Helen Nelson Napaljarri

Helen Nelson Napaljarri (born c. 1949), also known as Helen White Napajarri or Helen Spencer Napaljarri, 'Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus 'Helen Nelson' is the element of the artist's name that is specifically hers.

She worked in Yuendumu, Northern Territory as a teaching assistant and literacy worker, and it was there that she first painted in the 1980s, with Warlukurlangu Artists.

Art and writing

Background Contemporary Indigenous art of the western desert began when Indigenous men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon. Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983. By the 1980s and 1990s, such work was being exhibited internationally. The first artists, including all of the founders of the Papunya Tula artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting. However, there was also a desire amongst many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the western desert communities such as Kintore, Yuendumu, Balgo, and on the outstations, people were beginning to create art works expressly for exhibition and sale. which in Helen's case include Ngarlkirdi (witchetty grub) and Wardapi (goanna) dreamings. Her paintings have been exhibited in the United States, and are held in the collections of the South Australian Museum and Art Gallery. She also worked on literature to assist teaching English as a second language to Aboriginal children, collaborating on The python who went in search of a burrow and A Frightening Sight, both published in 1985.

Collections Art Gallery of South Australia South Australian Museum