Gregor Strniša

Gregor Strniša (18 November 1930 – 23 January 1987) was a Slovenian poet, playwright, and songwriter. He is considered one of the most important Slovene-language poet of the second half of the 20th century. He spent most of his life away from public light, and has gained widespread recognition only after his death.

Life Strniša was born in Ljubljana, Slovenia, then part of the Kingdom of Yugoslavia, to his father Gustav Strniša (1887–1970), himself a young adult fiction writer, and mother Alojzija, as their fourth child.

He was accused together with his parents, who were involved in helping Slovene political emigrants across the border to the West, of "organizing an underground anti-Communist opposition and of revealing state secrets" by the Titoist regime and was in 1949 sentenced to four years in prison, but was released after two years on probation while a high school student at the Classical Grammar School of Ljubljana.

He went on to study languages at the University of Ljubljana where he got his diploma in 1961 after studying the German and English languages. During his study he also attended classes in ancient languages and learned Hebrew, and the basics of Sumerian and Akkadian. His poems, exploring multiple universes, interconnected through a mysterious and magical fate, have been translated into English, French, Italian, Spanish, German, Greek, Russian, Belarusian, Czech, Polish, Croatian, Hungarian, Romanian, Slovak, Albanian, Turkish and Esperanto. His most well known plays include Samorog (Unicorn) and Žabe (Frogs) which were translated into Serbian, and Ljudožerci (Cannibals) which was translated into German. In 1986, he received the Prešeren Award, the highest prize for literary achievements in Slovenia. His work has been examined by 26 university diploma theses.

Songwriting After graduation in 1961, he mostly made his living as a songwriter, writing the lyrics for a number of Slovenian pop songs, including the 1962 song "The Earth is Dancing," which won an award at the first Slovenian song festival. Despite it, he considered songwriting a degradation compared to writing poetry.