J. J. Johnson

J.J. Johnson (January 22, 1924 – February 4, 2001), born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer, and arranger.

Johnson was one of the earliest trombonists to embrace bebop.

Biography Big bands After studying the piano beginning at age 9, Johnson decided to play trombone at the age of 14. In 1941, he began his professional career with Clarence Love and then played with Snookum Russell in 1942. In Russell's band, he met the trumpeter Fats Navarro, who influenced him to play in the style of the tenor saxophonist Lester Young. Johnson played in Benny Carter's orchestra between 1942 and 1945, and made his first recordings in 1943 under Carter's leadership, recording his first solo (on "Love for Sale") in October 1943. In 1944, he took part in the first Jazz at the Philharmonic concert, In 1945, he joined the big band of Count Basie, touring and recording with him until 1946.

After leaving Basie in 1946 to play in small bebop bands in New York clubs,

In 1951, with bassist Oscar Pettiford and trumpeter Howard McGhee, Johnson toured the military camps of Japan and Korea, before returning to the United States and taking a day job as a blueprint inspector. Johnson admitted later he was still thinking of nothing but music during that time, and indeed, his Blue Note recordings as both a leader and with Miles Davis date from this period. Johnson's compositions "Enigma" and "Kelo" were recorded by Davis for Blue Note, and Johnson was part of the Davis studio session band that recorded the jazz standard "Walkin' in 1954 (the title track of a Davis album issued by Prestige).

Jay and Kai In 1954, producer Ozzie Cadena, then with Savoy Records, convinced Johnson to set up a combo with trombonist Kai Winding—the "Jay and Kai Quintet". His funeral in Indianapolis drew jazz musicians, friends, and family from around the country.

Influence Johnson's work in the 1940s and 1950s demonstrated that the slide trombone could be played in the bebop style; as trombonist Steve Turre has summarized, "J.J. did for the trombone what Charlie Parker did for the saxophone. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did. And not only, of course, is he the master of the trombone—the definitive master of this century—but, as a composer and arranger, he is in the top shelf as well."

Several of Johnson's compositions, including "Wee Dot", "Lament", and "Enigma" have become jazz standards.

From the mid-1950s onwards, Johnson was a perennial polling favorite in jazz circles, even winning "Trombonist of the Year" in DownBeat magazine during years he was not active. He was voted into the DownBeat Hall of Fame in 1995.

Discography