Jane Manning

Jane Marian Manning OBE (20 September 193831 March 2021) was an English concert and opera soprano, writer on music, and visiting professor at Guildhall School of Music & Drama and the Royal College of Music. A specialist in contemporary classical music, she was described by one critic as "the irrepressible, incomparable, unstoppable Ms. Manning – life and soul of British contemporary music".

Manning and her husband, the composer Anthony Payne were avid supporters of contemporary British music. They founded the virtuoso new music group Jane's Minstrels and many of Payne's works were premiered by Manning and the ensemble.

Early life Manning was born in Norwich on 20 September 1938 to Gerald Manville Manning and Lily Manning (née Thompson). She was educated at Norwich High School for Girls, the Royal Academy of Music (graduating LRAM in 1958), and the Scuola di Canto at Cureglia, Switzerland. She was promoted to ARCM in 1962. She described her musical upbringing as one of a "very traditional background in oratorio and Gilbert & Sullivan". She co-founded her own virtuoso ensemble, called Jane's Minstrels, in 1988, together with her husband. The group played music by Henry Purcell, Edward Elgar, Frank Bridge, Percy Grainger, Anton Webern and Arnold Schoenberg.

Manning specialised in contemporary classical music. Her voice and sense of pitch made her a leading performer of new music. She was noted as a performer of Schoenberg's Pierrot lunaire. A follow-up, Vocal Repertoire for the 21st Century, was published in 2020. Volume 1 covers works from the second half of the 20th century, Volume 2, works written from 2000 onwards.

In his preface to Manning's 65th birthday concert at Wigmore Hall in 2003, the British critic Bayan Northcott wrote:

It was an inspired choice to present Jane Manning as Miss Donnithorne, not only because she is an artist of astonishing gift but because she is also one of the greatest performers of Schoenberg's Pierrot Lunaire, and in her performance of the Maxwell Davies, the two pieces are palpably linked.... Her performance is desperately touching, the more disturbing for being played as reminiscence.... a performance of scorching intensity (without conductor). as was Matthew King's The Snow Queen (1992).

The critic Ivan Hewett wrote of Manning:

For many people Jane Manning is simply the voice of contemporary classical music in this country. Anyone who took an interest in this burgeoning area of music in the 1970s and '80s grew up with the sound of her astonishing voice in their ears. It's instantly recognisable, but it’s also a chameleon. Whether she's faced with the pure angular leaps of Anton Webern, the throaty suggestiveness of Schoenberg or the black, crazed humour of György Ligeti, Jane Manning is always equal to the task.

Her world premieres include the role of Max in Oliver Knussen's Where the Wild Things Are (1980), Kavita I, II and III (1970/72) by Naresh Sohal, and Night's Poet (1971) by the same composer.

Personal life Manning married the composer Anthony Payne in 1966. He composed his first piece for her one decade later, titled The World’s Winter. She subsequently sang it at the Cheltenham Festival in 1976, with the Nash Ensemble. She did not use her married name professionally. but were survived by a nephew and two nieces.

Appointments Member of International Jury, Gaudeamus Young Interpreters Competition, Holland, 1976, 1979, and 1987

Publications chapter in How Music Works (1981) Hon. Fellow of the Royal Academy of Music (FRAM) 1984