George Quasha

George Quasha (born 1942) is an American artist and poet who works across media, exploring language, sculpture, drawing, video art, sound and music, installation, and performance. He lives and works in Barrytown, New York.

Early life Quasha was born on July 14, 1942, in White Plains, New York, and grew up in Florida.

Work His axial stones are delicately balanced sculptures of two (occasionally three) stones positioned one upon another at the most precarious point discovered. "Axial" refers to the invisible axis that comes into focus at the moment of precarious balance. In addition to axial stones, Quasha has created axial drawings, executed with two hands simultaneously; axial drumming/music, non-metrical pulsation-based rhythm arising from interaction of instruments, sounds, surfaces; and axial poems, discovering points of charged variability in actual language use and bringing about a self-actualizing process. Just the face of each person is shown at the moment of saying, for instance, what art is.

His work of preverbs extends this principle (axial/liminal/configurative) in discrete acts of language called preverbs. He has spoken about this principle in relation to the poetics of Jackson Mac Low and David Antin.

With Susan Quasha he is founder/publisher of Barrytown/Station Hill Press.

Exhibitions Solo exhibitions of his axial stones and axial drawings have taken place at the Baumgartner Gallery in New York (Chelsea), the Slought Foundation in Philadelphia, and the Samuel Dorsky Museum of Art at SUNY New Paltz. This work is also featured in the book, Axial Stones: An Art of Precarious Balance, Foreword by Carter Ratcliff (North Atlantic Books: Berkeley, 2006). Other awards include a National Endowment for the Arts Fellowship in poetry. He has taught at Stony Brook University (SUNY), Bard College, New School University (Graduate Anthropology Department), and Naropa University. Open Poetry (with Ronald Gross, Simon & Schuster: 1973) Somapoetics (Sumac Press: 1973) An Active Anthology (with Susan Quasha, Sumac Press: 1974) Word-Yum (Metapoetics Press: 1974) Giving the Lily Back Her Hands (Station Hill Press, 1979) HanD HearD/liminal objects: Gary Hill’s Projective Installations, Number 1 (with Charles Stein, Station Hill Press: 1997) Tall Ships: Gary Hill’s Projective Installations, Number 2 (with Charles Stein, Station Hill Press: 1997) Viewer: Gary Hill’s Projective Installations, Number 3 (with Charles Stein, Station Hill Press: 1997) Ainu Dreams (with Chie Hasegawa, Station Hill Press: 1999) The Station Hill Blanchot Reader: Fiction & Literary Essays (ed. George Quasha, Station Hill Press: 1999) Gary Hill: Language Willing (further/art and Boise Art Museum: 2002) Axial Stones: An Art of Precarious Balance (North Atlantic: 2006), foreword Carter Ratcliff An Art of Limina: Gary Hill's Works and Writings, with Charles Stein (Poligrafa: 2009), foreword Lynne Cooke. Verbal Paradise (preverbs) (Zasterle Press: 2010) Scorned Beauty Comes Up From Behind (preverbs) (Between Editions: 2012) Speaking Animate (preverbs) (Between Editions: Barrytown, NY: 2014) Glossodelia Attract (preverbs) (Barrytown/Station Hill Press: 2015) Things Done for Themselves (preverbs) (2015: Marsh Hawk Press) The Daimon of the Moment (preverbs) (Talisman House Press: 2015) art is (Speaking Portraits) (Performance Ideas: PAJ, 2016) "Divine Revelation in the Literal Expression, Journal for Cultural and Religious Theory: Special Issue on "Thomas J. J. Altizer and Radical Theology" (Winter 2019-20) 19:1 189-201. https://jcrt.org/archives/19.1/