Joan Benson

Biography Benson was of Swedish descent. Born in Saint Paul, Minnesota, she spent her childhood in New Orleans, where she attended Metairie Park Country Day School, one of the first progressive schools in the South. Its emphasis on creativity encouraged her talents in music, painting and poetry.

At sixteen, she studied with pianist-composer Percy Grainger at Interlochen's Summer Music Camp. At seventeen, she attended Longy School of Music in Cambridge, Massachusetts, studying with Boris Godowsky and Melville Smith. It was here she first heard a clavichord, where Erwin Bodky, a faculty member, played several preludes and fugues by J. S. Bach.

Educated at the University of Illinois Urbana-Champaign (Bachelor of Music, Master of Music (1951) and Indiana University School of Music (1953) studying under Anis Fuleihan, she received instruction in Europe from Edwin Fischer, Guido Agosti, Olivier Messiaen, Viola Thern, , Ruggero Gerlin, and before returning to the United States in 1960 to pursue dual careers as a concert keyboardist and university professor. She debuted on the clavichord at the Carmel Bach Festival in 1963

Recordings

Joan Benson, Clavichord (Repertoire Records, LP, 1962), reissued by Bridge Records, 1972. Music of C. P. E. Bach (Orion Master Recordings, Giveon Cornfield, LP, 1976); clavichord and 1795 Broadwood pianoforte Works of Haydn and Pasquini (Titanic Records, Ralph Dobmeyer, LP, 1982); original Tosi and Schiedmayer clavichords from Museum of Fine Arts, Boston Clavichord Music of Johann Kuhnau and C. P. E. Bach (Focus Recordings, Peter Nothnagel, Early Music Institute, Indiana University School of Music, cassette, 1987 and CD, 1996) Artistry of Joan Benson, Early Music Institute, Barry Phillips; issued with Clavichord for Beginners, Indiana University Press, CD (2014) The Clavichord, Vision and Voice of Joan Benson, Early Music Institute; issued with Clavichord for Beginners, Indiana University Press, DVD (2014)

Articles in books "The Effect of Clavichord Technique on the Fortepiano", Internationaler Joseph Haydn Kongress, Wien, 1982, G. Henle Publishing House, Munich (1986) "The Clavichord in 20th-Century America", in Livro de Homenagem a Macario Santiago Kastner, Calouste Gulbenkian Foundation, Lisbon (1992) "Clavichord Perspectives from Goethe to Pound", De Clavicordio VI, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2004) "Studying with Macario Santiago Kastner a Half-Century Ago", De Clavicordio VIII, The Clavichord on the Iberian Peninsula, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2008) "The Interplay of Clavichord and Piano", De Clavicordio XI, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2014) "Teaching the Clavichord in Our Electronic World", De Clavicordio XII, The International Centre for Clavichord Studies, Musica Antica a Magnano, Italy (2015), published 2017.

Articles in magazines "Recollections of Edwin Fischer" (T. Tikker), Journal of the American Liszt Society, vol. 21, January−June 1987. "Bach and the Clavier", Clavier Magazine, vol. 29, no. 2, February 1990. "Qigong for Pianists", Piano and Keyboard, no. 194, September–October 1998 "Piano to Clavichord (1925–1962)", Clavichord International, Het Nederlands Clavichord Genootschap, vol. 10, no. 2, November 2006 "An Interview with Joan Benson" Clavichord International, Het Nederlands Clavichord Genootschap, vol. 18, no. 2, November 2014 "Getting Started: Clavichord", Early Music Today, Rhinegold Publishing, London, United Kingdom, (June–August 2017) "När fingret träffar tangenten", Tidig Music, Stockholm, Sweden, (October 2017)

Poems "Aged Woman Looking at a Man", Barren", "Antichrist 1986", Writers of Age, Nimrod International Journal of Prose and Poetry, Spring/Summer 1981