Harolyn Blackwell

Harolyn Blackwell (born November 23, 1955) is an American lyric coloratura soprano who has performed in many of the world's finest opera houses, concert halls, and theaters in operas, oratorios, recitals, and Broadway musicals. Initially known for her work within musical theater during the early 1980s, Blackwell moved into the field of opera and by 1987 had established herself as an artist within the soubrette repertoire in many major opera houses both in the United States and in Europe. Feeling that she was being "type cast" into one particular kind of role, Blackwell strove to establish herself within the lyric coloratura repertoire beginning in the mid-1990s. With the aid of such companies as Seattle Opera, Blackwell successfully made this move and is now an interpreter of such roles as Lucia in Donizetti's Lucia di Lammermoor and Olympia in Offenbach's Les contes d'Hoffman. She has also periodically returned to musical theater performances throughout her career in staged productions, concert work, and recitals. Blackwell is known for her interpretations and recordings of the works of Leonard Bernstein.

Early life and education Harolyn Blackwell was born in Washington, D.C. on November 23, 1955, the eldest of five children. Both of her parents were teachers and active participants in the Civil Rights Movement. Her father, Harold Blackwell (for whom she was named), was also a redevelopment specialist with the United States Department of Housing and Urban Development in Washington, D.C. for many years, and her mother taught physical education and health at the University of the District of Columbia.

Blackwell first became interested in music through the influence of her fourth grade teacher, Nancy Notargiacomo, who eventually became her voice and piano teacher when she was 10. She also credits her high school choral director for encouraging her to pursue a music career. In a 2003 interview Blackwell recalled, "I did not come from a musical family. I had a fourth grade teacher that introduced me to music and I sang at the Catholic church. In high school I started doing musicals − The Sound of Music, Brigadoon, Oliver!, and so forth. I thought maybe this would be what I would pursue after high school, although even in my senior year in high school I had doubts. I wanted to go into history or fashion design. But, I had a wonderful choral director who said 'no, your calling is music,' and she convinced me."

Blackwell attended Catholic University where she majored in vocal music education and also spent time in activities and classes related to the University's drama and musical theater programs. Blackwell said, "I wasn't quite sure whether I wanted to pursue classical or musical theater. I knew that whichever I chose, I wanted to have a classical training. It was important to me to have the technical expertise as well as also the theory and understanding of classical music. Catholic University was the best of both possible worlds, because they had a very strong drama department as well as a very good music department. They were next door, so I spent quite a bit of time going back and forth between the drama department and the music department."

Early career Blackwell's first professional engagements were with Toby Orenstein's the Young Columbians with whom she performed in 1976-1977 singing songs like "After the Ball," "Summertime" and "Smoke Gets in Your Eyes". In 1979, while preparing a recital program for her master's degree, Blackwell auditioned for the Broadway revival of West Side Story. Impressed with her audition, Leonard Bernstein hand picked her for the role of Francisca (formerly named Consuela in the original 1957 production) and the understudy for Maria in the 1980 revival. As Francisca, Blackwell sang the song Somewhere from the orchestra pit during the final scene of the musical. For the next two-and-a-half years she toured with the show, gaining skills no operatic training could have provided. Blackwell said, "I learned about characterization, how you went about becoming that person", she said. "I learned stamina, how to do eight shows a week. And I learned to make the stage my home, where I felt 100 percent comfortable." At the show's premiere, critics remarked how similar Blackwell sounded to opera singer Reri Grist who originated the role of Consuela. Coincidentally, Blackwell met and befriended Grist in 1985 when she coached Blackwell for her European debut as Oscar in Verdi's Un ballo in maschera with the Hamburg State Opera.

In 1981, Blackwell auditioned for and was accepted into both the Houston Grand Opera and Lyric Opera of Chicago young artist programs. Having to choose between the two, Blackwell decided to go to Chicago. After singing with the company in small parts for a year, Blackwell left the program and moved back to New York to study vocal technique more intensely with Shirlee Emmons. She went on to win the Metropolitan Opera National Council Auditions in 1983. Up to this point Blackwell was still uncertain as to whether she would continue pursuing an opera career or go back to musical theater. With winning the Met Auditions, however, her career path became decidedly reoriented towards opera. "It fit so naturally", she explains of the then new foray into opera, "it was as if I'd put on a pair of old shoes." Following her win, Blackwell continued in her apprenticeship at the Lyric Opera of Chicago for a year. In 1987 she made her Metropolitan Opera debut as Poussette in Manon. Since then Blackwell's career has flourished. She has appeared several more times with the Metropolitan Opera in productions such as Un ballo in maschera, Le nozze di Figaro, Die Fledermaus, and Werther among others.

In 1989 Blackwell performed and recorded the role of Clara in a critically acclaimed production of Gershwin's Porgy and Bess with the Glyndebourne Festival Opera. The recording won a Grammy Award and Blackwell performed the aria "Summertime" at the 1990 Grammy Awards. That performance was praised highly and raised Blackwell's profile as an opera singer to watch. In 1991, Blackwell made her debut with the San Francisco Opera as Zerlina in Mozart's Don Giovanni. That same year she gave a highly praised performance as Oscar in Verdi's Un ballo in maschera with the Metropolitan Opera opposite Luciano Pavarotti. The performance was video taped and subsequently aired on PBS' Great Performances. Blackwell appeared on Great Performances again in 1993 in the concert Sondheim — A Celebration at Carnegie Hall where she performed music from Stephen Sondheim's Sweeney Todd. The concert has subsequently been released on DVD and CD. In 1994 Blackwell replaced Kathleen Battle as Marie in La fille du régiment at the Metropolitan Opera for the entire run when Battle was fired from the production for unprofessional conduct.

In 1997 Blackwell returned to Broadway to star as Cunegonde in Bernstein's Candide. Although Blackwell earned rave reviews for her singing, the production as a whole was not well received. Most critics blamed the productions flaws on Hal Prince's interpretation and direction that caused a lack of overall focus within the show. Others have blamed the problems on inherent flaws within the musical's book. Blackwell can be heard on the recording of the 1997 revival. Blackwell had also previously recorded several other works by Bernstein the year before on her solo album Blackwell Sings Bernstein that was released on the RCA label. The album features a guest performance by Vanessa L. Williams as Anita in selections from West Side Story.

Blackwell has also performed in many acclaimed concert series and given many lauded recitals over the years. She has performed at London's Wigmore Hall, Carnegie Hall's Weill Recital Hall, The San Francisco Performance Series at the Herbst Theatre, the Morgan Library, the Kennedy Center, and the Ambassador Foundation Performing Arts Series in Los Angeles. In 2002-2003 she toured the United States giving concerts with Florence Quivar. She has also performed for several notable figures. In 1999 Blackwell was invited to perform at the Vatican for Pope John Paul II's 80th birthday.

Other major national and international opera companies and festivals that Blackwell has performed with include: the Washington National Opera, Canadian Opera Company, Aix-en-Provence Festival, Opera Orchestra of New York, and New York City's Mostly Mozart Festival among others.

Also an accomplished singer of the concert repertoire, she has performed with the Pittsburgh Symphony, the Cincinnati Symphony, the Dallas Symphony, the Seattle Symphony, the New York Philharmonic, the Munich Philharmonic, the Oslo Philharmonic, the New Jersey Symphony, the NHK Symphony Orchestra, the Boston Pops and the London Symphony Orchestra.

Adele, Die Fledermaus (Johann Strauss II) Barbarina, The Marriage of Figaro (Mozart) Blondchen, Die Entführung aus dem Serail (Mozart) Clara, Porgy and Bess (Gershwin) Constance, Dialogues of the Carmelites (Poulenc) Despina, Così fan tutte (Mozart) Gilda, Rigoletto (Verdi) Giulietta, I Capuleti e i Montecchi (Bellini) Lakmé, Lakmé (Delibes) Lucia, Lucia di Lammermoor (Donizetti) Marie, La fille du régiment (Donizetti) Marzelline, Fidelio (Beethoven)

Nanetta, Falstaff (Verdi) Norina, Don Pasquale (Donizetti) Olympia, Les contes d'Hoffmann (Offenbach) Oscar, Un ballo in maschera (Verdi) Poussette, Manon (Massenet) Sophie, Der Rosenkavalier (Richard Strauss) Sophie, Werther (Massenet) Susanna, The Marriage of Figaro (Mozart) Valencienne, Die lustige Witwe (Franz Lehár) Xenia, Boris Godunov (Mussorgsky) Zdenka, Arabella (Richard Strauss) Zerlina, Don Giovanni (Mozart)

Educator Blackwell has always seen herself as an educator as well as an opera singer, partly because of her roots as a music teacher. She recalls about her years spent teaching in the late 1970s, "I taught at two parochial schools, one in Washington, D.C., and the other in Bethesda, Maryland, and I had to fight for my children to be able to go down to the Kennedy Center to see an opera. I got the English teacher, the history teacher and the art teacher to come together and work on this project where we all talked about the music, the art, the history and the literature from the period." She currently teaches on the voice faculties of Manhattan School of Music, Barnard College and New York University.

Personal life Blackwell has been married to businessman Peter Greer since 1991. A Catholic, she has stated about her voice that "God had given me this gift. I want to use it well." In 1994, the New York Times said, "Her performances at the Met since her 1987 debut as Pousette in "Manon" have won consistent praise, both for the purity and suppleness of her voice and for her poised, persuasive acting." A 2000 article in the Seattle Post Intelligencer in review of her performance of the title role in Lucia di Lammermoor said, "Vocally and dramatically, this is a role that is perfectly suited to Blackwell; the voice is the right size, the right timbre and has the right flexibility for this coloratura challenge. Agile and clear, her soprano soars and floats like an eagle on an updraft. The two big E-flats in the Mad Scene were right on target." In 2001 Opera News said, "Harolyn Blackwell sang beautifully, with crisp, unfussy diction... She sang with a satisfying lyricism, and her "Summertime" was mesmerizing." A 2005 Seattle Times article said in their review of her portrayal of Olympia in Les contes d'Hoffman, "Another scene-stealer was Harolyn Blackwell, who brought down the house with her perfect coloratura fireworks."

Awards Ms. Blackwell is a recipient of numerous awards and honors, one of which provided her the opportunity to study in Italy with Renata Tebaldi and Carlo Bergonzi. Early on in her career she won Baltimore Opera's Puccini Foundation Award, was a winner of the WGN-Illinois Opera Guild "Audition of the Air", was awarded two Career Grants from the Richard Tucker Music Foundation, and the Alumna of the Year Award from Catholic University. More recently, Siena College bestowed upon her an Honorary Doctorate of Humane Letters and she was awarded an Honorary Doctorate of Music from George Washington University.

Watch and listen To hear Harolyn Blackwell sing the role of Norina from Donizetti's Don Pasquale click here: To hear Harolyn Blackwell sing the roles of Clara from Gershwin's Porgy and Bess, Oscar from Verdi's Un ballo in maschera, and Johanna from Stephen Sondheim's Sweeney Todd click here: To see Harolyn Blackwell in an interview with Charlie Rose concerning her replacement of Kathleen Battle click here:

Discography

Solo recordings "Strange Hurt" — 1994 - RCA Victor 09026-61944-2 (Song cycles by Maury Yeston & Ricky Ian Gordon) Blackwell Sings Bernstein, a Simple Song — 1996 All Through The Night — 2006

Classical recordings Brahms: Ein Deutsches Requiem — 2000 (London Symphony Orchestra) Gershwin: Porgy and Bess — 1998 (Cincinnati Pops Orchestra) Canadian Brass: Noël — 1994 Gershwin: Porgy and Bess — 1989 (Glyndebourne Festival Opera)

Musical recordings Candide — 1997 - RCA Victor 09026-68835-2 Sondheim - A Celebration at Carnegie Hall — 1993

DVD appearances Sondheim — A Celebration at Carnegie Hall — 1993 Un ballo in maschera — 1991 (Metropolitan Opera)

Selected television appearances A Capitol Fourth — 2008 (PBS) Pops Goes The Fourth — 1994 (A&E) Porgy and Bess — 1993 (BBC, as Clara) Sondheim — A Celebration at Carnegie Hall — 1993 (PBS' Great Performances) Un ballo in maschera — 1991 (Oscar in the Metropolitan Opera production, PBS's Great Performances) 1990 Grammy Awards