Ginislao Paris

Ginislao Paris (1852 – after 1917) was an Italian composer and musician in the Russian Empire who played trombone with the Russian Imperial Opera Orchestra in St. Petersburg. He also played mandolin, founding the first mandolin orchestra in Russia, The society of amateur Mandolinists and Guitarists in the 1880s. Mandolinists such as Avi Avital and Joseph Brent use them, and they are custom instruments, today. Another is a Liuto cantabile (known as the Russian Embergher) of model 5 bis, another mandolin No.5 bis and a mandola model 5 bis, held in private collections. In Russian he was known as Джинислао Францевич Парис (Djenislav Frantzevich).

From 1868 to 1872 Paris served as a volunteer in Italian military forces. He began his career as a trombonist in the orchestra of the Russian Imperial Opera in St. Petersburg at the Mariinsky Theatre Orchestra on 1 January 1876. He married Maria Alexandrovna Strasser in St. Petersburg in 1879. They had daughters: Violetta-Tamara (b.1882) and Margherita (b.1893). which eventually became the first mandolin orchestra in Russia. According to Flaviy Sokolov's book, Vasily Andreyev was inspired by the Ginislao Paris orchestra to turn from his solo balalaika performances to creation of a full orchestra of Russian folk instruments. Cover of A New and Practical School for Mandolin (Новая практическая весьма понятная школа для мандолины) by Ernesto Köhler, with dual German-Russian entries. Version market to Germans was published c. 1887.

Carlo Graziani-Walter, noted Italian mandolinist and composer of his time dedicated his rendition of Rimembranze from Gounod’s Faust for mandolin to Ginislao Paris. The dedication says "All’ Egregio Signor Ginislao Paris, Professore nei Teatri Imperiali, Maestro Direttore del Circolo Mandolinisti di Benificenza a Pietroburgo" (To Mr. Ginislao Paris, Professor at the Imperial Theaters, Master Director of the Benedictine Mandolinist Circle in Petersburg). Along with violin maker Pietro Bozzolo (1840–1907), Paris was a member of the Revisionary Commission of the Italian Charitable Society of St. Petersburg. Proceeds from the concerts were given to that charity. Russian (and later American) ballet dancer Michel Fokine, Anna Pavlova's friend and colleague, in his memoirs recalls playing mandolin in Ginislao Paris' ensemble and later joining Andreyev's Russian orchestra on domra before giving up playing on stage in favour of his ballet career.

Ginislao Paris played in the same orchestra with another Italian, flautist Ernesto Köhler, who also played mandolin and wrote the first mandolin method book in Russia, (First edition published by J.H. Zimmermannin 1887). He was probably also involved in Ginislao Paris circolo. According to the Imperial Theatres director Telyakovski's diaries, together with Riccardo Drigo, Ginislao Paris wrote music to "Son Uslady" (The Dream of Uslada) performed in January 1903.

Ginislao Paris became a Russian citizen in 1899. In 2023 a small garden in Montecalvario, Naples has been named after Ginislao Paris.