About Ham Jeung-im
Born 1964. Ham Jeung-im is a South Korean writer and novelist.
Ham Jeung Im (; born 1964) is a South Korean writer, professor, and former literary editor. She began writing articles on Korean literature for the journal Monthly Literature & Thought when she graduated from university, and went onto become the editor-in-chief of the journal Writerโs World and the publisher Solbook. She made her literary debut in 1990 when her short story โGwangjangeuro ganeun gilโ (๊ด์ฅ์ผ๋ก ๊ฐ๋ ๊ธธ The Road to the Square) won the Dong-a Ilbo New Writer's Contest and has written prolifically since. In 1993, she married Kim So-jin, a leading realist writer in South Korea. She stayed with him until his death in 1997. Her experience as a writer, editor, and spouse of another writer gives her a unique perspective on 1990s Korean literature.
Life Ham Jeung Im was born in 1964 in Gimje, South Korea. She studied French language and literature at Ewha Womans University. As a university student, she knew very little about the South Korean literary scene to the extent that she was not able to name any of the major literary journals in the country. In her final year of university, however, she won a poetry contest held by SNU Press. Subsequently, the journal Monthly Literature & Thought asked her to write a feature article entitled โIssues in Korean Literature Through the Eyes of a College Studentโ and even hired her when she graduated. Starting out as a rookie staff writer, her sudden exposure to a range of Korean literature made her recognize her own ignorance of the subject, which ignited her latent passion for writing. It is during this time that she wrote her award-winning debut short story, โGwangjangeuro ganeun gilโ(๊ด์ฅ์ผ๋ก ๊ฐ๋ ๊ธธ The Road to the Square). Ham Jeung Im believes the story won an award mainly because โit is a confessional story that diverges from the dominant writing style of the eighties.โ Following her tenure at Monthly Literature & Thought, she enjoyed a successful editing career as the editor-in-chief of the journal Writerโs World and the publisher Solbook. At the same time, her writing career took off and she emerged as a prominent female writer in South Korea in the 1990s.
In 1993, Ham Jeung Im married her romantic partner and literary colleague Kim So-jin. She took a hiatus for two and a half years, during which she grappled with the question of what role literature must play in the battle between print and video media. In 1997, her husband died at the age of 35. In 2005, she married Park Hyeong-sup, a professor at Pusan National University. She currently works at the Korean Literature department of Dong-A University and juggles research with writing.
Writing Ham Jeung Im describes the themes and style of her early work as follows:
โWhat was I to write about? My experience of how the individual can be oppressed by the group or historical forces inspired me to write โGwangjangeuro ganeun gilโ (๊ด์ฅ์ผ๋ก ๊ฐ๋ ๊ธธ The Road to the Square). From then to the time I wrote Iyagi, tteoreojineun gamyeon (์ด์ผ๊ธฐ, ๋จ์ด์ง๋ ๊ฐ๋ฉด Story, Falling Mask) (1992), the issue I was most interested in was communication. My guilt at not participating in the 1980s anti-government movement out of cowardice and my fear of public squares heavily influenced the way I view the world and write literature. A more immediate influence was the distress, powerlessness, and inevitable sense of disconnect I felt up against large newspaper organizations in the process of my literary debut. Literature held little meaning for me other than to go back to the beginning and find the right place for each being. It was a Ulyssean struggle to return to my origins after โthe groupโ collapsed. I was interested in exploring existence, which is something that was pitifully destroyed by the rigorism and rules of the eighties.โ
To write about the new ethos of the 1990s, which involved exploring existence without being bound by the rigid conventions of the 1980s focusing on history and the nation, Ham Jeung Im chose subject matter or forms that radically differed from the previous decadeโs. One critic observes that her early workโs โoveruse of pronounsโ is โlikely an influence from Indo-European languagesโ and that she โexperiments with not revealing the subject of her story right away.โ
Ham Jeung Im later shifts her attention from the ethos of the nineties toward women. Her second short story collection Bameun malhanda (๋ฐค์ ๋งํ๋ค The Night Speaks) continues to investigate the origins of writing fiction, while addressing the existential solitude of women and the oppression they face in their daily lives. Critic Kim Mi-hyeon notes that โall of her protagonists are female writers,โ who โview the world as a desert full of sand graves, feeling like a perpetual outsider or a wanderer with no true home.โ Testing out new themes or styles and constantly asking questions about female agency are two of the most important aspects in understanding Ham Jeung Im's works.
Works
Short story collections
ใ์ ๋ ์์ฌ๊ฐ ๋๋ ๋คใ, ๋ฌธํ๋๋ค, 2015๋ , (After Dinner. Munhakdongne, 2015.) ใ๊ณก๋ใ, ์ด๋ฆผ์, 2009๋ , (Phantom. Yolimwon, 2009.) ใ๋ค ๋ง์์ ํธ๋ฅธ ๋ใ, ๋ฌธํ๋๋ค, 2006๋ , (The Blue Eyes of Your Heart. Munhakdongne, 2006.) ใ๋ฒ์ค, ์ง๋๊ฐ๋คใ, ๋ฏผ์์ฌ, 2002๋ , (The Bus Passes. Minumsa, 2002.) ใ๋น์ ์ ๋ฌผ๊ณ ๊ธฐใ, ๋ฏผ์์ฌ, 2000๋ (Your Fish. Minumsa, 2000.) ใํ๋ณตใ, ๋๋คํ์ฐ์ค์ฝ๋ฆฌ์, 1998๋ , (Happiness. Random House Korea, 1998.) ใ๋ํใ, ๊ฐ, 1998๋ , (Companion. Gang, 1998.) ใ๋ฐค์ ๋งํ๋คใ, ์ธ๊ณ์ฌ, 1996๋ , (The Night Speaks. Segyesa, 1996.) ใ์ด์ผ๊ธฐ, ๋จ์ด์ง๋ ๊ฐ๋ฉดใ, ์ธ๊ณ์ฌ, 1992, (Story, Falling Mask. Segyesa, 1992.)
Novels and non-fiction
ใ๋ฌด์๋ณด๋ค ์์ค์ - ๋ ๊น๊ฒ, ๋ ์ง๊ฒ, ํผ์๋ง์ ์ํ ์ง๋ ํ ๋ ์ใ, ์๋ด, 2017๋ , (Fiction Above All: Deeper and Denser, an Intense Reading for Only Myself. Yedam, 2017.) ใ๋จน๋ค, ์ฌ๋ํ๋ค, ๋ ๋๋ค - ๋ ธ๋ง๋ ์์ค๊ฐ ํจ์ ์์ ์ธ๊ณ ์๋๋ฝ ๊ธฐํใ, ํธ๋ฅด๋ฉ, 2014๋ , (I Ate, I Loved, I Left: Gastronomical Adventures of the Nomad Novelist Ham Jeung Im. Purme, 2014.) ใ์์ค๊ฐ์ ์ฌํ๋ฒ - ์์ค์ ์ฌ๋ํ๊ธฐ์ ๊ทธ๊ณณ์ผ๋ก ๋ ๋๋คใ, ์๋ด, 2012๋ , (How a Novelist Travels: Visiting Places in the Books You Love. Yedam, 2012.) ใ๋ด ๋จ์์ ์ฑ ใ, ๋ฟ(์ ์ง), 2011๋ , (My Manโs Book. Bbul, 2011.) ใ๋๋ฅผ ๋ฏธ์น๊ฒ ํ๋ ๊ฒ๋คใ, ํธ๋ฅด๋ฉ, 2007๋ , (Things That Drive Me Crazy. Purme, 2007.) ใ์์ฃผ ์ฌ์ํ ์ค๋ ใ, ์๊ฐ์ ์ , 2006๋ , (A Very Trivial Addiction. Jakkajungsin, 2006.) ใ์ถํ์ถ๋ใ, ๋ฏผ์์ฌ, 2004๋ , (Four Seasons. Minumsa, 2004.) ใ์ธ์์ ์ฌ์ฉ - ์์ค๊ฐ ํจ์ ์์ ํ๋์ค ํ๋ฆฌ ์ฐ์ฑ ใ, ํด๋, 2003๋ , (Using Life: Novelist Ham Jeung Imโs Walk around Paris. Hainaim, 2003. )
Awards
2013: 37th Yi Sang Literary Award Runner-up 2012: 36th Yi Sang Literary Award Runner-up 2006: 30th Yi Sang Literary Award Runner-up
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Important facts
People in Ham Jeung-im's life
Named in this biography and alive at the same time
Contemporaries
People whose lives overlapped Ham Jeung-im's
Frequently asked questions
Who is Ham Jeung-im?
South Korean novelist
When was Ham Jeung-im born?
Ham Jeung-im was born on 7 February 1964 in Gimje.
What is Ham Jeung-im's occupation?
Ham Jeung-im is a writer and novelist.
What nationality is Ham Jeung-im?
Ham Jeung-im is South Korean.
Sources & further reading
Cite this page
APA: Biography.guide. (2026). Ham Jeung-im. https://biography.guide/ham-jeung-im/
MLA: "Ham Jeung-im." Biography.guide, https://biography.guide/ham-jeung-im/.
Chicago: "Ham Jeung-im." Biography.guide. https://biography.guide/ham-jeung-im/.
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