Herschel C. Logan

Herschel C. Logan was an American artist and founding member of the Prairie Print Makers. He is known primarily today for his woodcuts of serene, nostalgic scenes of Midwest small towns and farms—mostly Kansas subjects—rendered in precise, clean lines. He earned both international acclaim as well as the nickname "The Prairie Woodcutter".

His work shows a deep admiration and respect for the beauty of rural America, and great skill in its portrayal. People were seldom a subject in these works beyond small figures as part of the landscape, though he also produced many portraits of famous Americans and other historical figures. Logan's work is similar to that of his contemporary J. J. Lankes. Scenes of rural life are dominant in both artists’ woodcuts, and both use an “L” monogram to sign their works in the print.

From 1921 to 1938, Logan produced some 140 woodcuts in editions up to 50, but then gave up printmaking as a profession. In the following nearly 50 years, he was an author and illustrator, a collector, a noted authority on firearms, and a publisher of miniature books.

Early life and education Logan was born on April 19, 1901, in Magnolia, Missouri, to Oliver Cary Logan (1877-1944) and Leota Pinkie Bills Logan (1880-1902). After the death of his mother in January 1902 his father took the remaining family, including his grandparents, to live on a farm near Winfield, Kansas. At Winfield High School he became the staff cartoonist for the school newspaper, The Oracle. After graduation in 1920 he studied commercial art at the Chicago Academy of Fine Arts. and through the Federal School (aka Art Instruction, Incorporated), a correspondence art school in Minneapolis.

On June 20, 1924, Logan married his first wife, Susie Titus (1902-1990), in Wichita, Kansas. They had two children, Samuel Herschel Logan and Peggy Joan Logan.

Career After a year of studying art in Chicago, Logan took a position as branch manager for Salina Mid-Continent Engraving before accepting a job as a commercial artist for the McCormick-Armstrong Lithography Company in Wichita.

Logan left Wichita in 1929 to work for the Consolidated Printing and Stationery Company in Salina, becoming its director in 1931. Soon after, Logan started a new career publishing miniature books (see below), and would travel around California drawing and painting trees and landscapes, typically ink or graphite with watercolor.

Logan died on December 8, 1987, in Santa Ana, California.

Printmaking It was at the Olivet Institute that Logan met fellow artists like Glenn Golton, Louis Grell, and Harry Muir Kurtzworth. A friendship with C.A. Seward, a well-known Kansas printmaker, heightened Logan's interest in woodcuts; it also put Logan in contact with other printmakers such as Lloyd Foltz, Charles Capps, Clarence Hotvedt, and Leo Courtney and painter Birger Sandzen from nearby Lindsborg. It was through these friendships that Logan learned the art of printmaking, and that eventually led to their founding, with others, the Prairie Print Makers society in 1930. There Logan “lent his skill as a craftsman and instinctive aptitude for carving wood blocks that had established his national recognition by the age of twenty-three.”

Logan gained considerable recognition for his body of editioned woodcuts, most of them about Kansas. He was exhibited extensively in the Mid-West, but also at international exhibitions in Los Angeles and at the 1939 New York World's Fair. Logan worked from life, using photographs or sketches he made on location, often finding inspiration in simple structures by the roadside while driving. He would spend several days studying and refining a sketch before proceeding.

Portraits were another favorite subject for Logan. Twelve prints of famous Americans were gathered into a book with short biographies, and later reissued as a calendar by the Consolidated Printing Company.

Famous printers and printmakers throughout history were another focus of Logan's portraiture. He produced over 100 portraits in pen in ink for a book project “Great Names in Printing Through Six Centuries” that was never realized despite having lithographic reproductions prepared and possible page mockups. Fifteen of these were published posthumously in the miniature book Portraits of Some Famous Printers as a keepsake for the 1992 joint meeting of the Roxburghe & Zamorano Clubs.

Logan abandoned fine art printmaking in general after 1938. Logan himself recalled “...after my friend Seward’s long illness and death [Jan 31, 1939], I simply lost interest in making prints.” “But perhaps more to blame were Herschel’s restless energies which were diverted to other enterprises.” By then he had thoroughly explored his love of the Kansas countryside from farms to towns to landmarks, often revisiting scenes often in different seasons or different times of the day. Logan later reflected “After World War II, abstract art and painting became more popular and took over, and printmaking just kind of fell apart."

Logan did not completely abandon woodblock printing, nor its companions linocut and rubber plates. Throughout his career he advocated woodcut as a desirable medium for a straightforward presentation of an idea in his commercial work and designed many woodcut logos, emblems and bookplates. This extended to a woodcut style – he emulated woodcuts in many of his commercial work and later drawings, a technique he developed for advertising purposes, “satisfactory and yet may be produced quickly and with less difficulty”. Logan continued to produce numerous portraits throughout his life, generally in pen and ink. A large collection is found in his “Little Portraits of Famous Americans”, a miniature book from 1973.

Consolidated Printing In 1939, Logan began hosting “The Consolidated Hour”, a weekly series of radio talks on KSAL in which he talked about Kansas industries. Starting January 2, 1939, he introduced “The Colonel” in advertisements for Consolidated Printing and Stationery. The Colonel was a dapper cartoon gentleman in a long black frock coat and vest, sporting a Kentucky Colonel necktie, a wide-brimmed Stetson hat, a handlebar mustache, and a goatee. He offered short bits of homespun philosophy, “sometimes serious, sometimes merely amusing, but never bitter”. Logan himself describes The Colonel as a bit of Abe Lincoln, Will Rogers, Teddy Roosevelt and other characters he admired. A mainstay of Consolidated advertising, The Colonel appeared weekly in the Salina Journal for nearly 30 years. Logan both drew and wrote copy for the Colonel, becoming so identified with his creation that “The Colonel” became a widely used nickname among colleagues and friends. Indeed, as Logan himself was a Kentucky Colonel since 1934 and sometimes dressed the part, “The Colonel" was very much his alter ego.

Logan contributed a considerable amount of art to Consolidated's work products through the years, from small decoration to full illustrations. An advertising sheet contains numerous samples of his work. A postcard illustration of the Brookville Hotel in Brookville, Kansas, shows his use of the woodcut style.

Firearms and ammunition Since Logan was young he was interested in guns, whittling rifles and pistols as a boy on the farm. He collected his first antique firearm, a blunderbuss, in 1932. As his collection grew, Logan became an expert in firearms and ammunition, authoring and illustrating a number of books that continue to be standard historical references. He also contributed drawings and articles to the American Rifleman over a period of more than two decades. The result was the book “Buckskin and Satin: The Life of Texas Jack (J.B. Omohundro)”.

Other gun-related texts: Cartridges: a Pictorial Digest of Small Arms Ammunition Hand Cannon to Automatic: A Pictorial Parade of Hand Arms The Little Book of Guns: A Chronology The Muzzle Loading Rifle Then and Now The Pictorial History of the Underhammer Gun

Miniature books Since his Consolidated Printing days Logan had been fascinated by the art and craft of printing and publishing. In 1940 he built a small-scale working model of Gutenberg's press out of wood for a display as part of the 500th Anniversary of Printing. In 1973 he purchased a Baby Reliance Hand Press and started a new career as a publisher of miniature books. The Log-Anne Press, named after him and his wife, operated out of a studio behind their Santa Ana home. The company published some 50 books.

His other collections included: Mustache Cups Relics and Curios

Activities Except as noted, items are from “In Memoriam, Herschel C. Logan”.

Salinas, Kansas 1929-1968 Art Director, Consolidated Printing and Stationery Co. for 37 years Chief, Auxiliary Police, World War II President, Salinas Rotary Club,1949–50 Director, Salinas Chamber of Commerce President, Christian Laymen's Association Member, City Planning Board Secretary, Board of Trustees, Salina Public Library

State and national activities Board of Directors, Kansas State Historical Society Vice-president, American Society of Arms Collectors, 1955–56 President, American Society of Arms Collectors, 1957–58 Member of Board of Directors, American Society of Arms Collectors Fellow of the company, Military Historians and Collectors Member, Arms and Armour Society of England Life Member, Muzzle-Loading Rifle Association Contributing Editor, “The American Rifleman” Member, Los Angeles Corral of the Westerners Member, Company of Military Historians and “fellow” of the company

1925 Midwestern Artists Exhibition, Kansas City Art Institute, Kansas City, Missouri, Feb 2-Mar 1

1925 Philadelphia Art Alliance, Annual exhibition Dec 1925-Jan 1926

1926 2nd Annual Exhibition, Artists Guild of Wichita

1926 7th International Print Makers Exhibition, Los Angeles Museum Exhibition Park, March 2-April 4, 1926

1927 3rd Annual Kansas Artists Exhibition, Topeka

1928 9th International Print Makers Exhibition, Los Angeles Museum Exhibition Park, March 1–31, 1928

1928 Wichita Artists’ Guild

1929 5th Annual Kansas Artists Exhibition, Topeka

1929 Kansas Free Fair, Topeka

1930 6th Annual Kansas Artists Exhibition, Topeka

1931 7th Annual Kansas Artists Exhibition, Topeka, Oct 17-Nov 9

1932 8th Annual Kansas Artists Exhibition, Topeka

1933 9th Annual Kansas Artists Exhibition, Topeka

1933 Kansas Free Fair, Topeka

1933 Prairie Print Exhibition of Wichita, Kansa, Municipal Clubhouse, March

1934 Midwestern Artists Exhibition, Kansas City Art Institute, Kansas City, Missouri

1934 15th International Print Makers Exhibition, Los Angeles Museum Exhibition Park, March, 1934

1935 8th Annual American Block Print Exhibition, Jan 10–20, Wichita

1938 9th Annual American Block Print Exhibition, Nov 20-Dec 5, [Wichita]

1936 Kansas Free Fair, Topeka

1936 Print-Makers Society of California, traveling exhibit

1937 Midwestern Artists Exhibition, Kansas City Art Institute, Kansas City, Missouri

1938 American Blockprint Exhibition, Wichita

1938 Brooks Memorial Art Gallery, Graphic Art, Memphis, Tennessee

1938 Kansas Free Fair, Topeka

1939 New York World's Fair

1940 Six States Exhibition [8th Annual], Joslyn Memorial Art Museum, Omaha

1941 Six States Exhibition [9th Annual], Joslyn Memorial Art Museum, Omaha

1954 Exhibit of Kansas Regional Print, Wharton Room, Manhattan Library

1958 Prairie Print Makers traveling exhibition

1984 Kennedy Galleries. Proofs of talent : American artists and the challenge of printmaking. May 1984

2007 Birger Sandzén Memorial Gallery 50th anniversary exhibition

2018 Prints of the Prairie: Herschel Logan's Kansas. Nov 13–15, 2018, The Coutts Museum of Art, El Dorado, Kansas. (30 prints on display)

2020 Telling a story : woodblock prints by Clare Leighton, J.J. Lankes, Herschel Logan. Jun 27-Nov 1, 2020, Wichita Art Museum, Ablah Gallery, Wichita, Kansas.

2020 The Printmakers at Ranchos de Taos. Aug-Sep, 2020, William R. Talbot Fine Art, Santa Fe, New Mexico. Collections and archives An extensive collection of over 1600 prints (published and unpublished), books, paintings, drawing, studies, sketchbooks, original wooden blocks and other artifacts, plus Logan's collection of cartoon and illustrator art, can be found at the Marianna Kistler Beach Museum of Art, Kansas State University. All their holdings have been digitized.

Additional collections: Amon Carter Museum of American Art, Research Library. Herschel Logan : Artist Files Charlotte M. Smith Collection of Miniature Books, University Archives, The University of Iowa Libraries: a large collection of Log-Anne Press and other miniature books Cleveland Museum of Art, Ingalls Library. Logan, Herschel C., 1901-. artist file Emprise Bank Art Gallery Kansas Museum of History Sandzén Memorial Art Gallery University of California, Irvine, Langson Library.The Westerners collection Ablah Library. Wichita State University, Artist File: Herschel C. Logan Wichita Art Museum, 170+ items including most of Logan's miniature books.