunui jihye (One Minute Wisdom), Kkumkkuneundol, 2004.

ใ€Š์ด ์•„์นจ ํ•œ์คŒ ๋ณด์„์„ ๋„ˆ์—๊ฒŒ ์ฃผ๊ณ  ์‹ถ๊ตฌ๋‚˜ใ€‹, ํฐ๋‚˜๋ฌด, 2004 / I achim hanjum boseogeul neoege jugo sipguna (This Morning I Want to Give You This Fistful of Gems), Keunnamu, 2004.

ใ€Š๋ชฉ์‚ฌ ๊ณ ์ง„ํ•˜์˜ ๋ชธ ์ด์•ผ๊ธฐใ€‹, ๋„์†”, 2005 / Moksa Ko Jinhaui mom iyagi (The Story of the Body by Pastor Ko Jinha), Dosol, 2005.

ใ€Š์‹ ์„ ๋ฒ—๊ณ  ๊ฑท๋‹คใ€‹, ๋‚˜๋ˆ”์˜์ง‘, 2005 / Sineul beotgo geotda (Walking Barefoot), Nanumuijip, 2005.

ใ€Š๋‚˜๋ฌด๋ช…์ƒใ€‹, KMC, 2007 / Namumyeongsang (Tree Meditation), KMC, 2007.

ใ€Š์•„์ฃผ ํŠน๋ณ„ํ•œ 1๋ถ„ใ€‹, ์กฐํ™”๋กœ์šด์‚ถ, 2009 / Aju teukbyeolhan 1bun (One Very Special Minute), Johwarounsam, 2009.

ใ€Š์‹ ๋“ค์˜ ๋‚˜๋ผ, ์ธ๊ฐ„์˜ ๋•…ใ€‹, ๋น„์ฑ„, 2009 / Sindeurui nara, ingenui ttang (The Country of Gods, The Land of People), Bichae, 2009.

ใ€Š์˜ํ˜ผ์˜ ์ •์›์‚ฌใ€‹, ๋ฟ”, 2009 / Yeonghonui jeongwonsa (Gardener of Soul), Ppul, 2009.

ใ€Š๋ˆ„๊ฐ€ ์šฐํŽธํ•จ์— ์ƒˆ๋ฅผ ๋ฐฐ๋‹ฌํ–ˆ์„๊นŒใ€‹, KMC, 2012 / Nuga upyeonhame saereul baedalhaesseulkka (Who Delivered a Bird to My Mailbox), KMC, 2012.

ใ€Š์˜ค๋Š˜, ํ–‰๋ณตํ•˜์—ฌ๋ผใ€‹, ํ‘ธ๋ฅธ์˜ํ† , 2013 / Oneul, haengbokhayeora (Be Happy Today), Blue Territory, 2013.

ใ€Š์„ฑ์„œ ์† ๊ธฐ๋„์˜ ์Šค์Šน์—๊ฒŒ ๋ฐฐ์šฐ๋‹คใ€‹, ๊ฝƒ์ž๋ฆฌ, 2013 / Seongseo sok gidoui seuseungege baeuda (Learning from the Teacher of Prayers in the Bible), Kkotjari, 2013.

ใ€Š์ฟต์ฟตใ€‹, ๋„ฅ์„œ์ŠคCROSS, 2014 / Kkungkkung (Thump Thump), NexusCROSS, 2014.

ใ€Š์‹œ ์ฝ์–ด์ฃผ๋Š” ์˜ˆ์ˆ˜ใ€‹, ๋น„์ฑ„, 2015 / Si ilgeojuneun yesu (Jesus Reading Poetry), Bichae, 2015.

ใ€Š์ฑ…์€ ๋›ใ€‹, ๋™๋…˜, 2015 / Chaegeun dot (A Book Is a Sail), Dongnyok, 2015.

ใ€Š์กฐ๊ธˆ ๋ถˆํŽธํ•˜์ง€๋งŒ ์ œ๋ฒ• ํ–‰๋ณตํ•ฉ๋‹ˆ๋‹คใ€‹, ๋งˆ์Œ์˜์ˆฒ, 2018 / Jogeum bulpyeonhajiman jebeop haengbokhamnida (It's a Bit Inconvenient, But I'm Happy), Maumuisup, 2018.

7. Translations Theodor Ziolkowski, Fictional Transfiguration of Jesus, Princeton University Press, 1972 / ใ€Š์„ฑ์ž์—์„œ ๋ฏผ์ค‘์œผ๋กœใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ์„ธ๊ณ„์‚ฌ, 1990.

Ruth Krauss, illustration by Marc Simont, The Happy Day, HarperCollins, 1989 / ใ€Š์ฝ”๋ฅผ "ํ‚ํ‚"ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๋น„๋ฃก์†Œ, 1997.

Ruth Krauss, illustration by Marc Simont, The Happy Day, HarperCollins, 1989 / ใ€Š๋ชจ๋‘ ํ–‰๋ณตํ•œ ๋‚ ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ์‹œ๊ณต์ฃผ๋‹ˆ์–ด, 2017.

Mike Maddox, illustration by Jeff Anderson The Graphic Bible, Broadman & Holman, 1998 / ใ€Š๊ทธ๋ž˜ํ”ฝ ๋ฐ”์ด๋ธ”ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๋ฌธํ•™๋™๋„ค, 1999.

Dyan Sheldon, illustration by Gary Blythe, The Whales' Song, Red Fox, 1993 / ใ€Š๊ณ ๋ž˜๋“ค์˜ ๋…ธ๋ž˜ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๋น„๋ฃก์†Œ, 2000.

Angela Abraham and Ken Abraham, illustration by Terry Anderson and Kathleen Dunne, Jusus Loves Me Bible, Tommy Nelson, 1999 / ใ€Šํ† ๋ฏธ ๋„ฌ์Šจ ์–ด๋ฆฐ์ด ์„ฑ๊ฒฝใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ์„ฑ์„œ์›, 2001.

Yolanda Browne, illustration by Kathy Couri, Daytime Prayers, Authentic Lifestyle, 2001 / ใ€Š๋‚ฎ์— ๊ธฐ๋„ํ•ด์š”ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ์„ฑ์„œ์›, 2001.

Swami Veda Bharati, Sayings - Saying Nothing Says It All / ใ€Š1๋ถ„์˜ ๋ช…์ƒ์—ฌํ–‰ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๊ฟˆ๊พธ๋Š”๋Œ, 2004.

Yolanda Browne, illustration by Kathy Couri, Sleepytime Prayers, Corcordia Publishing House, 2000 / ใ€Š๋ฐค์— ๊ธฐ๋„ํ•ด์š”ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ์„ฑ์„œ์›, 2005.

Susie Arnett, photography by Doug Kim, Born Yogis, Rodale Books, 2005 /ใ€Š์•„๊ธฐ๋Š” ์š”๊ฐ€ ์ค‘ใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๋ฐ”๋‹ค์ถœํŒ์‚ฌ, 2006.

John Piper, The Prodigal's Sister, Crossway, 2003 / ใ€Šํƒ•์ž์˜ ์—ฌ๋™์ƒใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ์ƒ๋ช…์˜๋ง์”€์‚ฌ, 2010.

Steven C. Hayes, Mindfulness and Acceptance, Guilford Press, 2004 / ใ€Š์•Œ์•„์ฐจ๋ฆผ๊ณผ ์ˆ˜์šฉใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๋ช…์ƒ์ƒ๋‹ด์—ฐ๊ตฌ์›, 2010.

Thomas Roberts, The Mindfulness Workbook, New Harbinger Publications, 2009 / ใ€Š์•Œ์•„์ฐจ๋ฆผ ๋ช…์ƒ ์›Œํฌ๋ถใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ๋ช…์ƒ์ƒ๋‹ด์—ฐ๊ตฌ์›, 2011.

Elena Pasquali, illustration by Sophie Windham, The Three Trees: A Traditional Folktale, Lion Hudson, 2011 / ใ€Š์„ธ ๋‚˜๋ฌด ์ด์•ผ๊ธฐใ€‹, ๊ณ ์ง„ํ•˜ ์—ญ, ํฌ์ด์—๋งˆ, 2012.

Lisa M. Schab, Beyond the Blues: A Workbook to Help Teens Overcome Depression, Instant Help Books, 2008 / ใ€Š์šฐ์šธ์„ ๋„˜์–ด์„œใ€‹, ๊ณ ์ง„ํ•˜ยท์ธ๊ฒฝ์Šค๋‹˜ ๊ณต์—ญ, ๋ช…์ƒ์ƒ๋‹ด์—ฐ๊ตฌ์›, 2012.

8. Compilation ใ€Š90๋…„๋Œ€ ๊ธฐ๋…๊ต ์‹œ์ธ๋“คใ€‹, ๋ฏธ๋ž˜๋ฌธํ™”์‚ฌ, 1996 / 90nyeondae gidokgyo siindeul (Christian Poets in the 1990s), Mirae Munhwasa, 1996.

Awards Kim Daljin Literary Prize (for "Jeumeu maeul 1" (Jeumeu Village) and five other poems) (1997)

Gangwon Writers' Award (2003)

Yeongnang Poetry Award (for Myeongnangui dulle) (2016)

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Important facts

Born
1953
Birth century
Occupation
Nationality
Education
Methodist Theological University
Employers
Soongsil University
Also known as
Ko Jin-ha

People in Ko Jinha's life

Named in this biography and alive at the same time

Contemporaries

People whose lives overlapped Ko Jinha's

Frequently asked questions

Who is Ko Jinha?

South Korean poet (born 1953)

When was Ko Jinha born?

Ko Jinha was born in 1953.

What is Ko Jinha's occupation?

Ko Jinha is a civil servant.

What nationality is Ko Jinha?

Ko Jinha is South Korean.

Sources & further reading

ยท Wikipedia: Ko Jinha

ยท Wikidata: Q12584421

ยท DBpedia: Ko Jinha

Cite this page

APA: Biography.guide. (2026). Ko Jinha. https://biography.guide/ko-jinha/

MLA: "Ko Jinha." Biography.guide, https://biography.guide/ko-jinha/.

Chicago: "Ko Jinha." Biography.guide. https://biography.guide/ko-jinha/.

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