Karl Paryla

Karl Paryla (1905–1996) was an Austrian theater actor and director, and later a film maker as well. A lifelong, dedicated communist, his career in the Austrian theater was first interrupted by the Second World War, and then strained by Cold War politics. In the 1950s he began working in East Germany, where he performed as an actor and directed plays and films. An actor trained in the school of Constantin Stanislavski, he is praised for the realism he brought to his performances especially in Johann Nestroy's plays and for his ability to organize large ensembles dynamically on the stage. He is remembered also for his work ethic and his fervent belief in the emancipatory power of the theater. and began a career as an actor with the Raimund Theater in Vienna (some of his siblings, including Emil Stöhr,

During World War II In Zurich, he contributed to the reputation of the Schauspielhaus Zürich as an anti-fascist exile theater, performing in original productions and stagings of classical plays, and he played a central part in the development of realistic drama based on the work of Constantin Stanislavski. which was financially supported by the Communist Party of Austria. The theater aimed to be a working man's ensemble with a focus on the work of Austrian dramatist Johann Nestroy, on political drama, and on comedy, an unfavorable mix during the Cold War. Like many blacklisted actors and directors, he went to work in East Germany and began making movies for DEFA; his first was Mich dürstet, a film based on the Spanish Civil War. At the same time he continued to perform, in Berlin and Munich, with notable roles including Touchstone (As You Like It) and Mephistopheles (Faust), and above all as a Netroy actor. He died on 14 July 1996 in his native city, Vienna. He was one of the contributors to the "Nestroy Renaissance in Vienna"; under German occupation Nestroy was deemed "folkish" and German enough to be allowed on stage, and after the war Paryla was one of the actors/directors who reclaimed Nestroy—this time, with a communist agenda (according to one critic), with Paryla stressing realism: "In our theater we play Nestroy in unadulterated form, that is forcefully; that also means that we do not permit false sentimentality or false compromise. We consider the production of each Nestroy comedy as the most honorable and most natural duty. And that is why we play Nestroy." He is praised as lending a political realism to Nestrovian characters unparalleled in the 1950s.

Paryla's relationship with Vienna was strained because of politics; official recognition from the city would not come until the 1980s and 90s.

Personal life He was married to the German-born stage and film actress Hortense Raky from 1939 until his death.

Filmography

Last Love (1935) … nur ein Komödiant (1935) Court Theatre (1936) Fräulein Lilli (1936) Sein letztes Modell (1937) The Priest from Kirchfeld (1937) Nanon (1938) The Angel with the Trumpet (1948) Semmelweis – Retter der Mütter (1950) Die Unbesiegbaren (1953) (also directed and adapted, 1954) Mich dürstet (directed, 1956) Gasparone (directed and wrote screenplay, 1956) Zu viele Köche (TV show, 1961) Der Traum des Hauptmann Loy (1961) Die inneren Stimmen (TV, 1961) Eine Nacht in Venedig (TV, 1962) Hin und her (1963) Der Bauer als Millionär (TV, 1963) (TV, 1963) Kean (TV, 1963) Flüchtlingsgespräche (TV, 1964) Professor Bernhardi (TV, 1964) The Blue Danube (TV, 1965) The Merchant of Venice (TV, 1968) Libussa (TV, 1972) As You Like It (TV, 1973) Totstellen (TV, 1975) Alpensaga, Teil 3 – Das große Fest (TV, 1977) Die grüne Seite (TV, 1981) Der Talisman (TV, 1987) Les volets verts (TV series L'heure Simenon, 1988) La mort d'Auguste (TV series L'heure Simenon, 1988) Singen kann der Mensch auf unzählige Arten (TV, 1989)