Emily Fowler

Susannah Fowler (22 July 1847 – 1 December 1896) known by her stage name Emily Fowler, was an English actress, singer and sometime theatre manager. Beginning in burlesque and other mostly musical works, she later focused on contemporary drama and English classics. Although she was well known on the London stage from 1869 to 1881, she is probably best remembered today for creating roles in three of W. S. Gilbert's early works.

The daughter of a Lancashire cabinet-maker, Fowler was educated in France and Germany, and danced abroad before returning to England at fifteen years of age, where she made her London début in a long-running burlesque of Black-Eyed Susan. She soon created roles in Gilbert's burlesques The Merry Zingara (1868) and Robert the Devil (1869), and also dramatic roles. She took over the management of the Charing Cross Theatre for the 1869–1870 season, at the age of 22, playing more burlesque and drama roles by such playwrights as H. J. Byron, Wybert Reeve and Tom Taylor. In 1870 she originated the leading part of Hans Gopp in The Gentleman in Black, a comic opera by Gilbert and Frederic Clay. Other West End roles followed in drama, pantomime and burlesque. In 1871 she toured with Henry Neville, including in the melodrama The Ticket-of-Leave Man.

Leaving behind musical works and building her reputation as a dramatic actress, she played several roles at the Olympic Theatre, including Beatrice in Much Ado About Nothing (1874). She soon also played Lady Teazle in The School for Scandal and Katherine of Valois in Henry V. In 1878 she became manager of the Royalty Theatre where she played the title role in W. G. Wills's Nell Gwynne. Other West End roles included Perdita in A Winter's Tale at the Drury Lane, and she also toured during this period with Neville in As You Like It among other plays. In 1880, with Henry Irving's company, she played Emily de L'Esparre in The Corsican Brothers at the Lyceum Theatre.

The same year she married for a third time, retired from the stage, and travelled with her husband's regiment, living for a time in India and Penang. She returned to Britain in 1894 to play Lady Winifred Skipton in An Aristocratic Alliance for Charles Wyndham before retiring again.

Early life and career Fowler was born in Rochdale, Lancashire, the daughter of a cabinet-maker, Samuel Matthew Fowler, and his wife Sophia née Fox. She had four siblings, Clarissa, Samuel, Emily and Sophia. Her family moved to London before 1860, when her father died. According to a profile in the Illustrated Sporting and Dramatic News in 1878, Fowler was educated in France and Germany, and "made her first appearance on the stage abroad as a dancer, under the tuition of Espinosa".

The article in the Illustrated Sporting and Dramatic News later recounts that Fowler returned to England when fifteen years of age and made her London début but The Morning Post reviewed her performance in the piece the previous year: "As Gnatbrain, in the extravaganza, she attracts attention by the expertness of her dancing and the general brightness and gaiety of her performance". |group=n in a musical burlesque by F. C. Burnand of the melodrama Black-Eyed Susan, which ran at the Royalty Theatre from 1867 for 400 performances. The same year, she married John Frederick Fenner, a chorister at the Royalty. The union did not last long, and both parties later married bigamously; he died in 1877. She soon created another burlesque breeches role at the Royalty – Florestein – in W. S. Gilbert's The Merry Zingara (1868).

Peak career In 1869, at the Gaiety Theatre, she created the role of Alice in Gilbert's Robert the Devil (1869) and also played Butts (a maid) in the companion piece, a play, On the Cards. There she also originated the roles of Paraquita ("Queen of Kokatouka") in Columbus (1869). When Fowler took over the management of the Charing Cross Theatre for the 1869–1870 season, at the age of 22, she played Mephistopheles in a new burlesque, Very Little Faust and More Mephistopheles (1869), starred as the hero, Abon Hassan in a burlesque by Arthur O'Neil of Arabian Knights, Mrs Marchmont in Not so Bad After All (in which, according to the Illustrated Sporting and Dramatic News she had "a triumph") and roles in several more plays and burlesques, some by Wybert Reeve. The theatre historian Kurt Gänzl speculates that Reeve was Fowler's financial backer.

Later in 1870 she played in Free Labour by Charles Reade at the Adelphi Theatre and at Christmas she starred at the Olympic Theatre as Prince Lardi Dardi in a pantomime of The White Cat. She began to build a reputation in drama playing, for example, Kate Bertram in The Rights of Woman. In 1871 she toured with Henry Neville in Dion Boucicault's Elfie, playing Rose Aircastle and Sam Willoughby in The Ticket-of-Leave Man. In 1874 at the Olympic she was Lady Betty Noel in Lady Clancarty by Tom Taylor and Beatrice in Much Ado About Nothing. Rutland Barrington, who appeared with Fowler in Lady Clancarty, called her "one of the most delightful soubrettes that ever graced the stage". She also portrayed Louise in The Two Orphans at the Olympic. She also played the role of Lady Teazle in The School for Scandal.

Last years In 1880 Fowler joined Henry Irving's company to play Emily de L'Esparre in a revival of The Corsican Brothers at the Lyceum Theatre. In that year Fowler married a third time, to a Captain (later Major) Walter Latham Cox, who appears to have been quartered in Oxfordshire for a time. |group=n after a bad attack of Indian fever and there I met Mr [Charles] Wyndham. ... We simply discussed the possibility of my return to the stage, and there, so far as I was concerned, the matter ended. On my restoration to health I rejoined my husband, and was looking forward to return to England with him and the battalion. In 1894 she accepted Wyndham's invitation to play Lady Winifred Skipton in An Aristocratic Alliance, an adaptation of , at the Criterion Theatre; it had only a modest run of 59 performances. After that she planned to revive one of her earlier successes, The Two Orphans, but was thwarted when another producer announced a revival of the piece, with Marion Terry in Fowler's old role of Louise.

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