About Irene Kung
Born 1958. Irene Kung is a Swiss photographer.
Irene Küng (born 1958 in Switzerland) is a Swiss photographer whose work primarily features urban and natural landscapes.
The essentiality of the shots and the ability to make her subjects emerge from the darkness, in fact, express a stylistic and conceptual proximity to the Italian pictorial Renaissance: her works highlight the rational desire to identify new possible paths for a sustainable future and renewed attention to the balance between human and natural. At the same time, Kung's compositions highlight by contrast the ambiguity of urbanization and human neglect, bringing out a subtle disquiet from beauty. Describing suffering through a refined and dreamlike representation is an attempt to generate a new meaning starting from the perceptions of an emotional experience, it is an abstraction that leads the artist from the darkest areas to the meditative dimension, up to the unconscious spaces of the soul.
Career Küng began her career in graphic design and painting before shifting to photography, where she has been recognized internationally for her approach to architectural and natural subjects.
Küng has achieved international recognition with many exhibitions in New York, London, Milan, Beijing and Moscow. She has exhibited at the Bozar Museum in Brussels, Belgium, at the Palazzo della Ragione in Milan and in the spectacular surroundings of the Certosa San Giacomo in Capri, Italy.
Her work has appeared in numerous international magazines such as The New York Times Magazine, The Sunday Times Magazine, Sette del Corriere della Sera, China Daily and was selected by the international jury at ParisPhoto 2010.
She was invited by Contrasto to contribute to EXPO 2015 with a solo show at the Fruit and Legumes Cluster featuring 26 photographs of fruit trees. Other photographers involved in the clusters project were Sebastião Salgado, Martin Parr, Gianni Berengo Gardin, Alex Webb, Joel Meyerowitz, George Steinmetz, Ferdinando Scianna and Alessandra Sanguinetti
The book Trees follows The Invisible City, on architecture photographs, that was published in 2012 in English, Italian, French and Chinese.
In 2018 Küng worked with Porsche to celebrate the launch of the new 911. Her photographs depict landscapes and cities, with the 911 embedded within them in such a way that the viewer only perceives the sports car at a second glance. Irene Kung: “The 911 is a style icon. Although the design has developed over time, it still remains true to form. My pictures are narrative and that is what they have in common with paintings. They are like film scenes whose complete story can be created by the viewer."
Since 2018 four of her works from the Invisible Cities series have been part of Civilization: The Way We Live Now, a travelling exhibition curated by Willian Ewing, Holly Roussell Perret-Gentil and Bartomeu Marí of FEP. The exhibition has already toured eight major venues in Asia, Oceania and Europe such as the Ullens Center for Contemporary Art in Beijing, the Musée des Civilisations de l’Europe et de la Méditerranée (Mucem) in Marseille and the Saatchi Gallery in London.
Solo exhibitions Source:
2008 Exhibiting new works by Irene Küng at Chiaroscuro Contemporary Art in Santa Fe, New Mexico, USA, and additional photographs at Chiaroscuro in Scottsdale, Arizona, USA 2009 Goedhuis Contemporary, London, UK 2010 Oltre il Reale, Forma Centro Internazionale di Fotografia, Milan, Italy Photographica FineArt Gallery, Lugano, Switzerland 2012 Daydream, Forma Galleria, Milan, Italy Galleria Valentina Bonomo, Rome, Italy Chiaroscuro Contemporary Art, Santa Fe, NM, USA Goedhuis Contemporary, London, UK 2013 Forma Galleria, Milan, Italy Photographica Fine Art, Lugano, Switzerland Photolux Festival, Lucca, Italy Imagokinetics Gallery, Hangzhou, China The Temple, Beijing, China 2014 ArtPassions la Galerie, Geneva, Switzerland 2015 Chiaroscuro Contemporary Art, Santa Fe, NM, USA Forma Galleria, Milan, Italy 2016 Galleria Contrasto, Milan, Italy 2017 "Trees" by Irene Küng, presented at Chiaroscuro Contemporary Art, Santa Fe, New Mexico, USA Galleria Valentina Bonomo, Rome, Italy 2018 A solo showcase of Irene Küng's work at Chiaroscuro Contemporary Art, Santa Fe, New Mexico, USA 2019 "Irene Kung. Monumenti." Project Room, CAMERA - Centro Italiano per la Fotografia, Turin, Italy 2021 "Seven Trees" by Irene Küng, on display at Chiaroscuro Contemporary Art, Santa Fe, New Mexico, USA 2022 Rough, Tough and Mystic, Galleria Valentina Bonomo, Rome, Italy Rough, Tough and Mystic, The Temple, Beijing, China M97 Gallery, Shanghai, China Rough, Tough and Mystic, Alessia Paladini Gallery, Milan, Italy 2023 "Rough, Tough and Mystic: Visions of Yunnan and Tibet" by Irene Küng, exhibited at Chiaroscuro Contemporary Art, Santa Fe, New Mexico, USA The Forest of the Soul, Académie du Climat, Paris, France 2024 Platinum Landmarks, The Temple, Beijing, China
Group exhibition Source: Summary CIVILIZATION: THE WAY WE LIVE NOW A photographic exploration of global 21st-century civilization. TREES Photographic celebration of diverse tree species. 9 PHOTOGRAPHERS FOR THE PLANET Collaborative photographic project on sustainability and the environment. HENRI CARTIER-BRESSON E GLI ALTRI Italy through the eyes of Henri Cartier-Bresson and other photographers. THE INVISIBLE CITY Transformative photographs of cities at night. BULGARI Y ROMA Intersection of Rome's architecture and Bulgari's design inspiration. HOMEWARD, SELECTIONS FROM THE WIELAND COLLECTION Exploration of the concept of home through the Wieland Collection.
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Important facts
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Frequently asked questions
Who is Irene Kung?
Swiss photographer
When was Irene Kung born?
Irene Kung was born in 1958.
What is Irene Kung's occupation?
Irene Kung is a photographer.
What nationality is Irene Kung?
Irene Kung is Swiss.
Sources & further reading
Cite this page
APA: Biography.guide. (2026). Irene Kung. https://biography.guide/irene-kung/
MLA: "Irene Kung." Biography.guide, https://biography.guide/irene-kung/.
Chicago: "Irene Kung." Biography.guide. https://biography.guide/irene-kung/.
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