John J. Boyle

John J. Boyle (January 12, 1851 – February 10, 1917) was an American sculptor active in Philadelphia in the last decades of the 19th century, known for his large-scale figurative bronzes in public settings, and, particularly, his portraiture of Native Americans.

Early life and education Boyle was born in New York City in 1851 to Samuel Boyle and Katharine McCauley. They moved to Pennsylvania prior to his first birthday. After his father's death in 1857, Boyle's remaining family, in straitened circumstances, moved to Philadelphia to live with relatives.

Boyle attended public schools in Philadelphia, then served an apprenticeship as a stone-cutter. In 1872, he began studying art at the PAFA, taking classes with Thomas Eakins and other faculty. Beginning in 1877, he studied at the École des Beaux Arts in Paris for three years, returning to the United States and marrying Elizabeth Carroll in Philadelphia in 1882.

Career Paris Salon

Boyle's time in Paris established him as a successful, medaled ornament to the Salon, the official art exhibition of the Académie des Beaux-Arts in Paris (the École being the visual arts division of the Académie). Although he returned to the United States to secure commissions ~1880, he continued to show his works in Paris, joining company with the generation of Philadelphia artists who moved back and forth between Europe and the United States during this period.

By the mid to late 19th century, the Romantic Movement had begun to see expression in the United States, particularly in the artistic circle centered at Philadelphia's PAFA, moving away from the "Grand Style" of the first part of the 19th century. John Boyle, "authentic in his rude strength," was among those active in this form.

World's Fair Participation

Boyle's prominence in the Philadelphia art scene by the 1890s was reflected by commissions for the Art Club of Philadelphia, including the design of their gold medal award, a prestigious form of social recognition. Along with other noted artists and architects of the 1890s, Boyle was invited to participate in the Chicago World Fair of 1893 (the Columbian Exposition).

Artistic advisor Augustus Saint-Gaudens delegated the "career-enhancing commissions for monumental sculptures that promoted the exposition's overarching theme of national identity," to a select group of sculptors it was felt would portray young America in its most promising light.

The success of Boyle's work in this venue cemented his reputation as a sculptor for American ideals, leading to commissions in Washington in the newly built Library of Congress building (figures of Sir Francis Bacon and Plato, bronze, 1894–1896) in Washington, D.C. Behests by his wife to the PAFA in his memory included Tired out a bronze statue of a Native American subject completed in 1887.

Legacy alt=John J. Boyle, 1851-1917 Abstract/medium: 1 photographic print Boyle spent the last years of his life in New York City. In 1910, he was elected into the National Academy of Design as an Associate member.

Selected works The Alarm, (Indian Alarm) (1884), Lincoln Park in Chicago Stone Age in America (1887), Fairmount Park in Philadelphia Tammany, 42nd New York Infantry Memorial (1891), Gettysburg Battlefield in Gettysburg, Pennsylvania Sir Francis Bacon (1894–1896) at the Library of Congress in Washington, D.C. Plato (1894–1896) at the Library of Congress in Washington, D.C. Benjamin Franklin (1896–1899) at the University of Pennsylvania in Philadelphia. A replica was exhibited at the 1904 Saint Louis World's Fair in St. Louis Bust of Charles Lenning (1900) at the University of Pennsylvania in Philadelphia The Savage Age in the Eastern Hemisphere (1901) at the Pan-American Exposition in Buffalo, New York The Savage Age in the Western Hemisphere (1901) at the Pan-American Exposition in Buffalo, New York Bust of James V. Brown (1907) at the James V. Brown Library in Williamsport, Pennsylvania John Christian Bullitt (1907) at City Hall in Philadelphia Rebecca at the Well (1908) in Fairmount Park in Philadelphia Commodore John Barry (1911–1914) at Franklin Square in Washington, D.C.

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